Monday, August 4, 2014

Carpe Diem Special #100, Jim Kacian's "chopping wood "


Dear Haijin, visitors and travelers,

As I was preparing our prompt-list for this month I realized that we have had already 99 CD Specials and so today we have a little celebration ... the 100th Carpe Diem Special and so I have chosen a wonderful haiku by our featured haiku-poet Jim Kacian.
 
Kacian was born in Worcester, Massachusetts, then adopted and raised in Gardner, Massachusetts. He wrote his first mainstream poems in his teens, and published them in small poetry magazines beginning in 1970. He also wrote, recorded, and sold songs while living in Nashville in the 1980s. Upon his return to Virginia in 1985 he discovered English-language haiku, for which he is best known.
In 1993, he founded Red Moon Press, and in the same year began editing the haiku journal South by Southeast. Kacian's Red Moon Press is the largest publisher of haiku and haiku-related books outside Japan, with a current catalog of over 60 titles in print, and producing some dozen titles a year, including 12 years of the award-winning annual Red Moon Anthology.  This was followed in 1998 with the editorship of Frogpond, the journal of the Haiku Society of America.
Having proposed a new global haiku association in 1999, Kacian co-founded the World Haiku Association with Ban'ya Natsuishi and Dimitar Anakiev. In September 2000 the WHA held its inaugural conference in Tolmin, Slovenia.
Credits: Jim Kacian
From August to November 2000, Kacian traveled to nine countries — the UK, Slovenia, Macedonia, Bulgaria, Romania, Malaysia, New Zealand, Australia, and Japan promoting a global haiku. Having invited haiku poets from around the world to submit their haiku to Frogpond, Kacian compiled and edited 2001’s XXIV:1 issue, featuring haiku from 24 countries.
In late 2008 Kacian formed and created The Haiku Foundation, a non-profit organization which focuses on archiving English-language haiku's first century while expanding its second, with an official start-date of January 6, 2009.
In August 2013 his comprehensive anthology Haiku in English: The First Hundred Years was published by W. W. Norton & Company. Kacian served as editor-in-chief for the decade-long project, with Allan Burns and Philip Rowland as associate editors, and with a general introduction by former poet laureate Billy Collins. The anthology tells the story of English-language haiku from its first recognized example—Ezra Pound’s “In a Station of the Metro”—to current practice, and offers selections from well over 200 poets in a chronological format.
It also features Kacian’s 70-page overview of the genre.

He is an important guy for the world's haiku-poets and he has written wonderful haiku. I was really excited as he granted me permission to use his haiku for our Carpe Diem Haiku Kai Specials this month ... so I just want to say here "Thank you Jim".

Credits: Chopping Wood
And here is the first haiku by our featured haiku-poet Jim Kacian. I think this haiku is one of his best ... it's very much in touch with the classical masters ...

chopping wood-
someone does the same
a moment later

© Jim Kacian

I think I haven't said to much ... I like this haiku a lot and I am so glad that I have the opportunity to use his haiku with his permission.
As you all maybe know ... the goal of the CD-Specials is to write a haiku or senryu in the same tone, sense and spirit as the one given. So here is my try to write a haiku in the spirit of Jim Kacian.

deep silence
in the forest I only hear
a Woodpecker

© Chèvrefeuille

Well ... I think I have succeeded, but that's not up to me to say ... 

This episode will be open for your submissions tonight at 7.00 PM (CET) and will remain open until August 7th at noon (CET). I will (try to) post our new episode, another nice Ghost Writer post, later on. By the way, do you want to be a Ghost Writer for Carpe Diem Haiku Kai? Please send your Ghost Writer post to:


By the way (2), I have created another part of our Carpe Diem Haiku Family ... "Tackle It Tuesday" it's a new weekly haiku-meme and the first prompt is Serenity.




Sunday, August 3, 2014

Carpe Diem #532, Movement


Dear Haijin, visitors and travelers,

Khalil Gibran, a modern times (end 19th and begin 20th century, must be modern heh) philosopher has written really awesome books. His thoughts were very much different as the ideas of the government in his country Lebanon and so he had to fled to the United States were he became a great man and author in the same league as Shakespeare. It's awesome to read his thoughts and ideas ... I can emphatize with him, because he has in a way the same thoughts and ideas as I, but ... I cannot really give the right words to it ...

Today I have another wonderful saying of him to share here at Carpe Diem Haiku Kai ...

[...] "We measure time according to the movement of countless suns; and they measure time by little machines in their little pockets. Now tell me, how could we ever meet at the same place at the same time?" [...]

Credits: Time is Chaos
"Time is on our side", we say, but that isn't true, because, as I look at myself, I don't have enough time. Several times I had to post a short message on our Haiku Kai, because of a delayed post by lack of time. And then we say "Time is on our side". Bull....
What is time? It's the movement of our wonderful planet Earth around the sun. A day has 24 hours, must be enough I thought, but why do I have a shortness of time than? I think I know it ... I just do like to much activities. All my activities are sucking my time. I don't have enough time! I need more time! Why has a day just 24 hours? Because that's the time Earth needs to complete his journey around the sun. Why not 48 hours?
Hm ... that's an issue! As a day would last for 48 hours our lives would be slower, we would be younger. Picture this (sorry I can't help it I love that sentence "picture this", it's from The Golden Girls TV-series, Sophia uses it to tell her stories. I like that TV-show) a day lasts 48 hours. (Do you have that picture?) I am now 51 yrs, as a day would lasts 48 hours, I would be 25 yrs! Awesome! I would be still a young guy and would have time enough.
Would that be true? Of course not as the days lasts 48 hours (a day) than I would still have a shortness of time, because I still like what I do. I would have more time for my patients. I would have more time to compose haiku and share them at our Haiku Kai. I would have a lot of time, but more time brings me more energy, more ideas .... and for sure I would have to little time. What, in Gods name, is my problem!?

Credits: Time
I think I have an idea to become rid of my problem ... I just throw my watch away and let those countless suns make my day. I have to adapt to nature's time, I don't need to stay awake until 2 o'clock in the night. I just have to go to my bed as the evening falls and get out of bed as the morning rises. Wouldn't that be awesome? Just going with nature and the way of the sun ... That's the time of a haiku-poet. As I stated in another episode of CDHK haiku-poets are the poets of nature, they are the keepers of nature ... so I have just to listen again to my own words and the words of our classical haiku-poets. We just have have to listen to our ancestors ... Did they have a shortness of time? I don't think so.
A lack of time is an "illness" of modern times ... I am a guy who lives in the modern time, but does that mean that I have to confirm to the fastness and lack of time? I don't think so.
From this moment on ... no time problems anymore. I just go with the flow, just go with the movement of countless suns and with the tides.

changing tides
my restlessness has gone
time is at my side

© Chèvrefeuille

Khalil Gibran has said it in the right way ... we don't need those little machines in our little pockets or around our wrist.

This episode, however, is open for your submissions tonight at 7.00 PM (CET) and will remain, however, open until August 6th at noon. Sorry guys ... time is at our side, but I have to beacon the time (smiles). I will (try to) post our next episode, our first Carpe Diem Special of this month, a haiku by Jim Kacian, later on. !! Visit our new part of our Carpe Diem Haiku Kai family at Carpe Diem's Tackle It Tuesday, a new weekly haiku-meme !!

Also published at:


Saturday, August 2, 2014

Carpe Diem #531, Sweetness


Dear Haijin, visitors and travelers,

This month looks very promising ... I have read wonderful haiku inspired on the words by Khalil Gibran. Today our prompt is sweetness and I realized yesterday as I was looking for our new episode that this ''sweetness''-prompt came from the same words as those which I used in our '''mist''-prompt, so I had to change my plan, but I would like to use '''sweetness'' so I have found another nice piece of philosophy by Gibran.

[...] "It was but yesterday I thought myself a fragment quivering without rhythm in the sphere of life. Now I know that I am the sphere, and all life in rhythmic fragments moves within me'''. [...]

Isn't that the sweetness of our life? Life is an everlasting sphere, a circle of life. Seasons come and go and we are all part of it. Nature is all around us and we are part of it. We are all children of Mother Earth. She provides us with all we need and her love for us is unconditional.
Haiku, is also called, a poem of nature and I think haiku is nature in all her beauty. We are all haiku-poets and that makes us all keepers of nature. We have to take care of nature. That is our duty. We have to cherish Mother Earth.
Credits: Ladybugs
under the hedge
I saw little creatures crawl
between fallen leaves

© Chèvrefeuille

Basho and Issa for example enjoyed even the smallest creatures, plants and flowers ... they are an example to us. Look around you, look really close to your environment and become happy as you spot a little flower or insect. We have to cherish them too, because they are also part of nature. They are also children of Mother Earth.
Credits: Cobweb by Lindsay
vibrating cobweb
the spider awakens from his sleep
breakfast is served

© Chèvrefeuille

Awesome ... what a wonderful haiku (how immodest) ...

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until August 5th at noon (CET). I will (try to) post our new episode, movement, later on. I am looking forward to all your wonderful responses on this post. Have fun ... be inspired and share your haiku with us all here at our Haiku Kai.


Friday, August 1, 2014

Carpe Diem Tan Renga Challenge #45, "Double Rainbow"


Dear Haijin, visitors and travelers,

I have found a little space to create this new Tan Renga Challenge, so the delay isn't very big. For this week's Tan Renga Challenge I have a nice first stanza composed by Ese of Ese's Voice. The goal of this Tan Renga Challenge is to compose a second stanza of two lines (7-7 syllables, no obligation by the way) to continue the scene/story of the first stanza ...

This is the haiku by Ese which I have chosen for starting the Tan Renga of this week:

double rainbow
arches across stormy sky
time to count blessings

© Ese of Ese’s Voice

Credits: Double Rainbow
A wonderful haiku to start with I think ... and now it's up to you to make this Tan Renga complete by composing the second stanza to it.

I love to compose my second stanza inspired on the last line of the haiku by Ese "time to count blessings" so here is my completed Tan Renga.

double rainbow
arches across stormy sky
time to count blessings
                            (Ese)

the joy and laughter of my kids
resonates at the family barbeque               (Chèvrefeuille)

Well ... what do you think? 

This Tan Renga Challenge is NOW OPEN for your submissions and will remain open until next Friday. For now ... have fun, be inspired and share your continuation or completion of this Tan Renga with us all.


New Tan Renga Challenge delayed

Dear Haijin, visitors and travelers,

Our new Tan Renga Challenge is delayed. My nightshift was very busy, so i hadn't time enough to create our new TRC for this week. I hope to publish it later on today.

Namaste,

Chėvrefeuille, your host.

Carpe Diem #530, Mist


Dear Haijin, visitors and travelers,

What a joy it was to read your responses on the first Gibran-episode of CDHK and that makes be happy and it gives me the strenght to go on and create our new episode based on Gibran's words as written in "Sand and Foam'.

Cover Sand & Foam by Kahlil Gibran (1926)

Khalil (there are different ways to write his name) Gibran (January 6, 1883 – April 10, 1931) was a Lebanese artist, poet, and writer born in the town of Bsharri in the north of modern-day Lebanon (then part of Mount Lebanon Mutasarrifate, Ottoman Empire), as a young man he immigrated with his family to the United States, where he studied art and began his literary career, writing in both English and Arabic. In the Arab world, Gibran is regarded as a literary and political rebel. His romantic style was at the heart of a renaissance in modern Arabic literature, especially prose poetry, breaking away from the classical school. In Lebanon, he is still celebrated as a literary hero.

Today I love to share a 'story' which brought a Bible-verse into my mind ... I think it's in the Book of Isaiah [...] I have engraved you on the palms of my hands [...]. And here is the 'story' (parable) written by Gibran:

[ ...] Once I filled my hand with mist. Then I opened it, and look, the mist was a worm. And I closed and opened my hand again, and behold there was a bird. And again I closed and opened my hand, and in its hollow stood a man with a sad face turned upward. And again I closed my hand, and when I opened it, there was nothing but mist. But I heard a song of exceeding sweetness.[...]

That last line "But I heard a song of exceeding sweetness", brought the verse from Isaiah into my mind. The Father, our Creator, is holding us in His Hand to protect and cherish us with unconditional love. That was my thought immediately after reading Gibran's words ... his words touched me deep and I hope it does the same to you ...

Credits: Nightingale (Dutch website)

nightingale's song
resonates through the summer night
peace of heart


© Chèvrefeuille

Well ... I hope you did like this post and I hope it will inspire you to write new haiku and share them with us all ... your haiku-family-members ... at Carpe Diem Haiku Kai.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until August 4th at noon (CET). I will try to post our new episode, sweetness, later on ... for now ... have fun!

Carpe Diem's Little Ones #12, Shadorma


Dear Haijin, visitors and travelers,

I thought it was time to create a new episode of our Special feature "Little Ones" in which I will introduce this time a poetry-form, from Spain, Europe, called "Shadorma". I hadn't heard of this form earlier, but I ran into a beautiful weblog by Bastet in which the Shadorma was mentioned. Of course I had to look at this form and I realized that it also works with syllables as we know from haiku.

The Shadorma is a poetic form consisting of a six-line stanza (or sestet). The form is alleged to have originated in Spain. Each stanza has a syllable count of three syllables in the first line, five syllables in the second line, three syllables in the third and fourth lines, seven syllables in the fifth line, and five syllables in the sixth line (3/5/3/3/7/5) for a total of 26 syllables. A poem may consist of one stanza, or an unlimited number of stanzas (a series of shadormas).


It has been suggested that the shadorma is not a historical poetic form as it is alleged to be by those who have recently revived and popularized it. There is no evidence of extant early Spanish poetry using this form. Further, the word shadorma does not appear in Spanish-language dictionaries, and no examples of the early usage of the form appear in poetry textbooks or anthologies. Further, there is no literary criticism regarding its history in Spanish literature. Considering this, the alleged history of the shadorma may be modern hoax (a deliberately fabricated falsehood made to masquerade as truth) or the poetic equivalent of an urban legend (a form of modern folklore consisting of stories that may or may not have been believed by their tellers to be true). However, the shadorma has been used by many modern writers and is a popular writing exercise in creative writing programs and workshops.


I sought the internet and I ran into several examples of Shadorma, but this one by Richard Ankers is (in my opinion) a beauty:

Emerald,
Verdant grass of dreams;
Swaying free;
Living free;
Gathered together as one:
Most peaceful landscape.



And I found a wonderful Shadorma at Jen's weblog, I haven't ask her permission yet, so I hope she doesn't mind that I use her Shadorma (of course I link her Shadorma). Here is Jen's Shadorma:

Memories
with crocodile teeth
overwhelm
the phoenix –
plumes turn to ash in his mouth –
he singes his jaws



Credits: Red Roses
Well ... it's a poetry-form were I am not so familiar with so I will give it a try to write my first Shadorma ever and share it here with you all ...

red Roses
sharing their perfume,
morning mist
and the soft breeze
giving it to the whole wide world,
unknown love


© Chèvrefeuille

Not a great or strong one ... it's a kind of poetry that I have to study a little bit longer before I can relate to it ... but I think for a very first Shadorma not a very bad try ...

Well ... this Little Ones episode is NOW OPEN for your submissions and will remain open until August 15th at noon (CET).