Carpe Diem's Crossroads #4 morning breeze

Dear Haijin, visitors and travelers,

Welcome at a new episode of our (very) special feature "crossroads" in which I challenge you fuse two haiku into one haiku. As I have read you all like this feature and you all are becoming better and better in this fusion-haiku crafting.

At first I thought to use different poetry forms from Japan, but I think this feature is specific for haiku, because that's our main goal here at CDHK ... creating haiku. This "crossroads" feature is nice to make, but I think it also helps us all to improve our haiku writing skills.

This week I have chosen two haiku one by a classical haiku poet, Arakida Moritake (1473-1549) and a 'modern' haiku poet, Jane Reichhold (1937-2016). First I will give you the haiku by Moritake. This haiku you all will know I think, it's his most famous haiku:

A fallen blossom
returning to the bough, I thought --
But no, a butterfly.

© Arakida Moritake (Tr. Steven D. Carter)

photo © Chèvrefeuille

And here is the haiku by Jane Reichhold. She is still missed at Carpe Diem Haiku Kai. So let this "crossroads" episode be a little tribute too for her.

morning breeze
coming in the window
surf sounds

© Jane Reichhold

A nice set of haiku to work with and create a "fusion"-haiku with it. I have given it a try myself, but it wasn't easy:

the sound of the surf
enters my home through the open window
and a butterfly

© Chèvrefeuille

Well ... not a strong "fusion" haiku, but I like it.

This episode of "crossroads" is NOW OPEN for your submissions and will remain open until April 10th at noon (CEST). Have fun!

Carpe Diem #741 wrapped in a straw mat

Dear Haijin, visitors and travelers,

Today we are continuing to follow Basho. Yesterday in our "a clam" episode we finished our "Narrow Road", but Basho didn't stop with his journeys after "Narrow Road". After his "Narrow Road" he made several short journeys to several places and today our haiku wrapped in a straw mat he wrote somewhere in the near of Kyoto.

To create this episode I used a post from my archives, this post was published in 2012 at www.wonderhaikuworlds.com

In the old Japanese culture, and maybe even now, the year had five seasons. Next to spring, summer, autumn and winter they had the New Year season (this was the last week of the old year and the first week of the new year). This of course was when they used the lunar calendar, which is more bound to nature.
In the Western world we used the lunar calendar a long time ago. When we look at the lunar calendar one year has thirteen months instead of twelve as we now use. For example autumn in the lunar calendar starts in august instead of September. So when we talk about the lunar calendar New Year starts on February the first.
According to the lunar calendar 2012, New Year starts on January 9th. According to this, I can place the next haiku by Basho at the beginning of February, halfway our winter, because as I wrote earlier in this episode we have to go to a month later. So this haiku could be written in February.

Straw raincoat (ancient Japan)

komo wo ki te   tare bito imasu   hana no haru

wrapped in a straw mat
who can this great one be?
flowers of spring

© Basho (Tr. Jane Reichhold)

With this haiku came a preface: “Welcoming the New Year near Kyoto”. In winter plants and trees are wrapped in mats of woven straw to protect them from freezing. People also wore straw raincoats so it seemed that a person was wrapped in the mat. This is an example of the riddle technique, because it is the tree that is wrapped but it is done for the protection of the flowers which have no physical shape at this time. In our time we also try to protect plants and trees from freezing by 'making the garden ready for winter'.

winter garden
colorless and ugly -
spring flowers

© Chèvrefeuille

The riddle is probably one of the very oldest poetical techniques. It has been guessed that early spiritual knowledge was secretly preserved and passed along through riddles. Because poetry, as it is today, is the commercialization of religious prayers, incantations, and knowledge, it is no surprise that riddles still form a serious part of poetry's transmission of ideas.The 'trick' is to state the riddle in as puzzling terms as possible. What can one say that the reader cannot figure out the answer? The more intriguing the 'set-up' and the bigger surprise the answer is, the better the haiku seems to work. As in anything, you can overextend the joke and lose the reader completely. The answer has to make sense to work and it should be realistic. Here is a case against desk haiku. If one has seen plastic bags caught on cacti, it is simple and safe to come to the conclusion I did. If I had never seen such an incident, it could be it only happened in my imagination and in that scary territory one can lose a reader. So keep it true, keep it simple and keep it accurate and make it weird.

Oh, the old masters favorite trick with riddles was the one of: is that a flower falling or is it a butterfly? or is that snow on the plum or blossoms and the all-time favorite – am I a butterfly dreaming I am a man or a man dreaming I am a butterfly. Again, if you wish to experiment (the ku may or may not be a keeper) you can ask yourself the question: if I saw snow on a branch, what else could it be? Or seeing a butterfly going by you ask yourself what else besides a butterfly could that be?

One famous haiku with this "riddle technique" I had to share here with you all. I think you all will know this haiku by Arakida Moritake (1473-1549):

A fallen blossom
Returning to the bough, I thought --
But no, a butterfly.

© Moritake 

 This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until May 28th at noon (CET). I will try to publish our next episode, under the tree, later on.

Carpe Diem Tan Renga Challenge #41, ''a fallen flower'' by Moritake

Dear Haijin, visitors and travelers,

Another week has gone ... time flies ... I had a busy week, but that's no problem. Time is always on my side, sometimes ... I have lack of time, but I think everyone of us will have sometimes lack of time ... well that's life isn't it?
This week's Tan Renga Challenge is a bit different with the other weeks. This week I love to share a haiku by Arakida Moritake (1473-1549), a Japanese poet who also wrote haiku (in his time it was called haikai or hokku). I remember that the first haiku I read was a Dutch translation of a wonderful haiku written by Moritake. I think that you know this haiku, because it's a wellknown haiku.

a fallen flower

flew back to its perch
a  butterfly

© Moritake

Credits: © Shelly Osborne

It's a wonderful haiku I think and it made that I became ''hungry'' for more haiku ... well ... I am over 25 years a haiku-poet and haiku still catches me ... it's my passion (next to my work ofcourse).

The goal is to write a second stanza towards the haiku by Moritake. That second stanza has two lines with the syllables count 7-7, but as you all know ... you don't have to use that 7-7 syllables count for the second stanza, but if you would like to use it ... feel free.

Here is my attempt to complete the Tan Renga:

a fallen flower
flew back to its perch
a butterfly                                      (Moritake)

colorful leaves swirling
through the empty streets               (Chèvrefeuille)

A nice continuation I think, but that's up to you to say ... Now it's your turn to make this Tan Renga complete. Have fun!

This Tan Renga Challenge is NOW OPEN for your submissions and will remain open until next Friday at noon (CET).