Dear Haijin, visitors and travelers,
My dad is recovering great from his heart attack of last Sunday. I am glad that the cardiologist has planned his release from the hospital this week. Thank you all for your warm thoughts, prayers and love.
In today’s Tokubetsudesu
episode I would like to introduce to you SIJO an ancient Korean short poetry
form.
Sijo share a common history with haiku and other Japanese forms. Sijo is a modern term for a Korean style of lyrical poetry, originally called tanga (literally, "short song"). The sijo strongly resembles Japanese haiku in having a strong foundation in nature in a short profound structure. Bucolic, metaphysical and astronomical themes are often explored. The lines average 14-16 syllables, for a total of 44-46. There is a pause in the middle of each line, so in English they are sometimes printed in six lines instead of three. Most poets follow these guidelines very closely although there are longer examples. Either narrative or thematic, this lyric verse introduces a situation or problem in line 1, development (called a turn) in line 2, and a strong conclusion beginning with a surprise (a twist) in line 3, which resolves tensions or questions raised by the other lines and provides a memorable ending.
Sijo share a common history with haiku and other Japanese forms. Sijo is a modern term for a Korean style of lyrical poetry, originally called tanga (literally, "short song"). The sijo strongly resembles Japanese haiku in having a strong foundation in nature in a short profound structure. Bucolic, metaphysical and astronomical themes are often explored. The lines average 14-16 syllables, for a total of 44-46. There is a pause in the middle of each line, so in English they are sometimes printed in six lines instead of three. Most poets follow these guidelines very closely although there are longer examples. Either narrative or thematic, this lyric verse introduces a situation or problem in line 1, development (called a turn) in line 2, and a strong conclusion beginning with a surprise (a twist) in line 3, which resolves tensions or questions raised by the other lines and provides a memorable ending.
An example by Kwon Homun (1532-1587):
"The
wind is pure and clear,
the moon is pure and bright.
the moon is pure and bright.
The bamboo
grove within the pines
is pure of worldly cares:
is pure of worldly cares:
But a lute
and piles of scrolls
can make it purer still"
can make it purer still"
Bamboo Groove |
Another
example by Yi Saek (1328-1396):
"the white
snow has left the valleys
where the clouds are lowering
where the clouds are lowering
Is it true
that somewhere
the plum trees have happily blossomed?
the plum trees have happily blossomed?
I stand
here alone in the dusk
and do not know where to go"
and do not know where to go"
Plum Trees |
Korean
poetry can be traced at least as far back as King Yuri's Song of Yellow Birds
(17BC), but its roots are in still earlier Chinese quatrains. Sijo, Korea's
favorite poetic genre, is often traced to Confucian monks of the eleventh
century, but its roots, too, are in those earlier forms. Its greatest flowering
occurred in the 16th and 17th centuries.
Sijo is,
first and foremost, a song. This lyric pattern gained popularity in royal
courts as a vehicle for religious or philosophic expression, but a parallel
tradition arose among the 'common' folk. Sijo were sung or chanted with musical
accompaniment, and still are. In fact, the word originally referred only to the
music, but it has come to be identified with the lyric as well.
The poet
should not lose sight of three basic characteristics that make the sijo unique:
its structure, its musical/rhythmic elements, and the twist which begins the
final line. For best results, poets follow these and other guidelines very
closely. (sources: Wonder Haiku Worlds)
My first attempt to write a Sijo I love to share here with you all.
Cherry
trees blossoming
for the very first time
for the very first time
spreading
their branches,
reaching for the sun
reaching for the sun
thunderstorms
raging,
fragile blossoms scattered
fragile blossoms scattered
© Chèvrefeuille
Cherry blossoms |
Well
... what do you think about this Sijo? As I was preparing this episode of Tokubetsudesu I also visited Jane Reichhold's AHA-Poetry website and I traced one of the oldest known Sijo written in the 13th century by U Tak (1262-1342):
The spring
breeze melted snow on the hills
then quickly disappeared.
then quickly disappeared.
I wish I
could borrow it briefly
to blow over my hair
to blow over my hair
And melt
away the aging frost
forming now about my ears.
forming now about my ears.
© U T'ak
(1262-1342)
By the way the "6 lines" lay-out is not the original lay-out of the Sijo. It was written in three lines. So this Sijo by U Tak would look like this, in the original lay-out:
The spring breeze melted snow on the hills then quickly disappeared.
By the way the "6 lines" lay-out is not the original lay-out of the Sijo. It was written in three lines. So this Sijo by U Tak would look like this, in the original lay-out:
The spring breeze melted snow on the hills then quickly disappeared.
I wish I could borrow it briefly to blow over my hair
And melt away the aging frost forming now about my ears.
And melt away the aging frost forming now about my ears.
© U T'ak
(1262-1342)
I think it's a nice poetry form, of course not an original Japanese form, but it's roots are in the same region as haiku. And in a way Sijo and haiku have something in common. Both are short and the main theme is nature.
I think it's a nice poetry form, of course not an original Japanese form, but it's roots are in the same region as haiku. And in a way Sijo and haiku have something in common. Both are short and the main theme is nature.
Eagle |
Try this nice little Korean verse and share it with us. I have another example of a Sijo by Narayanan Raghunathan which he wrote in 2005. Narayanan is co-founder of Wonder Haiku Worlds.
wonder days
wander, eagles
on summer sky with thunder clouds
on summer sky with thunder clouds
breeze from
distant worlds arrives,
cool with swans on billowing back
cool with swans on billowing back
vast
clouds array ancient
fairy tales, epics of ether light.
© Narayanan Raghunathan (co-founder of Wonder Haiku Worlds)
fairy tales, epics of ether light.
© Narayanan Raghunathan (co-founder of Wonder Haiku Worlds)
This episode of Tokubetsudesu is NOW OPEN for your submissions and will remain open until August 21th at noon (CET). I will publish our next episode, Monophysitism, later on..
I'm humming it :-)
ReplyDeleteLovely prompt; thank you.
This is very interesting, you did well there, with yours.
ReplyDeleteA wonderful post and I enjoyed the introduction to a new form! I've written my post but won't publish until the 22nd ... :-) Ciao! Bastet
ReplyDeleteA wonderful post and I enjoyed the introduction to a new form! I've written my post but won't publish until the 22nd ... :-) Ciao! Bastet
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteRats - having technical difficulties here!
ReplyDeleteI'm so glad your father will be going home soon - that is great news :)
Enjoyed this post very much :)