Dear Haijin, visitors and travelers,
It's my pleasure to present you all a new Ghost Writer post. As you all know Shiba Sonome is our featured haiku poetess this month. Today our CD-Special and GW-post are bound together, because I planned them both on the same date. So I thought to let Sonome write both this GW-post and CD-Special.
This week's Ghost Writer is Shiba Sonome. I hope you all like this GW-post (and CD-Special) written by her.
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One of a Kind
Dear Haijin,
What a privilege this is to write this week's GW-post for Carpe Diem Haiku Kai. I love to tell you about my master Matsuo Basho. I had the opportunity to be a disciple of the greatest haiku-poet I know, Basho.
It wasn't easy to become an apprentice, disciple, of Basho, but I succeeded. The most disciples of Basho were already friends of the master and therefor for them it was easy to become acquainted with him.
Maybe you know who his disciples were and I think it would be awesome to share in this GW-post not only haiku by myself, but also by e.g. Kikaku, Yozakura, Ransetsu and Kyorai. And of course I will share a few haiku written by the master himself.
Let me first tell you how Basho came on the idea to take the
hokku out of the
Haikai no Renga to make it a poem on it's own. Maybe you can recall the GW-post by Yozakura, the unknown haiku-poet. In that GW-post he told you the story about Basho's famous
frog haiku, his first attempt to make
hokku a poem on it's own. You all surely know that it wasn't Basho who re-named the hokku into
haiku. That name was given to hokku by Masaoka Shiki. I have never had the opportunity to speak with Shiki about this choice, but I know that
haiku is nowadays the name for the hokku as a poem on itself, and I think that's ok.
Do you know how Shikiu came to that name,
haiku? I will tell you. The Renga (chained verse) was known as
Haikai no Renga and the starting verse was called
hokku. Shiki took the first
onji (sound/syllable) from
haikai "hai" and the second
onji of
hokku "ku" and so haiku got it's name.
Back to Basho. I was a disciple of Bashoand he admired me. After the death of my husband, I earned my living as an eye doctor and as a judge of haikai. It
should be noted that it is due to Basho and his ability to work with women that
the amount of woman's haikai writings have been preserved which we have. One
sees that most of these women gained access to the inner circle around Basho by
being related either by marriage or blood to one of his disciples. I was one of the few to be accepted as a poet on my own. He even wrote a haiku especially for me:
White
chrysanthemum
I look holding it straight
no dust at all
© Basho
I felt honored as he wrote this haiku especially for me. I have calligraphed it and now it hangs on the wall. It's really a nice haiku and I still dream that there will be a day that I can write my haiku as good as Basho did. When I was his disciple and encountered a lot of other haiku poets, Basho had almost 100 disciples, and they were all great. Basho admired them all and was proud on what they accomplished during their time at his home. For example there was Yozakura, the unknown haiku poet. Yozakura was very much on his own, but at Basho's home he turned out to be one of the best disciples of the master.
Anexample of haiku by Yozakura:
feeling
alone
lost in the woods around Edo -
just the autumn wind
© Yozakura
And than there was Kikaku, a very talented young haiku-poet, who (together with Yozakura) helped Basho tho write his famous frog-haiku with which he turned the hokku into an own poem. Kikaku has written wonderful haiku e.g.:
A single
yam leaf
contains the entire life
of a water drop
Over the
long road
the flower-bringer follows:
plentiful moonlight
I begin
each day
with breakfast greens and tea
and morning glories
© Kikaku
Aren't they beautiful and so in the spirit of Basho's haiku-school with the idea of Karumi, lightness or enlightenment? Just the view, just the things you can see all around you when you are outside (or in your home) and give words to it.
One of the most popular and talented disciples of Basho was Kyorai, he was one of the best ...
Its not
easy
to be sure which end is which
of a resting snail
Chanting
and humming
gongs immerse the green valley
in cool waves of air
© Kyorai
Or what do you think of this haiku written by Ransetsu, also a disciple of Basho:
On the plum
tree
one blossom, one
blossomworth
At dusk the
harvest moon
paints a pine-tree
against the blue
© Ransetsu
And than there was Hokushi, whom also wrote wonderful haiku. Sometimes full of sadness, or full of happiness.
For that
brief moment
when the fire-fly went out...
the lonely darkness
Experimenting
I hung the moon on various
branches of the Pine
© Hokushi
Well all wonderful examples of haiku written by other disciples of Basho, but of course I love to share a few haiku written by myself ... just to show you ... that we, all Basho's disciples, could write haiku with Karumi.
Each time
they roll in,
the beach waves break up
the plovers
Spilled
from a tree-searing wind
a bull's midday voice
discontented
violets have dyed
the hills also
stumbling
on a rock
the warbler's call
© Shiba Sonome
All beauties, as I may say so (smiles). Basho was "One of a Kind". I have understood that I have to give you all a kind of task to fulfill after reading the Ghost Writer posts? Let me see .... what kind of task I can give you?
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| Matsuo Basho, One of a Kind |
In this Ghost Writer post I mentioned a few times Karumi.
Master Basho said: "Learn
about a pine tree from a pine tree, and about a bamboo plant from a bamboo
plant.”
What he meant was that the poet should detach the mind from his own
self. Nevertheless, some people interpret the word 'learn' in their own ways
and never really 'learn'. 'Learn' means to enter into the object, perceive its
delicate life, and feel its feeling, whereupon a poem forms itself. Even a poem
that lucidly describes an object could not attain a true poetic sentiment
unless it contains the feelings that spontaneously emerged out of the object.
In such a poem the object and the poet's self would remain forever separate,
for it was composed by the poet's personal self.
He also said: "In my
view a good poem is one in which the form of the verse, and the joining of its
two parts, seem light as a shallow river flowing over its sandy bed”.
That my dear Haijin is what Karumi means. My task for you, dear Haijin ... try to write a haiku with Basho's idea of Karumi.
I hope you did like this Ghost Writer post and I hope it will inspire you all to write all new haiku with the lightness of Karumi in it ... I love to thank Chèvrefeuille that he has given me the opportunity to write this Ghost Writer post for Carpe Diem Haiku Kai.
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I hope you all did like this GW-post and I hope to read wonderful haiku written by you inspired on this post and with that touch of Basho's Karumi. I have given it a try with the next haiku:
cherry blossoms
fall
after a glorious time
tears in my eyes
pebble stone
sharpened by the brook
nature’s art
© Chèvrefeuille
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| First Cherry Blossom photo © Chèvrefeuille |
I don't know if I have touched Karumi with these two haiku, but I like the simplicity in both ... so maybe I have touched Karumi ...
This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until October 31st at noon (CET). I will publish our next episode, A Departed Soul (July 2014), later on. For now ... have fun!
