Showing posts with label Robert Frost. Show all posts
Showing posts with label Robert Frost. Show all posts

Sunday, October 8, 2017

Carpe Diem #1272 October (Robert Frost)


Dear Haijin, visitors and travelers,

I hope you have had a wonderful weekend. My weekend was awesome, we have met our "new" two grandkids, Jason and Dana. Our oldest son has a new girlfirend after he divorced from his former girlfriend. So we have two "bonus" grandkids now and that makes us happy. We are a loving family and we hope to become nice grandparents for these two "bonus" kids. So ... I had a wonderful weekend.

Today I have a nice anniversary episode for you to work with. As you know I have created several special features here at CDHK and one of those features was "CD-distillation" in which I challenged you to create haiku or tanka extracted from a longer poem. Back in our first anniversary month (October 2013) I had a nice poem by Robert Frost for you. That poem was titled "October" and I love to challenge you again with that same poem.

Logo CD Distillation
Let me explain the goal of this special feature, that's going into it's reprise today, for you. I have chosen a long poem by a renown poet. After reading the poem the goal is to create a haiku or tanka extracted from the poem, in which you have to try to catch the essence of the poem.

Here is the poem by Robert Frost (1874-1963) again:

October

by Robert Frost (1874-1963)           

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow's wind, if it be wild,
Should waste them all.
The crows above the forest call.
To-morrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled, 
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away;
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes' sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes' sake along the wall.

(Source: www.poets.org)

Autumn Colors (of October)
A wonderful poem, but for a haijin to long … so I have re-worked my cascading haiku into a tanka in which I catch the essence of the poem by Robert Frost.

at daybreak
one leaf falls and another –
bare branches
clothed with crystal drops of dew
at daybreak

© Chèvrefeuille

You can find the original post HERE. 

This episode is NOW OPEN for your submissions and will remain open until October 15th at noon (CET). I will try to publish our new episode, into the sea, later on. For now ... have fun and let me know if you would like to see this special feature back again at Carpe Diem Haiku Kai.


Tuesday, December 9, 2014

Carpe Diem Ghost Writer #37, Georgia on Frost and Carpe Diem Special #121, Richard Wright's 2nd haiku "in the falling snow"


!! I publish this post earlier than I normally do, because I am in the nightshift !!

Dear Haijin, visitors and travelers,

Today it's a double episode, because I have a Ghost Writer post and a Carpe Diem Special for you all. First I will bring to you the Ghost Writer post which is provided by Georgia of Bastet's Waka Library
She has written a nice GW-post (#37) about Robert Frost. After that GW-post I will continue this post with the CD-Special (#121) by Richard Wright. Have fun ... (PS. Both items have their own linking widget).

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Winter is upon us and there’s no doubt about it.

The other evening I was sitting by the fireplace reading Robert Frost, one of my favorite poets.  Unlike most of Frost’s poems his poem Dust of Snow has an essential quality about it that reminds me of a haiku.
We tend to think of Frost as always having written longish poems, but in fact he was very proud of his small compact poems. His Pulitzer Prize winning book of poetry, published in 1923 entitled “New Hampshire” contains many of his short poems for example, “Fire and Ice” or “Nothing Gold Can Stay” and “Dust of Snow” which is his shortest poem … One sentence in eight lines (two stanza), all but two are monosyllabic and yes … that means 17 syllables per stanza, a coincidence or had Frost come into contact with haiku at that early date?

Contemplating this poem, we see that a lot of its effect is derived from paradoxes … dust being related usually to something dirty, the fact that he was in a bad mood before the crow dumped snow down on him, which usually would put someone in a bad mood.  I’m thinking that like a haiku, reading this poem can give us many layers of meanings outside of the 32 words.

I would invite you to read Robert Frost’s Poem and write about a similar incident using either a haiku or a tanka.

Credits: Winter Crow © Melissa Parks

Dust of Snow
Robert Frost, 1874 – 1963


The way a crow
Shook down on me
The dust of snow
From a hemlock tree


Has given my heart
A change of mood
And saved some part
Of a day I had rued.


For more  of Robert Frost’s Short Poems – Terebess Asia On-line (TAO) at http://terebess.hu/english/haiku/frost.html

And if you wish you can download from Project Gutenberg several books of poetry by Robert Frost by following this link:  http://www.gutenberg.org/ebooks/search/?query=Robert+Frost

Have a great week!

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It's a wonderful post, a similar with our Carpe Diem Distillation feature ... so let this poem by Robert Frost inspire you to write an all new haiku (or tanka). It may be a distillation from the poem or inspired on the poem.

sudden gust of wind
snow swirls down on me
makes me shiver

© Chèvrefeuille

Hm ... a nice one ... brings nice memories into my mind ... my happy childhood. I see that same happiness in the eyes of my children and grandchildren ... awesome.

This GW-post is open for your submissions tonight at 7.00 PM (CET) and will remain open until December 12th at noon (CET). I will (try to) post our next episode, Northern lights, later on.

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Carpe Diem Special #37, the second haiku by Richard Wright "in the falling snow"

Than I have here our Carpe Diem Special, a haiku by our featured haiku-poet, Richard Wright (1908-1960) ... he was a forefighter of the Black Americans and in his last years he discovered haiku. He wrote a lot of haiku (more than 4000) and compiled an anthology of his own work with 880 haiku. He is really a great haiku-poet and I am loving his work very much. So let us go on to another wonderful haiku written by him. I have tried to use a haiku which is close to the GW-post earlier in this post. I think I have found a nice one to share here for your inspiration.

In the falling snow
A laughing boy holds out his palms
Until they are white.


© Richard Wright


The goal of the Carpe Diem Special is to write a haiku inspired on the given haiku by the featured haiku poet and try to touch the same sense, tone and spirit.



Here is my attempt:

through the early night
the laugh of children playing -
virgin snow


© Chèvrefeuille

Well ... now it's up to you .... this Carpe Diem Special is open for your submissions tonight at 7.00 PM (CET) and will stay open until December 12th at noon (CET). I will (try to) publish our new episode, Northern Lights, later on. For now ... have fun!

Thursday, November 13, 2014

Carpe Diem #604, Juggler


Dear Haijin, visitors and travelers,

A new episode ... I found a wonderful poem about a Juggler, our prompt for today, so this new episode will become a little bit like our Carpe Diem Distillation feature in which the goal is to distil a haiku (or a few haiku) from a longer poem.
Not so long ago I told you all that I would make choices for which special features I will use at our Carpe Diem Haiku Kai and I think I have found the happy medium in this dilemma. I will try to explain it to you all. I have decided to use the Special features, not any more apart from the regular prompts, but in the regular prompts, excluding a few as for example "Time Glass" and "Sparkling Stars".So in this new episode I will use our (former) Special feature "Distillation". The poem I found for this prompt, Juggler, is written by Richard Wilbur (1921 ). I will give you all first a brief biography about him, before I share the poem.

Richard Wilbur (1921)
Richard Purdy Wilbur is an American poet and literary translator. He was appointed the second Poet Laureate Consultant in Poetry to the Library of Congress in 1987, and twice received the Pulitzer Prize for Poetry, in 1957 and again in 1989.
Wilbur was born in New York City and grew up in North Caldwell, New Jersey. He graduated from Montclair High School in 1938, having worked on the school newspaper as a student there. He graduated from Amherst College in 1942 and then served in the United States Army from 1943 to 1945 during World War II. After the Army and graduate school at Harvard University, Wilbur taught at Wesleyan University for two decades and at Smith College for another decade. At Wesleyan, he was instrumental in founding the award-winning poetry series of the University Press. He received two Pulitzer Prizes for Poetry and, as of 2011, teaches at Amherst College. He is also on the editorial board of the literary magazine The Common, based at Amherst College. He married Charlotte Hayes Ward in 1942 after his graduation from Amherst; she was a student at nearby Smith College.
When only 8 years old, Wilbur published his first poem in John Martin's Magazine. His first book, The Beautiful Changes and Other Poems, appeared in 1947. Since then he has published several volumes of poetry, including New and Collected Poems (Faber, 1989).
Continuing the tradition of Robert Frost and W. H. Auden, Wilbur's poetry finds illumination in everyday experiences.


[...] "Continuing the tradition of Robert Frost and W. H. Auden, Wilbur's poetry finds illumination in everyday experiences " [...} and that makes him also a poet who maybe is in touch with Haiku, as Frost was. Haiku is also poetry about everyday experiences ... so who knows ... maybe Richard Wilbur will try his hand on haiku.

Credits: The Juggler: a village fair by Fritz Beinke (1842-1907)

Here is the poem which I love to share here for our prompt, Juggler ...:

JUGGLER  

A ball will bounce; but less and less. It's not
A light-hearted thing, resents its own resilience.
Falling is what it loves, and the earth falls
So in our hearts from brilliance,
Settles and is forgot.
It takes a sky-blue juggler with five red balls


To shake our gravity up. Whee, in the air
The balls roll around, wheel on his wheeling hands,
Learning the ways of lightness, alter to spheres
Grazing his finger ends,
Cling to their courses there,
Swinging a small heaven about his ears.


But a heaven is easier made of nothing at all
Than the earth regained, and still and sole within
The spin of worlds, with a gesture sure and noble
He reels that heaven in,
Landing it ball by ball,
And trades it all for a broom, a plate, a table.


Oh, on his toe the table is turning, the broom's
Balancing up on his nose, and the plate whirls
On the tip of the broom! Damn, what a show, we cry:
The boys stamp, and the girls
Shriek, and the drum booms
And all come down, and he bows and says good-bye.


If the juggler is tired now, if the broom stands
In the dust again, if the table starts to drop
Through the daily dark again, and though the plate
Lies flat on the table top,
For him we batter our hands
Who has won for once over the world's weight.

©
Richard Wilbur
Credits: Vladik Myagkostupov Juggler of Cirque Du Soleil

To close this episode I will you a little bit about "juggling":

Juggling is a physical skill, performed by a juggler, involving the manipulation of objects for recreation, entertainment, art, or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipulation of one object or many objects at the same time, using one or many hands. Jugglers often refer to the objects they juggle as props. The most common props are balls, clubs, or rings. Some jugglers use more dramatic objects such as knives, fire torches or chainsaws. The term juggling can also commonly refer to other prop-based manipulation skills, such as diabolo, devil sticks, poi, cigar boxes, contact juggling, hooping, and hat manipulation.

It will not be an easy task to write/compose a haiku from  juggler, but I have to try ... here is my attempt to distil a haiku from Juggler:
sky-blue juggler
laughs at his audience -
a sphere of balls

a sphere of balls
Mother Earth looks at it in awe -
the Milky Way


And a last one ...:

juggler throws his balls
circling and circling around -
autumn village fair
© Chèvrefeuille

Well ... not a very strong trio of haiku, it wasn't easy to distil haiku from the Juggler, but ... well I just had to try it ... and now it's up to you my dear Haijin, visitors and travelers to distil a haiku (or a few) from the poem by Richard Wilbur. So have fun! (I am behind with commenting I will try to catch up a.s.a.p., but can't garantee you all that I will write comments., but I will for sure visit you all and "like" or "google+" your post)

!! I have published a new column Suikazura No Retsu. You can find it in the left part of the weblog. This episode of my column is about some changes at Carpe Diem Haiku Kai !!

This episode will be open for your submissions tonight at 7.00 PM (CET) and will remain open until November 16th at noon (CET). I will try to publish our next episode, Hantu Pisang, later on.
 

Monday, October 14, 2013

Carpe Diem's Distillation #4 Robert Frost's "October"


Dear Haijin, visitors and travelers,

As we (maybe) all do, but the classical haiku poets did for sure, we sometimes are inspired by literature and poetry to write haiku. With that in mind I created Carpe Diem's Distillation. The goal is to 'distil' haiku from a longer or other poem.
In our last episode of 'Distillation' I asked you to 'distil' a haiku from 'Paradise Lost' by John Milton and I have read wonderful 'distilled' haiku from that poem. It was really a joy to read e.g. the 'distillation' by Atreyee of "Brew me a cuppa":

while sun cowers
behind the moon,
fear dances naked

(c) Atreyee

Or this one by Bjorn Rudberg of "Rudbergs Writings":

during the eclipse
as twilight grips their throat
kings shiver also

(c) Bjorn Rudberg

For this episode of "Distillation" I have found a wonderful poem written Robert Frost (1874-1963), an American poet. This poem is titled, no coincedence, October and I thought that it fits perfectly in our first anniversary month of Carpe Diem Haiku Kai.
Hereafter I will reproduce the complete poem for your (and mine) inspiration, like the ancient haiku poets did.


Robert Frost (1874-1963) photo by Karsh

October

by Robert Frost (1874-1963)             

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow's wind, if it be wild,
Should waste them all.
The crows above the forest call.
To-morrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away;
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes' sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes' sake along the wall.


(Source: www.poets.org

A wonderful poem I think and I hope it will inspire you all to write new haiku. "Break a Leg".




This episode of Distillation will stay on 'til November 15th 11.59 AM (CET) and I will (try to) post a new episode od Distillation that day. Have fun, be inspired ... and feel like a classical haiku poet.