Showing posts with label cherry blossoms. Show all posts
Showing posts with label cherry blossoms. Show all posts

Tuesday, February 25, 2020

Carpe Diem Tan Renga Wednesday (hineri) #15 Cherry Tree in Full Bloom


Dear Haijin, visitors and travelers,

Welcome at a new episode of our special feature "Carpe Diem's Tan Renga Wednesday", that nice feature in which I challenge you to complete a Tan Renga from a given haiku. This week I have chosen for a "hineri" episode or an episode of the Tan Renga Wednesday with a twist.

This week I will give you the second stanza, the two-lined one, of the Tan Renga. You have to create the first stanza, the three-lined (hokku), to complete the Tan Renga. For this episode I have created a whole new 2nd stanza to work with:

shadows become longer
cherry tree in full bloom grows


© Chèvrefeuille

Well ... enjoy this Tan Renga Wednesday !


Cherry Trees in Full Bloom (Japan)

This Tan Renga Wednesday is NOW OPEN for your submissions and will remain open until March 3rd at noon (CET). Have fun!

Tuesday, February 26, 2019

Carpe Diem #1614 Tan Renga Challenge Month 2019 (18) free styling


Dear Haijin, visitors and travelers,

My apologies for being late, but I had visitors. Today I thought to give you another way of the Tan Renga Challenge ... that's why this episode is called "free-styling". Today I love to challenge you to use a haiku of your own choice, that can be a haiku written by a classical or non-classical haiku poet, but not one of yourself, and create a Tan Renga with the haiku of your choice.

Of course I love to hear why you did choose the haiku you are using, but that's not neccessary. To give you an idea I will give you my choice:

I have chosen a haiku by my master, Basho, it's not a well known haiku but I think it's a beauty. He wrote this haiku halfway his life and maybe you know it:

fragile twigs
breaking off the scarlet papers
autumn winds

© Basho (Tr. Jane Reichhold)

And here is my second stanza to complete this Tan Renga:

finally the darkness has gone
cherry blossoms bloom again


© Chèvrefeuille



As I tie these two stanza together it will give a wonderful Tan Renga. By the way this haiku was one of the first haiku which I tried to revisit ... it's something I love doing. I try to create a haiku inspired on a haiku trying to catch the same tone and sense as in the original.

fragile twigs
breaking off the scarlet papers
autumn winds 
                              © Basho
finally the darkness has gone
cherry blossoms bloom again
        © Chèvrefeuille

Well ... into free styling? Than go for it.

This episode is NOW OPEN for your submissions and will remain open until March 4th at noon (CET). I will try to publish our new episode later on (and on time I hope).


Saturday, February 9, 2019

Carpe Diem Weekend Meditation #71 Crossroads Hineri ... cherry blossom


!! Open for your submissions next Sunday February 10th at 7:00 PM (CET) !!

Dear Haijin, visitors and travelers,

Welcome at a new weekend meditation episode here at our wonderful Haiku Kai. I created this special feature a few years ago to give me some time off ... and I am glad I have created it, because it's a joy to have a few days off.

This weekend I love to challenge you with a Crossroads Hineri episode. As you know Crossroads is the feature to create a fusion-ku from two given haiku. This weekend it's a Crossroads Hineri episode and that means that you not only have to create a fusion-ku, but also a Troiku with your fusion-ku.

Yesterday I read a Japanese news paper and in that paper was the first cherry blossom forecast. The cherry blossom forecast gives the Japanese people the opportunity to go cherry blossom viewing, because for the Japanese that is a wonderful event.


Cherry Blossom

So the theme for this weekend meditation is Cherry Blossom (viewing). I have chosen two haiku created by myself to work with. I have taken those haiku from one of our exclusive CDHK E-books titled "fragile beauty".

standing naked
in awe of the first cherry blossom
dancing in the garden

on winter's edge
the first Cherry blossom blooms
rain falls softly

© Chèvrefeuille

Two haiku from my archives taken from "fragile beauty" (you can find the complete E-book in our CDHK Library) to work with. You all know I love Cherry Blossoms and to me it's always a joy to see the first cherry blossom in my Sakura in the backyard.

Goal for this weekend meditation is to create a "fusion-ku" with / from the given haiku and to create a Troiku (more on Troiku you can find in the menu) with your "fusion-ku".

This episode is open for your submissions next Sunday February 10th at 7:00 PM (CET) and will remain open until February 17th at noon (CET). Have a great weekend!


Wednesday, April 12, 2017

Carpe Diem #1190 spring wind (supuringu waindo)


Dear Haijin, visitors and travelers,

First I have to apologize for being late with this new episode. I am on the nightshift, so I hadn't time to create this post earlier. This month we are exploring the classical spring kigo and today that will be "spring wind".

Let me first give you an idea what this means by sharing a haiku:

cherry blossoms
looking so fragile in the moonlight -
ah! the spring breeze

© Chèvrefeuille

The pring breeze or spring wind is one of the enemies of the fragile cherry blossoms and the Japanese, as very concerned about nature, are anxious when the spring breeze or the spring wind is scattering the fragile blossoms.


On the other hand ... in a way the spring breeze (or wind) can give that scattering a beautiful "turn", because as I look at the positive side of the spring wind then if the cherry blossoms are scattered it looks like it is snowing, ... and in my opinion that's a great sight ... So scattering of the cherry blossoms can be seen as a positive thing too. And of course there is the need of "loosing" the cherry blossoms, because of the richness of the cherries we all love to eat I think.

This episode is NOW OPEN for your submissions and will remain open until April 18th at noon (CET). I will try to publish our new "weekend-meditation", a new Namasté episode, later on. For now have fun!

Friday, February 17, 2017

Carpe Diem #1157 Sakura, the national pride of Japan


Dear Haijin, visitors and travelers,

What a joy to visit Japan in all its beauty. We have seen the beauty of Matshushima and the beauty of the diversity of Japanese art, but the most wonderful thing of Japan is their love for Cherry Blossoms. As you all (maybe) know I am a big fan of Cherry Blossoms and I write very often haiku (and tanka) about the Sakura in my backyard. Every year again I submit Cherry Blossom haiku for the Vancouver Cherry Blossom Festival's "kukai". Sometimes I won and sometimes my haiku got no prizes at all, but that's nothing to be ashamed of, because there are a lot of haiku poets around the globe and ity is just fun to submit haiku for this Vancouver Cherry Blossom Festival.


through the branches
of blooming Sakura trees
I see Fuji


© Chèvrefeuille

Today I love to take you on a trip along the beauty of Cherry Blossom, not only through haiku and texts, but also with beautiful images of Japanese Cherry Trees.

Let me first tell you al little bit more about the national pride of Japan ... the Sakura.

They are swooned over during picnics. They are painstakingly painted. They are obsessed over in poems. They are cited as a symbol of the transient nature of life. And they are sprinkled on Starbucks lattes.

Welcome to Japan’s pink and modern world of cherry blossoms. It is impossible to think of springtime Japan without an iconic image of a sea of cherry trees awash with perfect pink blooms instantly coming to mind.
As well as leading the way in robotics, sushi and skyscraper technology, the Japanese have long been celebrated as global leaders in the art of cherry blossom appreciation. From as early as the eighth century, elite imperial courtiers paused to appreciate the delicate pink cherry blossoms known as sakura before indulging in picnics and poetry sessions beneath the blooms. Fast-forward more than a millennium and the flowers that launched a thousand haiku are no less revered in modern-day Japan.

The First Cherry Blossoms appear in Okinawa
Today, as spring approaches, the entire nation turns a shade of pink. Months before they arrive, retailers switch into sakura mode – cue supermarkets filled with plastic cherry blossom flowers and cherry blossom-flavored innovations in convenience stores. The countdown excitement is heightened further by the televised Cherry Blossom Forecast which offers a petal-by-petal analysis of the advance of the blooms – known as the cherry blossom front – as they sweep from the south to the north of the archipelago.
When the blooms actually arrive (as confirmed by teams of meticulous cherry blossom officials), it is time to indulge in one of the nation’s all-time favorite pastimes – hanami, which literally translates as “looking as flowers” and refers to flower appreciation picnics under the blooms.

Every year, a microcosm of society – from salary men and students to housewives and grannies – takes part in hanami picnics (some civilized, some rowdy) in every corner of the country.
The nation’s deep-rooted attachment to cherry blossoms goes far beyond buying a pink fizzy drink at 7-Eleven.
The flowers are deeply symbolic: their short-lived existence taps into a long-held appreciation of the beauty of the fleeting nature of life, as echoed across the nation’s cultural heritage, from tea ceremonies to wabi sabi ceramics. The blossoms also, quite literally, symbolize new beginnings, with April 1 being the first day of both the financial and academic year in Japan.


cherry blossoms
looking so fragile in the moonlight -
ah! the spring breeze

such sadness
the spring wind has molested
cherry blossoms

fading moonlight
caresses the fragile blossoms
finally spring

© Chèvrefeuille

In a nutshell? The cherry blossoms are not just pretty pink flowers: they are the floral embodiment of Japan’s most deep-rooted cultural and philosophical beliefs.

The nation prides itself on its devotion to the important task of forecasting the exact arrival of the first cherry blossoms. Since 1951, teams of meteorologists have been dispatched to monitor the advance of the cherry blossom front – sakura zensen in Japanese – as they burst into bloom across the country.
Officials traditionally observe the pale pink blooms of the yoshino cherry tree – Japan’s most common type – with the season declared open when at least five or six flowers have opened on a sample tree in any given area. 

The flowers only bloom for around a week before the so-called “sakura snow” effect starts and they float sadly off the trees.

The first blossoms generally appear in Okinawa in January and slowly move up the archipelago, passing through Japan’s central islands (including Kyoto and Tokyo) in late March and early April, before progressing further north and hitting Hokkaido in early May.

Cherry Blossom
Of course I cannot leave without a few haiku by the classical masters, for example this one by Issa:

Shinano's deep wooded mountains
even in Fifth Month...
cherry blossoms

© Issa

The part of Japan were Issa lived knows long winters and late springs, so sometimes the cherry blossoms started to bloom in June.

Or what do you think of this one by my master, Matsuo Basho:

how many, many things
they bring to mind — 
cherry blossoms!

© Basho (Tr. Robert Aitken)

[...] "Instilled in the Japanese mind is the association of the ephemerality of the cherry blossoms with the brevity of human life. Blooming for so short a time, and then casting loose in a shower of lovely petals in the early April wind, cherry blossoms symbolize an attitude of nonattachment much admired in Japanese culture." [...] (Source: A Zen Wave,Basho's Haiku & Zen  by Robert Aitken Published by Weatherhill, NY in 1996)

And another one by Buson:

these tired old legs -
is it for them that we stop, 
or the late cherry blossoms?

© Buson

Cherry Blossom Kyoto
And to end this episode with I have another nice haiku master who wrote about the cherry blossoms:

double cherry blossoms
flutter in the wind
one petal after another

© Shiki

And another one by a not so well known classical haiku poet, Onitsura:

the wild cherry:
stones also are singing their songs
in the valley stream

© Onitsura

Of course I can go on with this wonderful episode, but it must be fun to read and therefore I try to make the episodes not that big, but in this case ...

cherry blossom viewing
together with friends and family
celebrating spring

blossom haze -
walking in the middle
of falling petals

Ah! those cherries
have to let go their blossoms -
blossom haze

the cooing of pigeons
between blooming cherry trees -
the cool rain*

* written for the Vancouver Cherry Blossom Festival 2012, I won a honorable mention.

© Chèvrefeuille
Sakura
And to really conclude this episode I love to share a "twin-tanka" about Cherry Blossom:

departing
cherry blossom petals fall
without sound
cherry blossom petals ride
on gusts of wind

on gusts of wind
cherry blossom petals, full circle,
the taste of cherries
helping me through the cold winter
Sakura blooms again

© Chèvrefeuille

Well ... this episode became a little longer than I had thought, but I hope it will inspire you to create haiku, tanka or other Japanese poetry form. Have fun!

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until February 22nd at noon (CET).


Sunday, January 22, 2017

Carpe Diem honors Jane Reichhold (1937-2017) E.) Fuji No Yama

photo © Sandra Simpson

Dear Haijin, visitors and travelers,

What a joy to bring you a new episode of our special Theme Week "Carpe Diem honors Jane Reichhold'. As you all know the haiku and tanka world has a lot to be grateful of and I think we can be grateful for all that Jane has meant for the haiku and tanka world. Jane was one of the best modern haiku poetesses I know and she was part of our Haiku Kai family for a few years. If she would still be alive we had celebrated her 80th birthday, but as you all know Jane died last year. So this Theme Week is special because we are celebrating her 80th birthday with a lot of wonderful poems created by her.

Today I love to share a few of her haiku to inspire you. This time I have chosen you bring a few spring haiku written by her. These haiku I have extracted from her "A Dictionary of Haiku", a modern saijiki.

spring clouds above Fuji No Yama, the holy mountain of Japan
morning breeze
coming in the window
surf sounds


changing forms
all around the Buddha
clouds in a blue sky

clouds
flooding the river
with spring

spring cloud melt
flooding river willows
green leaves

© Jane Reichhold (A Dictionary of Haiku, spring part)

A lovely series of haiku of spring by Jane. And the image of Mount Fuji No Yama, the holy mountain of Japan, brings me also the possibility to tell you a little bit of our upcoming month. I remember that I had other plans for February, but recently I read a wonderful story, more a diary, about Japan, the land of the rising sun. That story triggered me and it brought me an idea for next month. Next month, February, we will travel through Japan. We will visit places which are important for us haiku poets, but we also will discover that wonderful country where our beloved haiku (and tanka) was born.


Image found on Pinterest
cherry blossoms bloom
in praise of the gods Fuji No Yama

© Chèvrefeuille

This episode is NOW OPEN for your submissions and will remain open until January 27th at noon (CET). Have fun!


Saturday, May 7, 2016

Carpe Diem Tan Renga Challenge Month May 8th cherry blossom viewing (a haiku by Issa)


Dear Haijin, visitors and travelers,

A new day, a new challenge I would say. Today it's Mother's Day all over the world, but instead of a haiku about mother I have a haiku about cherry blossom viewing with the whole family by Kobayashi Issa. And Issa tells us that story in a wonderful haiku.
This haiku by Issa is one of my favorites and I think it is a nice haiku to create a Tan Renga with. So let us look at the haiku by Issa, the "hokku" of our new Tan Renga Challenge.

© Chèvrefeuille
carrying his mother
and leading his child by the hand...
cherry blossoms! 


© Issa

Look at this haiku closer ... in this haiku we see three generations isn't that awesome?

Here is my attempt:

carrying his mother
and leading his child by the hand...
cherry blossoms!
                                     © Issa

drinking rice wine together
friends from long ago
                             © Chèvrefeuille

Not a great completion I would say, but it's so true to see friends from long ago again during cherry blossom viewing. Awesome.

This episode is NOW OPEN for your submissions and will remain open until May 12th at noon (CET). I will publish our new "hokku" for May 9th later on at our twitter account.


Saturday, November 28, 2015

Carpe Diem Special #184 Ese's fifth "still beautiful"


Dear Haijin, visitors and travelers,

It is with sadness in my heart that I welcome you at our last CD Special of November in which I shared haiku from a wonderful and very gifted haiku poetess ... Ese of Ese's Voice. She has written a lot of beauties and for this last CD special of November I hope I did make the right choice.

Back in January 2015 we had a pre-Basho haiku poet as our featured haiku poet, Iio Sogi(1421-1502). I shared the following haiku by Sogi as the last featured haiku for January 2015 and this haiku was an inspiration for a lot of our family members and also for Ese.

This was the haiku which I shared:

Now that they end
There is no flower that can compare
With cherry blossoms


© Iio Sogi (1421-1502)

A beauty ... I think and this was my response on this beauty by Sogi:

Ah! those cherry blossoms
everywhere I look their beauty amazes me again -
finally spring is here


© Chèvrefeuille

I remember that I wasn't really impressed by my own haiku inspired on Sogi’s, but the one by Ese was really a beauty, she even came up with two haiku inspired on the one by Sogi. In her first response on Sogi’s haiku I sense his tone and spirit, and in her second response it was very clear to me that it was a real wonderful haiku in the spirit of Ese.


Cherry Blossom (photo © Chèvrefeuille)

Let us first look at the haiku she wrote in Sogi’s spirit:

first cherry blossoms
despite the bites of morning frost
still beautiful

© Ese

Read and re-read Ese’s haiku, read it aloud and you will sense, feel the spirit of Sogi ... did you try it? Have I said to much?

And here is her second, in which I really can feel Ese’s spirit ... try to read and re-read it saying it aloud and I know for sure that you can feel Ese’s spirit ... she is really a gifted haiku poetess and I hope to read a lot more beauties composed by her.

left behind
in the frozen pond
white feather


© Ese

I hope you all did like the CD-Specials of this month and I hope I did make the right choices from her oeuvre of haiku ...

Well ... you know the drill .... try to compose an all new haiku inspired on the haiku by Ese trying to touch her spirit ...

a shimmer
between colorful leaves
white pebble


© Chèvrefeuille

dark forest
a full moon walk -
Nightingale's song


© Chèvrefeuille

I hope that you all are inspired to come up with an all new haiku (or two) in the spirit of Ese.

This episode is NOW OPEN for your submissions and will remain open until December 1st at noon (CET). I will try to publish our new episode, 
Tavn Bogd (Five Mountains), later on.

I also hope to publish our new prompt-list for December in which we will follow Basho again on his journey into the deep north. We will see where he has been and we will read ALL the haiku from his famous haibun "narrow road into the deep north". I am looking forward to it ... and I hope you all will do the same.


Friday, October 9, 2015

Carpe Diem #835 Hanami (blossom viewing)


Dear Haijin, visitors and travelers,

In this festive Carpe Diem Haiku Kai month I just had to make an episode about the blossom viewing festivals or Hanami. These festivals are everywere in Japan and there are also a lot of other countries who have special blossom viewing festivals e.g Vancouver Cherry Blossom Festival (Canada).
And of course ... you know that I have my own little cherry blossom viewing festival as my Sakura is blooming. I have told you all several times about that hanami festival in my own backyard and shared several haiku and haibun about "my" hanami.

Today Hanami (blossom viewing) is our source of inspiration. Let me first tell you a little bit more about Hanami by sharing a waka by Ki no Tomonori (c. 850 – c. 904):

In these spring days,
when tranquil light encompasses
the four directions,
why do the blossoms scatter
with such uneasy hearts?

© Ki no Tomonori
Credits: Under The Cherry (woodblock by Utagawa Kunisada)

The practice of hanami is many centuries old. The custom is said to have started during the Nara Period (710–794) when it was ume blossoms that people admired in the beginning. But by the Heian Period (794–1185), sakura came to attract more attention and hanami was synonymous with sakura.[5] From then on, in both waka and haiku, "flowers" meant "sakura."
Hanami was first used as a term analogous to cherry blossom viewing in the Heian era novel Tale of Genji. Although a wisteria viewing party was also described, the terms "hanami" and "flower party" were subsequently used only in reference to cherry blossom viewing.
Sakura originally was used to divine that year's harvest as well as announce the rice-planting season. People believed in kami inside the trees and made offerings. Afterwards, they partook of the offering with sake.
Emperor Saga of the Heian Period adopted this practice, and held flower-viewing parties with sake and feasts underneath the blossoming boughs of sakura trees in the Imperial Court in Kyoto. Poems would be written praising the delicate flowers, which were seen as a metaphor for life itself, luminous and beautiful yet fleeting and ephemeral. This was said to be the origin of hanami in Japan.
The custom was originally limited to the elite of the Imperial Court, but soon spread to samurai society and, by the Edo period, to the common people as well. Tokugawa Yoshimune planted areas of cherry blossom trees to encourage this. Under the sakura trees, people had lunch and drank sake in cheerful feasts.
The teasing proverb “dumplings rather than flowers”  (hana yori dango) hints at the real priorities for most cherry blossom viewers, meaning that people are more interested in the food and drinks accompanying a hanami party than actually viewing the flowers themselves. 
Credits: Hanami pic-nic Himeji Castle, Himeji, Hyogo Prefecture Japan
Hanami is still a wonderful festival and that makes me happy. Hanami can not be missed it's the start of spring and points to the light part of the year.

such sadness
the spring wind has molested
cherry blossoms


© Chèvrefeuille
The Japanese were very anxious as the Cherry trees began to bloom and the wind of spring came. A last "cherry blossom" - haiku from my archives (september 2012) on cherry blossoms and their fragile beauty.

cherry blossoms
looking so fragile in the moonlight -
ah! the spring breeze
fading moonlight
caresses the fragile blossoms
finally spring


© Chèvrefeuille
I hope you did like this episode about Hanami or blossom viewing and I hope it will inspire you to write/compose an all new haiku, tanka or other Japanese poetry form.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until October 12th at noon (CET). I will try to publish our new episode, Hina Matsuri (Girls Day), later on. For now ... have fun, be inspired and share your haiku with us all here at our Haiku Kai.

Thursday, August 13, 2015

Carpe Diem My favorite haiku by ... #1 Matsuo Basho (1644-1694): a snowstorm of flowers


Dear Haijin, visitors and travelers,

As you all know, back in October 2012, I started Carpe Diem to promote the beauty of haiku, that beautiful little Japanese poem with only three lines that celebrates the beauty of a moment as short as the sound of a pebble thrown into water.
During the years of CDHK's existence I noticed that other Japanese poetry forms, especially tanka, started to 'shine' at CDHK.
Just recently we decided to make CDHK a kind of place to promote other Japanese poetry-forms next to haiku. I do like that change, but it also makes me somewhat melancholic to those first months of CDHK therefore I created a new feature to honor the beauty of haiku.
This new feature I have called "Carpe Diem my favorite haiku by ..." and as you will understand, this new feature is only about haiku and your favorites. This new feature I will publish every Thursday and in every episode I ask you to choose your favorite haiku by the haiku poet/ess chosen by me.

For this first episode I have chosen ... not a surprise I think ... a haiku by Matsuo Basho, whom I see as my master. Basho has written wonderful haiku (more than 1000) and I love them all. Of course I have several favorites, for example 'frogpond', but for this episode I have chosen another haiku by Basho. This haiku I have never shared anywhere as far as I can recall. I think this is a beauty ...

mazu shiru ya Gichiku ga take ni hana no yuki

knowing it first
on the famous musician's flute
a snowstorm of flowers


© Basho (1677) (tr. Jane Reichhold)

Well ... did I say to much? I love to tell you a bit more about this haiku. Gichiku was a real famous shakuhachi player. The shakuhachi was a bamboo flute and at Basho's time Gichiku had a "hit" with "Yoshinoyama" a song about Yoshino the place to be if you love to see Cherry blossoms. It is said that Yoshino has the most beautiful Cherry trees of Japan.
Basho refers to this song by Gichiku, because he thought about Yoshino.

Cherry blossoms in Yoshino
As you all know one of my favorite themes for haiku are Cherry blossoms, I have written a lot of haiku about their fragile beauty and I share the anxiety with the Japanese haiku poets that those fragile blossoms of the Cherry tree are scattered through the wind ...

spring wind
torn apart Sakura blossoms -
a bamboo flute

© Chèvrefeuille

While I was creating this haiku I almost burst out in tears, because this is the pain I sense as the Cherry blossoms of my old Sakura are torn apart by the wind ...

What is the goal of this new feature? Well ... you have to choose a favorite haiku by Basho (for this episode) and try to "revise" the haiku.

This episode is NOW OPEN for your submissions and will remain open until August 20th at noon (CET). In our next episode of "My favorite haiku by ..." I will choose another haiku poet/ess, which one? I don't know yet, you have to wait.

Tuesday, July 21, 2015

Carpe Diem Tokubetsudesu #53, Soliloquy no Renga "Ah! Those Cherry Blossoms"


Dear Haijin, visitors and travelers,

Another week has gone and it's time (again) for a new Tokubetsudesu episode in which I will bring the so called "Soliloquy no Renga" again for your inspiration. (You can find more about the Soliloquy no Renga HERE).

As you all know haiku came from 'hokku' the opening verse of a Renga or chained verse ... Renga was a collaborative kind of poetry in which several poets were participating. Basho, one of the four greatest haiku-poets (next to Buson, Issa and Shiki) transformed the 'hokku' into a poetry-form on itselves, the haiku ...I love to bring you back to the roots of our beloved haiku and created what I will call 'Soliloquy no Renga', a Renga written by one poet. Soliloquy means monologue and is a synonym for it.
Logo of Soliloquy no Renga
The goal of this feature is to write a Soliloquy no Renga, a Renga composed by one person. With this feature it is possible to help you to be more associative, because you have to compose an all new renga with at least six (6) links.As you all know a renga has stanzas of three and two lines. The first verse "hokku" gives the title to the renga and sets the entire image of your renga. By association on the verse before the verse you have to write you can make the renga a complete story. The Soliloquy no Renga is just for fun and I hope it will bring you the fun and inspiration as I had in mind. You can choose on your own how much links you use, but at least (as I said above) six (6) links. The last link has to make the "circle complete" and in that way has a link with the first verse. That last verse is called "ageku".
For this Soliloquy no Renga I have chosen a haiku written by myself in January 2015, so it's a very recent haiku to work with. This haiku is the "hokku" (starting verse) of this Soliloquy no Renga.
Credits: Woodblock print "Sakura" by Hiroshi Yoshida (1876-1950)
Hokku:
Ah! those cherry blossoms
their beauty amazes me again -
finally spring is here
© Chèvrefeuille
The following stanza have two lines, three lines, two lines and so on. You can make the Soliloquy no Renga as long as you would like, but it has to have at least six (6) stanza.

I am looking forward to all of your responses ... have fun!
This Tokubetsudesu episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until July 24th at noon (CET). I will (try to) publish our new episode, Kuchinashi (Jasmine), later on. For now ... have fun!