Dear Haijin, visitors and travelers,
Mu apologies for being late, but I am on the nightshift. Today I had planned an episode about the tea ceremony and of course I will use that, but in a different way.
Several years ago I wrote a haibun about the Tea Ceremony, it was part of a haiku book I had created in Dutch. That haibun I have tried to translate and that's what I love to share today. I love to challenge you (as in our special feature Kamishibai) to write a haibun or kikobun about the tea ceremony.
The tea ceremony is really awesome to see, but it is even better to experience it and that's what my haibun is about.
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KNOCKING ON THE DOOR
I am in classical Japan and Rykyu has invited me for a Tja-no- Joe. My heart beats faster, my mind runs. Finally I'm going to experience the tea ceremony and for sure it will be an experience.
invitation
a hand written calligraphy
for a Tjaji
I walk to Rykyu's home. A beautiful Japanese House
surrounded by an even more splendid garden. Breathless, I look around me. ' Wow
', is the only thing I can bring out. I am deeply touched by this intense
experience. Tears roll over my cheeks. Slowly I walk on. Enjoying the garden,
the beautiful flowers, the rustling of the leaves of the ginkgo tree, the
splashing of water.
Rykyu's garden breathes the atmosphere of haiku, it
feels like I'm walking around in a haiku. The silk of my traditional kimono
feels great on my naked skin. The straw sandals fit perfectly.
I feel the heat and try to cool myself with my fan.
On the porch of Rykyu's house I smell the scent of
irises, lilies and honeysuckle. I knock at the door.
knocking on the door
the host expects his guest –
first day of spring
Rykyu invites me inside. I pull off my sandals
and put them next to the door jamb on the veranda under the Honeysuckle. Rykyu's house exudes peace and silence. His house is
aesthetically decorated. Every detail, each piece is chosen with love and from
the heart. I hear soft music. I see a young woman sitting in the
conservatory with a Shakuhachi. The music is illuminating and soothing. Rykyu
hands me a Koto. He nods. I hesitate to play the
instrument. He encourages me to play. Than …, the heavenly music resonates in
perfect harmony with the Shakuhachi. Serenity drops around me, only the
music. Through the window I see that the sun changes the color of the sky. The
night falls. This peace, this silence … This has to be the ultimate Japanese
experience. the host expects his guest –
first day of spring
The music fades away, a last cord and then … deep silence. Only the wind and the song of cicadas.
sweet summer night
cicadas sing their song
deep is the silence
cicadas sing their song
deep is the silence
Rykyu bends and smiles at me. I experience it as a
sincere thank you for the music. He beckons me.
I follow him into the garden. Finally I will experience
the tea ceremony. We walk through the garden. The fragrances of the evening are
overwhelming. I listen to the sounds of nature, the wind, the cicadas, the
rustling of the leaves and the splashing of water. We reach a water basin.
Rykyu scoops water and washes his hands.
I do the same. This is a moment of reflection, of cleansing and tuning in on
the tea ceremony.
wooden spoon--
the cool water
flushes the world away
the cool water
flushes the world away
full attention
I clean my hands –
the first step
I clean my hands –
the first step
We walk on. Rykyu has a beautiful tea house in his
garden. Made of bamboo. The door is low and I have to crawl inside. This is
equality and respect.
on my haunches
as all the guests
we are equal
as all the guests
we are equal
In the Tokonama I spot a calligraphed Zen saying:
"Emptiness
is not really empty, the spirit of emptiness there is always present “
I praise Rykyu with the choice of it. He bends and
smiles.
As I look around, I see all the amenities for the tea ceremony. I am caught by the sight of the tea bowls. They are beautiful, aesthetically pleasing and perfect. They are not perfectly round, but more oval, here and there a little less deep, but ... great.
And always the silence, deeper and more intense. One with the silence, one with each other, one with nature, one with the universe.
I admire the grace with which Rykyu prepares the tea ceremony. Every gesture, every movement is aesthetically pleasing and steeped in Zen.
As I look around, I see all the amenities for the tea ceremony. I am caught by the sight of the tea bowls. They are beautiful, aesthetically pleasing and perfect. They are not perfectly round, but more oval, here and there a little less deep, but ... great.
And always the silence, deeper and more intense. One with the silence, one with each other, one with nature, one with the universe.
I admire the grace with which Rykyu prepares the tea ceremony. Every gesture, every movement is aesthetically pleasing and steeped in Zen.
cleaning the tea bowls
while the water is cooking
ah! that silence
while the water is cooking
ah! that silence
While Rykyu is preparing the tea ceremony. I am
invited by the young woman, who accompanied us, to go outside and admire the
garden. The soft light of fire pits turns the garden into a fairy world. Breathtaking.
We walk through the garden. Each step is
thought out and aesthetic. This is what excites me so in the Japanese culture. Everything is thought out,
every act you do is aesthetically pleasing and full of Zen. This is what I lack
in the West.
in the garden
walking in silence –
Azalea in bloom
walking in silence –
Azalea in bloom
When we return in the tea house the calligraphed Zen
saying in the Tokonama is replaced by a single Chrysanthemum in a beautiful
vase decorated with a Sumi-e painting.
Sumi-e painting "Chrysanthemum" found on Pinterest |
Rykyu invites me to come. He cleans the tea bowls,
even in this I recognize aesthetics, his gestures, his movements all Zen.
He puts the powder tea in one of the tea bowls and pours boiling water on the tea. A frothy mass is formed. “This is the “thick tea”, I think.
He puts the powder tea in one of the tea bowls and pours boiling water on the tea. A frothy mass is formed. “This is the “thick tea”, I think.
bitter taste
the “thick tea” caresses my tongue
we share the bowl
“thick tea” as a source of contact
sharing unconditional love
the “thick tea” caresses my tongue
we share the bowl
“thick tea” as a source of contact
sharing unconditional love
The tea is drunk from one bowl that we share with each
other. I take three sips, make the edge clean and turn the tea bowl three
strokes while I have it on my palm. Then I give the tea bowl to the young woman. She takes the tea bowl with a bow and take three sips. She also makes
the edge clean and turns the bowl three strokes before she gives it back to Rykyu.
Rykyu accepts the bowl with a bow and takes three
sips, makes the edge clean and places the bowl in front of him. “Now the “thin
tea” will follow”, I think.
“thin tea” in earthen tea bowls
what a beauty
The tea ceremony is coming to an end. I admire the
earthenware tea bowls. At the end of this experience we write a 36-verses renga
together, “knocking on the door”.
As I say goodbye I am overwhelmed by emotions. This experience
I will never forget.
© Chèvrefeuille
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Well ... I hope you did like this episode, and I hope that I translated it all in the right way.
This episode is NOW OPEN for your submissions and will remain open until February 11th at noon (CET). I will try to publish our next episode, Ise Shrine, later on.
Fascinating, Kristjaan! Every single detail so beautiful - it was a true pleasure for me to read and enjoy.
ReplyDeleteStunning...
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