Showing posts with label Persia. Show all posts
Showing posts with label Persia. Show all posts

Monday, March 6, 2017

Carpe Diem #1168 flute


Dear Haijin, visitors and travelers,

What a joy to read all of your responses on the first posts of this month. It's really a joy to read all of your poems. Everyone creates in his or her way and yet there are so much things the same. It feels like CDHK has really become a family in which we are sharing our love for Japanese poetry but are also sharing unconscious the same thoughts and feelings. You all are such great poets ... who am I that I can and may be your host here ... I am really honored with your warm and loving participation here. Thank you all ...

Recently I read about the philosophy of Nietzsche, he had specific ideas, but over all he shared his thoughts on existentialism. What is existentialism? Let me give you a small explanation for this:

" Existentialism is the belief that philosophical thinking begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual. While the predominant value of existentialist thought is commonly acknowledged to be freedom, its primary virtue is authenticity. In the view of the existentialist, the individual's starting point is characterized by what has been called "the existential attitude", or a sense of disorientation, confusion, or dread in the face of an apparently meaningless or absurd world. Many existentialists have also regarded traditional systematic or academic philosophies, in both style and content, as too abstract and remote from concrete human experience." (Source: Wikipedia)

What has this to do with the poem for today? Well ... what can I say? In the peom of today Rumi is speaking about "existence" and with that came my "revalation" to tell you a little bit about existentialism, because that was the first thing I thought about. Maybe that's just a coincedence, because I am reading Nietzsche's "Also Sprach Zarathustra" at the moment, one of Nietzsche's most famous works. And existence triggered me to look at existentialism ...





Let me first give you the poem by Rumi which is our source of inspiration for this episode:

We are as the flute, and the music in us is from thee;
we are as the mountain and the echo in us is from thee.
We are as pieces of chess engaged in victory and defeat:
our victory and defeat is from thee, O thou whose qualities are comely!
Who are we, O Thou soul of our souls,
that we should remain in being beside thee?
We and our existences are really non-existence;
thou art the absolute Being which manifests the perishable.
We all are lions, but lions on a banner:
because of the wind they are rushing onward from moment to moment.
Their onward rush is visible, and the wind is unseen:
may that which is unseen not fail from us!
Our wind whereby we are moved and our being are of thy gift;
our whole existence is from thy bringing into being.

© Rumi

Ah the sound of the Ney, the Persian flute. Really a wonderful sound. (More about the Persian Ney). In this poem Rumi describes our connection with the world around us, the subconscious connection between us all, and he describes it in a beautiful way. That comparison with the pieces of chess ... awesome. Than he describes our existence or non-existence, because we are all one and part of that one Being, Spirit, God or what ever name you give it.

Let us take a look again at existentialism as mentioned above: "Existentialism is the belief that philosophical thinking begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual. While the predominant value of existentialist thought is commonly acknowledged to be freedom, its primary virtue is authenticity. In the view of the existentialist, the individual's starting point is characterized by what has been called "the existential attitude", or a sense of disorientation, confusion, or dread in the face of an apparently meaningless or absurd world."

Persian Youth playing chess
Rumi describes our connection in an "absurd" way he compares us with pieces of chess, with banners moving in the wind, but he is right. Our existence is built on that absurdity of the world. Look around, religions fight each other, all from aout an idea of supremacy ... and that is a real part of existentialism. Are we supreme beings? I don't think so, we are all pieces of what I call (as in earlier posts here) "god-stuff", we are all connected with that Being. That Being gives us the opportunity to exist, we are part of that Being and from out Being's unconditional love we can and may use nature, but we also have to care and have respect for nature. Isn't that what existentialism means? We exist and we exist together in a world we have to care for ... an absurd world nowadays.

What a beautiful poem with all those deeper layers, not only spiritual, but also philosophical ... really wonderful. Rumi, in my opinion, is one of Persia's best poets.

It will not be easy to become inspired by this above post, but based on the poem by Rumi I came up with the following:

a game of chess
played in the shadow of lion banners -
the wind unseen


© Chèvrefeuille
This episode will be open for your submissions tonight at 7.00 PM (CET) and will remain open until March 11th at noon (CET). I will try to publish our new episode, humble, later on. For now ... have fun!

 

Wednesday, March 1, 2017

Carpe Diem #1166 Nightflower


Dear Haijin, visitors and travelers,

I hope you did like our first episode of March 2017. This month we will explore the beauty of Persian poetry and especially the poetry by the renown poets Rumi, Hafez (or Hafiz) and Saadi. Yesterday we started with two beautiful poems by Rumi, one of them the name-giver of this month "praise to the emptiness".

Today I have a beautiful poem by Hafez (or Hafiz) for you. Hafez is the most loved poet of Persia, nowadays Iran. Every Iranian can recite his poems and they often use his poem to find an answer on burning questions they have. How does this work? Well ... they pick up one of Hafez's bundles of poetry, ask their question in their mind and than rush through the poem bundle. Than on intuition they stop and than they hope to find their answer in the poem they open up. A strange way to find your answer, but if I can believe the Iranian people ... they always find their answer and try to cope with it and bring it into their lives.

Hafez (or Hafiz) renown Persian poet and mystic (1326-1390)
Let me tell you a little bit more about Hafez:

Hafiz, a Sufi poet, expressed in poetry love for the divine, and the intoxicating oneness of union with it.  Hafiz, along with many Sufi masters, uses wine as the symbol for love. The intoxication that results from both is why it is such a fitting comparison. Hafiz spoke out about the hypocrisy and deceit that exists in society, and was more outspoken in pointing this out than many poets similar to him.

hafez has written a lot of poems in which he talks about the divine and love, but also full of wisdom. Today I love to challenge you with the following poem by Hafez:

This poem is titled "all the hemispheres":

Leave the familiar for a while.
Let your senses and bodies stretch out

Like a welcomed season
Onto the meadows and shores and hills.

Open up to the Roof.
Make a new watermark on your excitement
And love.

Like a blooming night flower,
Bestow your vital fragrance of happiness
And giving
Upon our intimate assembly.

Change rooms in your mind for a day.

Poppies in the late evening / early night (found on flickr)

All the hemispheres in existence
Lie beside an equator
In your heart.

Greet Yourself
In your thousand other forms
As you mount the hidden tide and travel
Back home.

All the hemispheres in heaven
Are sitting around a fire
Chatting

While stitching themselves together
Into the Great Circle inside of
You.

© Hafez (From: 'The Subject Tonight is Love', tr. Daniel Ladinsky)

I didn't say to much I think. This is really a wonderfully crafted poem by Hafez. Will not be an easy task to come up with a haiku or tanka inspired or distilled from this poem.

Moonflower or Ipomoea - alba

Here is my attempt:

like a nightflower
I stretch towards the moon
she ... the one I love

© Chèvrefeuille

I found a nice tanka which I wrote in 2013. This tanka I love to share here too, because I think it fits this episode.

fragile beauty
climbing against the fence
moonflower straightens
with her snow white blossom
to the Summer moon

© Chèvrefeuille

Well ... I hope I have inspired you.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 6th at noon (CET). I will publish our first "weekend-episode" later on. (According to this "weekend-episode" I said earlier that I would do two episodes on Fridays, but I decided to not do that. So on Fridays I will only do "Namasté" and "Universal Jane" alternating bi-weekly.)


Tuesday, February 28, 2017

Carpe Diem #1165 roses


Dear Haijin, visitors and travelers,

Welcome at the first episode of CDHK March 2017. After our trip through Japan we are now visiting Persia, today Iran, to explore the relationship with poetry. Recently I read a wonderful article about the love for poetry of the Iranian people. As you all know Iran was called Persia and Persia had great poets for example Rumi and Hafez (or Hafiz). The people of Iran live with poetry. They all can recite the poems of their poets especially the beautiful poems of Hafez (Hafiz), but there were more poets from Persia, so let us start reading the first poem I have chosen for this month. This poem written by Rumi is the "namegiver" for this month. The theme I have chosen for this month is "praise the emptiness" it's from the following poem by Rumi:

Rumi

This World Which Is Made of Our Love for Emptiness
Praise to the emptiness that blanks out existence. Existence: 
This place made from our love for that emptiness!
 Yet somehow comes emptiness, 
this existence goes.
 Praise to that happening, over and over! 
For years I pulled my own existence out of emptiness.
 Then one swoop, one swing of the arm, 
that work is over.
 Free of who I was, free of presence, free of dangerous fear, hope, 
free of mountainous wanting.
 The here-and-now mountain is a tiny piece of a piece of straw 
blown off into emptiness.
 These words I'm saying so much begin to lose meaning: 
Existence, emptiness, mountain, straw:
 Words and what they try to say swept 
out the window, down the slant of the roof.

© Rumi

What a wonderful poem. I had to try to extract a haiku from it ... so here it is:

piece of straw
blown off into emptiness
a new beginning


© Chèvrefeuille

rice straw Japan

Jalāl ad-Dīn Muhammad Rūmī, also known as Jalāl ad-Dīn Muhammad Balkhī, Mevlânâ/Mawlānā ("our master"), Mevlevî/Mawlawī "my master"), and more popularly simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian Sunni Muslim poet, jurist, Islamic scholar, theologian, and Sufi mystic. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other Central Asian Muslims, and the Muslims of South Asia have greatly appreciated his spiritual legacy for the past seven centuries. His poems have been widely translated into many of the world's languages and transposed into various formats. Rumi has been described as the "most popular poet" and the "best selling poet" in the United States.

Until I started preparing this new month of CDHK I only knew Rumi. I didn't knew Hafez (or Hafiz) and Saadi. I really wasn't aware of other Persian poets than Rumi. So this month will be a real adeventure. We (at least I) will dive into an unknown world of poetry ... will be a great experience I think.

This episode I have called "roses" and it is extracted from another poem by Rumi that I love to share here with you:

roses
O you who've gone on pilgrimage -
              where are you, where, oh where?
Here, here is the Beloved!
              Oh come now, come, oh come!
Your friend, he is your neighbor,
             he is next to your wall -
You, erring in the desert - 
              what air of love is this?
If you'd see the Beloved's
              form without any form -
You are the house, the master,
              You are the Kaaba, you! . . .
Where is a bunch of roses,
              if you would be this garden?
Where, one soul's pearly essence
              when you're the Sea of God?
That's true - and yet your troubles
              may turn to treasures rich -
How sad that you yourself veil
              the treasure that is yours!

© Rumi

A beautiful poem to start this month with. The first poem was to introduce this month, this second poem by Rumi is the poem you have to use for our challenge: Create a haiku, tanka or other Japanese poetry form from this poem.

Here is my attempt:

along the road
thrown away roses
a lost treasure

© Chèvrefeuille

Well .... I hope you did like this episode and that it will inspire you to create a new haiku, tanka or other Japanese poetry form. 

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 5th at noon (CET). I will (try to) post our next episode, nightflower, later on. For now ... have fun!