Showing posts with label koan. Show all posts
Showing posts with label koan. Show all posts

Wednesday, October 26, 2016

Carpe Diem Special (3rd guest) Herman van Rompuy's 4th a clap of wings


Dear Haijin, visitors and travelers,

It's it with something of sadness and sorrow that I present to you the last CD Special by our third guest, Herman van Rompuy, former president of Belgium and the first President of the EU. Herman van Rompuy, a politician who writes haiku ... unbelievable, but true. I had of course heard about him as a politician, but hadn't heard that he also is a very gifted haiku poet. A lot of his haiku have a political statement hidden in it, so maybe his haiku are more senryu, but that's not a problem.

Today I have a nice haiku for your inspiration and I think it's one of the best haiku by Van Rompuy that I shared here this month.

Doves
 Doves are very common in the low lands and so it wasn't a strange idea to find this birds in a haiku by Van Rompuy. In this haiku he combines also that other common thing here in the low lands bicycles.

a cyclist approaches
doves scatter from the corn
a clap of wings


© Herman van Rompuy

As I read this haiku another time there came a koan in mind, a very famous koan I think. Here is that koan ...

The Sound of One Hand

The master of Kennin temple was Mokurai, Silent Thunder. He had a little protege named Toyo who was only twelve years old. Toyo saw the older disciples visit the master's room each morning and evening to receive instruction in sanzen or personal guidance in which they were given koans to stop mind-wandering.
Toyo wished to do sanzen also.
"Wait a while," said Mokurai. "You are too young."
But the child insisted, so the teacher finally consented.

In the evening little Toyo went at the proper time to the threshold of Mokurai's sanzen room. He struck the gong to announce his presence, bowed respectfully three times outside the door, and went to sit before the master in respectful silence.
"You can hear the sound of two hands when they clap together," said Mokurai. "Now show me the sound of one hand."
Toyo bowed and went to his room to consider this problem. From his window he could hear the music of the geishas. "Ah, I have it!" he proclaimed.

One Hand Clapping
The next evening, when his teacher asked him to illustrate the sound of one hand, Toyo began to play the music of the geishas.
"No, no," said Mokurai. "That will never do. That is not the sound of one hand. You've not got it at all."
Thinking that such music might interrupt, Toyo moved his abode to a quiet place. He meditated again. "What can the sound of one hand be?" He happened to hear some water dripping. "I have it,"imagined Toyo.

When he next appeared before his teacher, Toyo imitated dripping water.
"What is that?" asked Mokurai. "That is the sound of dripping water, but not the sound of one hand. Try again."
In vain Toyo meditated to hear the sound of one hand. He heard the sighing of the wind. But the sound was rejected.
He heard the cry of an owl. This also was refused.
The sound of one hand was not the locusts.
For more than ten times Toyo visited Mokurai with different sounds. All were wrong. For almost a year he pondered what the sound of one hand might be.
At last little Toyo entered true meditation and transcended all sounds. "I could collect no more," he explained later, "so I reached the soundless sound."
Toyo had realized the sound of one hand.

A beautiful koan, just to share, because it came in mind as I was reading the haiku by Herman Van Rompuy.

sound of water the silence deepens
birds sing

© Chèvrefeuille

I hope I have inspired you to create haiku, tanka or other Japanese poetry form. This was our last CD Special by Herman Van Rompuy. I loved sharing his haiku here and I hope he will read it himself also. He hasn't responded yet, so I haven't yet permission to use his haiku. So if there is a problem, please let me know. I am grateful that I could share his haiku here with you all in our 4th anniversary month. Thank you Herman van Rompuy, you are a wonderful haiku poet.

This episode is NOW OPEN for your submissions and will remain open until October 31st at noon (CET). I will try to post our next episode, fountain pen, later on. For now .... have fun!


Thursday, October 8, 2015

Carpe Diem Perpetuum Mobile #2 rainbows sparkle (or movement in haiku)


Dear Haijin, visitors and travelers,

I had some spare time, so here is (against my earlier thoughts) an episode of one of our special features.

A while ago (somewhere in July 2015) I introduced CD Perpetuum Mobile to you. A special feature about movement in our beloved haiku. Movement? What is movement? How do I catch movement in my haiku? To catch movement in your haiku you can try movement as in "driving a car" or "the swirling of autumn leaves", but movement can also be "the change of seasons" or "the erosion of pebbles through water or sand". All examples of movement. To catch movement in a haiku is not easy, because sometimes it can look artificial and that, my dear Haijin, is something you and I don't want to see/read in our haiku.

Haiku is the poetry of nature and nature is always in motion. Seasons come and go, the moon changes every 28 days and so on, the only thing which is steady and without clear motion is our sun, that big star of our Milky Way around which the planets are rotating.

Nature is always moving and so it's like a perpetuum mobile. As I look at haiku on it selves than haiku is always changing too. As long as haiku exists the rules of writing them have changed like the waves, they have come and go and come again. So our beloved haiku is a perpetuum mobile in it's pure form I think.

seasons come and go
the everlasting motion of nature -
perpetuum mobile


© Chèvrefeuille

Credits: The Oceans are always in motion

A haiku must be fluid, it has to flow, but how can we bring that fluid, that flow into haiku? I think the only way to do that is being one with the scene, the moment, we have to describe in our haiku, but ... I can almost hear you think "haiku is an impression" as I love to call it.
Maybe you can remember our first series of Haiku Writing Techniques or our Impressionism month in which I stated that haiku is an impression, a surprise, but if we look at haiku that way and we have to bring movement into our haiku than we cannot be non-artificial, but still ... This sounds like a koan, that Zen question that enlightens you as you find the unexpected answer, the unexpected deeper meaning and beauty of your haiku.
Most haiku can be seen/read as such a koan, because you describe a moment as short as the sound of a pebble thrown into water that touched you and gave you a kind of insight ... or maybe a revelation.

dew drops shimmer
on colorful leaves
rainbows sparkle


© Chèvrefeuille

Do you see/read the movement? The light of the sun, the shimmering dew drops in which rainbows sparkle, and those colorful leaves making the sensational movement even better.

Credits: whirling leaves

Or what do you think of this one, from my archives:

waterfall of colors
leaves whirl through the street -
departing summer


© Chèvrefeuille (2012)

In this haiku the movement, the motion is very clear present "leaves whirl through the street" ... all movement. Haiku becomes very lively through using movement ... so try it sometimes ... or just now.
The goal of this feature is trying to catch the perpetual motion of the seasons, of nature. This feature has no prompt, sometimes a theme, but mostly I will challenge you to catch movement in your haiku, movement of nature in specific.

This CD Perpetuum Mobile episode is NOW OPEN for your submissions and will remain open until October 22nd at noon (CET). Have fun!