Dear Haijin,visitors and travelers,
The Tuvans
or Tuvinians (Tuvan: Tyvalar) are a Turkic ethnic group living in southern
Siberia. They are historically known as one of the Uriankhai, from the
Mongolian designation. The Tuvans' recent ethnic history is rooted in Mongol,
Turkic, and Samoyedic groups of peoples.
Tuvans have
historically been cattle-herding nomads, tending to their herds of goats,
sheep, camels, reindeer, cattle and yaks for the past thousands of years. They
have traditionally lived in yurts covered by felt or chums covered with birch
bark or hide that they relocate seasonally as they move to newer pastures.
Traditionally, the Tuvans were divided into nine regions called khoshuun,
namely the Tozhu, Salchak, Oyunnar, Khemchik, Khaasuut, Shalyk, Nibazy, Daavan
& Choodu, and Beezi. The first four were ruled by Uriankhai Mongol princes,
while the rest were administered by Borjigin Mongol princes.
Uriankhai
There
doesn't seem to exist a clear ethnic delineation for the application of the
name Uriankhai. Mongols applied this name to all tribes of Forest People. This
name has historically been applied to Tuvans. In Mongolia there are peoples
also known by this name. A variation of the name, Uraŋxai, was an old name for
the Sakha. Russian Pavel Nebol'sin documented the Urankhu clan of Volga Kalmyks
in the 1850s. Another variant of the name, Orangkae , was traditionally used by
the Koreans to refer indiscriminately to "barbarians" that inhabited
the lands to their north.
Credits: Tuvan on a horse |
They are two groups under the name Uriankhai: Mongol Uriankhai, Uriankhai (Tuva) of mixed Mongol-Turkic origin. All clans of the Mongol Uriankhai are Mongol, and Tuva Uriankhais have both Mongol and Turkic clans. In the beginning of the Mongol Empire (1206-1368), the Mongol Uriankhai (Burkhan Khaldun Uriankhai) were located in central Mongolia but in the mid-14th century they lived in Liaoyang province of modern China. In 1375, Naghachu, Uriankhai leader of the Mongolia-based Northern Yuan dynasty in Liaoyang province invaded Liaodong with aims of restoring the Mongols to power. Although he continued to hold southern Manchuria, Naghachu finally surrendered to the Ming dynasty in 1387–88 after a successful diplomacy of the latter. After the rebellion of the northern Uriankhai people, they were conquered by Dayan Khan in 1538 and mostly annexed by the northern Khalkha. Batmunkh Dayan Khan dissolved Uriankhai tumen and moved them to Altai Mountains and Khalkha land.
Credits: Tuvan throat singer (in Paris) |
Tuvan
throat singing, Khoomei, Hooliin Chor (in Mongolian, ‘throat harmony’), or
Mongolian throat singing is one particular variant of overtone singing
practiced by people in Mongolia, Inner Mongolia, Tuva and Siberia.
In
Mongolian throat singing, the performer produces a fundamental pitch and—simultaneously—one
or more pitches over that. The history of Mongolian throat singing reaches far
back. Many male herders can throat sing, but women are beginning to practice
the technique as well. The popularity of throat singing among Mongolian seems
to have arisen as a result of geographic location and culture. The open
landscape of Mongolia allows for the sounds to carry a great distance.
Ethnomusicologists studying throat singing in these areas mark khoomei as an
integral part in the ancient pastoral animism that is still practiced today.
Often, singers travel far into the countryside looking for the right river, or
go up to the steppes of the mountainside to create the proper environment for
throat-singing.
The
animistic world view of this region identifies the spirituality of objects in
nature, not just in their shape or location, but in their sound as well. Thus,
human mimicry of nature's sounds is seen as the root of throat singing. An
example of this is the Mongolian story of the waterfall above the Buyan Gol
(Deer River), where mysterious harmonic sounds are said to have attracted deer
to bask in the waters, and where it is said harmonic sounds were first revealed
to people. Indeed, the cultures in this part of Asia have developed many
instruments and techniques to mimic the sounds of animals, wind, and water. While
the cultures of this region share throat singing, their styles vary in breadth
of development.
Credits: Tuvan shaman |
Mongolian
shamanism, more broadly called the Mongolian folk religion, or occasionally
Tengerism refers to the animistic and shamanic ethnic religion that has been
practiced in Mongolia and its surrounding areas (including Buryatia and Inner
Mongolia) at least since the age of recorded history. In the earliest known
stages it was intricately tied to all other aspects of social life and to the
tribal organization of Mongolian society. Along the way, it has become
influenced by and mingled with Buddhism. During the socialist years of the twentieth
century it was heavily repressed and has since made a comeback.
Yellow
shamanism is the term used to designate the particular version of Mongolian
shamanism which adopts the expressive style of Buddhism. "Yellow"
indicates Buddhism in Mongolia, since most Buddhists there belong to what is
called the Gelug or "Yellow sect" of Tibetan Buddhism, whose members
wear yellow hats during services. The term also serves to distinguish it from a
form of shamanism not influenced by Buddhism (according to its adherents),
called black shamanism.
Mongolian
shamanism is centered on the worship of the tngri (gods) and the highest Tenger
(Heaven, God of Heaven, God) or Qormusta Tengri. In the Mongolian folk
religion, Genghis Khan is considered one of the embodiments, if not the main
embodiment, of the Tenger. The Mausoleum of Genghis Khan in Ordos City, in
Inner Mongolia, is an important center of this worship tradition.
A lot of information about the Tuvan people, I have tried to bring the most important facts together in this episode of our Kai. (Sources: Wikipedia)This episode is NOW OPEN for your submissions and will remain open until November 29th at noon (CET). I will (try to) publish our new episode, stag beetle, later on.
I must say thank you to all those involved in producing these prompts. I have gained a new depth not only in my poetry but in the life of my soul. The ways of these and other aboriginal people in our world truly offer a blueprint for living a sane and sacred life!
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