Friday, June 7, 2013

Carpe Diem #216, U no Hana (Deutzia flower)



Dear Haijin, visitors and travelers,

Today we share haiku on U no Hana (Deutzia flower), and I hope to read wonderful haiku inspired on this wonderful flower.
I wasn't aware of the beauty of this flowering plant, but as I sought for photo's of it I ran into wonderful flowers ... so fragile, and I think their scent must be delicious.


Credits: Deutzia Flowers (deutzia x limoinei)

Deutzia x lemoinei

is a bushy fully hardy perennial deciduous shrub with white flowers in early Summer and late Spring. It grows well in semi-shade and direct sun, and prefers medium levels of water. The flowers are rotate shaped arranged in acymose corymb inflorescence. It has average drought tolerance.
It looks best in Spring and Summer. (source )

fragile
sweet scented Deutzia -
Summer has started


Summer has started
everywhere I look one sea of flowers -
fragile Deutzia


I didn't know that Deutzia was described by a Dutch horticulturist named Johann van der Deutz (1743-1784) So it is a flower with Dutch roots ... I am proud. 

Be inspired, creative and share your haiku on Deutzia. This prompt will stay on 'til June 9th 11.59 AM (CET) and I will post our new episode, Takenoko (Bamboo Shoots), later on today around 10.00 PM (CET). See you ...

Namaste.







Thursday, June 6, 2013

Carpe Diem #215, Botan (peony)



Dear Haijin, visitors and travelers,

We are busy with classical Japanese kigo for Early Summer and today we have Botan (peony) for prompt. I think this is a real fun prompt. I see the Peony as the Queen of Flowers. In my opinion the Peony is the most wonderful flower we have.
The Peony starts blooming in early Summer and if you have a male and a female Peony-plant the Peonies will become even more beautiful. I had a wonderful peony in the garden, but this one went dead through the strong cold winter we had last year. I know it's a pity, but well ... that's life, that's Mother Nature.




The peony has a deeper meaning, maybe you know that, but I will share that here with you all:

The lush, densely ruffled blossom of the peony contains many mysteries. That is why the peony has become the special weapon of those who wish to communicate their love in a secret manner. So whether you’re a secret admirer or the recipient of a lush, lovely bouquet of peonies, you’ll know the special message these flowers contain.

Isn't it a wonderful deeper meaning? I like those special meanings of flowers and this one is really a beauty.


deep mysteries
hidden in the Peonies -
secret lover


secret lover
face behind a bouquet of Peonies -
the first step


the first step
sending Peonies to my love
deep mysteries



A nice cascading haiku, but more for it's imagery than for it's poetry. Not a strong one I think, but I loved writing it for you all. Be inspired and share your haiku on Botan (Peony) with us all.

This prompt will stay on 'til June 8th 11.59 AM (CET) and I will post our new episode, U No Hana (Deutzia Flower), later on today around 10.00 PM (CET).







Wednesday, June 5, 2013

Carpe Diem #214, Hatsugatsuo (first Bonito)



Dear Haijin, visitors and travelers,

It looks like we have finally Summer here in The Netherlands. Spring was long cold and very wet. And now we have warm weather, a lot of sunshine and it feels great. Of course it's early Summer, but I am very happy with this weather after the cold rainy May month. So today's prompt, Hatsugatsuo (first Bonito), a early Summer kigo, is very welcome.
By the way as I wrote in an earlier post (the one about Boys' Day) I have contacted Jane Reichhold, and I am happy and excited to tell you all that in July our Special episodes are all haiku written by Jane Reichhold, she has given me permission to use all of her haiku (+ 5000) and she has answered a few questions which I had included in my e-mail. I will prepare a Carpe Diem Preview later on this week. I was so excited that she has given me permission to use her haiku that I couldn't sleep last night. I am really happy with her permission.

OK ... back to today's prompt, Hatsugatsuo (first Bonito). During the Edo period, Kamakura was famous for the first bonito to be fished at the beaches of the inlay. The very first ones were offered at Hachimangu with prayers for a good fishing season.
In newer years, the first fish of the year landing on the beach of Kamakura was called hatsugatsuo and offered to the deities.


Togugawa Ieyasu

The Edo Period:

The Edo period or Tokugawa period is the period between 1603 and 1868 in the history of Japan, when Japanese society was under the rule of the Tokugawa shogunate and the country's 300 regional Daimyo. The period was characterized by economic growth, strict social order, isolationist foreign policies, environmental protection policies, and popular enjoyment of arts and culture. The shogunate was officially established in Edo on March 24, 1603, by Tokugawa Ieyasu (see picture above). The period came to an end with the Meiji Restoration on May 3, 1868, after the fall of Edo.
A revolution took place in the centuries from the time of the Kamakura shogunate, which coexisted with the Tenno's court, to the Tokugawa, when the bushi became the unchallenged rulers in what historian Edwin O. Reischauer called a "centralized feudal" form of government. Instrumental in the rise of the new bakufu was Tokugawa Ieyasu, the main beneficiary of the achievements of Oda Nobunaga and Toyotomi Hideyoshi. Already powerful, Ieyasu profited by his transfer to the rich Kantō area. He maintained 2.5 million koku of land, new headquarters at Edo, a strategically situated castle town (the future Tokyo), and also had an additional two million koku of land and thirty-eight vassals under his control. After Hideyoshi's death, Ieyasu moved quickly to seize control from the Toyotomi family.
Ieyasu's victory over the western daimyo at the Battle of Sekigahara (October 21, 1600, or in the Japanese calendar on the 15th day of the ninth month of the fifth year of the Keichō era) gave him virtual control of all Japan. He rapidly abolished numerous enemy daimyo houses, reduced others, such as that of the Toyotomi, and redistributed the spoils of war to his family and allies. Ieyasu still failed to achieve complete control of the western daimyo, but his assumption of the title of shogun helped consolidate the alliance system. After further strengthening his power base, Ieyasu installed his son Hidetada (1579–1632) as shogun and himself as retired shogun in 1605. The Toyotomi were still a significant threat, and Ieyasu devoted the next decade to their eradication. In 1615, the Tokugawa army destroyed the Toyotomi stronghold at Osaka.
The Tokugawa (or Edo) period brought 250 years of stability to Japan. The political system evolved into what historians call bakuhan, a combination of the terms bakufu and han (domains) to describe the government and society of the period. In the bakuhan, the shogun had national authority and the daimyo had regional authority. This represented a new unity in the feudal structure, which featured an increasingly large bureaucracy to administer the mixture of centralized and decentralized authorities. The Tokugawa became more powerful during their first century of rule: land redistribution gave them nearly seven million koku, control of the most important cities, and a land assessment system reaping great revenues.
This is the time in which Matsuo Basho (1644-1694) and a lot of other haiku-poets lived e.g. Yosa Buson and Kobayashi Issa.

A haiku written by Basho on our prompt for today, Hatsugatsuo (first Bonito):

kamakura o ikite ideken hatsugatsuo

you made it
past Kamakura alive -
first Katsuo bonito

(tr. Gabi Greve)

First things were much loved in Edo and people payed high prices to get them, some were first offered at a shrine before consumption. Bonito is a kind of Tuna.Tuna are ocean-dwelling carnivorous fish in the family Scombridae, mostly in the genus Thunnus. Tuna are fast swimmers—they have been clocked at 70 kilometers per hour (43 mph)—and include several warm-blooded species. Unlike most fish, which have white flesh, tuna flesh is pink to dark red, which could explain their odd nick-name, "rose of the sea." The red coloring comes from tuna muscle tissue's greater quantities of myoglobin, an oxygen-binding molecule. Some of the larger species, such as the blue fin tuna, can raise their blood temperature above water temperature through muscular activity. 

The Japanese are a fish-eating country and they have the most delicious recipes for Bonito (Tuna) (see photo beneath). Maybe you know Sushi, but all other kind of fish are also loved there. The first Bonito is a very expensive dish, but it tastes great.


Hatsugatsuo, first Bonito ... a delicious dish

Another haiku by Basho, which he wrote short before the moment that he took on his penname Basho:

The first bonito of the year
Amazingly fresh
They would have been alive when they left Kamakura

This is a haiku poem in which Basho describes the first bonito catches of the year. This poem is the original of the haiku I quoted earlier in this post. Basho is known of that manner of re-composing his haiku to make them more compact and more beautiful.

Another haiku on 'first Bonito', written by Kikaku a pupil and contemporary of Basho. Kikaku is one of my favorite haiku poets next to Basho of course (smiles):

manaita ni koban ichimai hatsugatsuo

on the chopping board
a golden thaler -
first bonito

It will not be easy to write a haiku on Hatsugatsuo I think, because I do like eating fish, but not to much. So here I go.

along the canal
gazing at the mirror-like water
my first catch

my first catch
the line almost breaks
a gold carp

a gold carp
hooked at my fishing line -
mouth watering

I like this cascade ... I am not such a fisherman, but sometimes I go fishing with my youngest son. Gazing to the water, have a bite and a beer. Sometimes a short talk with my son, but ... mostly silent almost meditating and contemplating what's in mind.

with my son
gazing at the water
in deep silence

I hope you liked the read and the haiku. I am looking forward to all of your wonderful haiku on this prompt for today. Have fun, be inspired and share.

This prompt will stay on 'til June 7th 11.59 AM (CET) and I will post our next episode, Botan (peony), later on today around 10.00 PM (CET).








Tuesday, June 4, 2013

Carpe Diem #213, Tango (Boys' Day or Boys' Festival)



Dear Haijin, visitors and travelers,

What a joy to read all of your haiku inspired on the one by Kikusha-Ni and what a coincedence that there were several of you who used the rain puddle in their haiku, just as I did. Really I am looking forward to the next Special, but that's in about 6 days, today we share haiku on Tango (Boys' Day or Boys' Festival). This  festival is always on the 5th day of the 5th moon in the lunar calendar which was used in classical Japan. When Japan started to use the Western calendar this day would have been on the 5th of June, but Boys' Day however is still at hand on 5th May, so you would say it's for Spring, but that's not true. Boys' Festival was one the first Summer festivals, so it's a kigo for early Summer.
I will return to that after this. I love to share something else with you all. As you may know in July I have Jane Reichhold chosen for our Specials. She is still alive (she's now 76 yrs) so I had to ask for her permission to use her haiku. Well ... on June 2nd I have e-mailed her with that question and I have included a little interiew of four questions. So I am in awe and I hope she will answer this e-mail, we will see. I will keep you all informed.
OK ... back to our prompt, our classical kigo, for today, Tango (Boys' Day).

Koi-Nobori

On this day Japanese families celebrate Tango-no-Sekku, the Boys' Festival. With its special customs and observances, it is Japan's way of celebrating the healthy growth and development of her young boys.
If one travels through Japan from the latter half of April to early May, one sees nearly everywhere huge, gay-colored Koi-Nobori, carp-like streamers made of paper or cloth, which fill with wind and seem to swim in the air. Together with long red and white ribbons, the carp are hoisted on a bamboo pole, mounted by a pair of gilded pinwheels, high above the rooftops.A carp is flown for each son in the family, a very large one for the eldest, the others ranging down in size.
The carp has become the symbol of the Boys' Festival because the Japanese consider it the most spirited of fish, so full of energy and power that it can fight its way up swift-running streams and cascades. Because of its strength and determination to overcome all obstacles, it stands for courage and the ability to attain high goals. The carp is an appropriate symbol to encourage manliness and the overcoming of life's difficulties leading to consequent success.
There are several legends around this Boy’s Festival which I love to share one of here:

This legend traces the origin of the Boys' Festival to Tokimune Hojo's victory over them invading Mongols on May 5, 1282. As a result, Samurai families erected the flags and streamers in celebration of the victory. Others believe that the unification of the country by the Ashikaga Shogun in the 14th century had been celebrated in this fashion on every May 5 until the interior decorations came to be emphasized.


Credits: Decorations for Boys' Day, a miniature samourai helmet and armor

displayed helmet
the young boy's father
a samourai

In the modern observance of Tango-no-Sekku, a display is arranged in the tokonoma, or alcove, in the guest rooms of Japanese houses. Among the decorations are a miniature helmet, suits of armor, a sword, a bow and arrow, silk banners bearing the family crest and the warrior dolls which represent Kintaro, a Herculean boy who grew up to be a general; Shoki, an ancient Chinese general believed to protect people from devils; and Momotaro, the Japanese David the Giant killer.


Credits: Japanese Iris, the long narrow leaves look somewhat like a sword

boys playing
samourai battles
with Irises


Shobu, the Japanese iris, the long narrow leaf of which is somewhat like a sword in shape, has always been closely associated with the Boys' Festival. The iris leaf is prominent in the observance of Tango-no-Sekku because the sound of the word Shobu, although written with different characters, implies striving for success.


striving for success
the young boys play like Samourai
Iris swords in hand


A lovely Festival I think as Japan has many. I hope you enjoyed the read and I hope that you all are inspired to write haiku with this classical Japanese kigo. Have fun, be inspired and creative ... share your haiku with us here on Carpe Diem, the place to be if you like writing and sharing haiku.

This prompt will stay on 'til June 6th 11.59 AM (CET) and I will post our next episode, Hatsugatsuo (First Bonito), later on today around 10.00 PM (CET).







Monday, June 3, 2013

Carpe Diem Special #40, Kikusha-Ni's 'in the teabowl'


Dear Haijin, visitors and travelers,

When we read haiku, we realise that haiku is a way of living. It offers itself to mankind, not as a substitute for Christianity or Buddhism, but as their fulfilment. It is 'Love one another' applied to all things without exception. And this 'love' is not that impossible love of repulsive and odious things, but something far deeper, an entering into the life of fish and reptile and bacteria through that very emotion of aversion. It is:

"Arouse the mind, without attachment to anything".

Haiku at first sight may seem rather slight or thin. This is partly because they avoid any parade of depth, and indeed mask their profundity under a characteristic humour or apparent simplicity; it is partly because of insufficient cooperation by the reader.
The brevity of haiku is not somethging different from, but a part of the poetical life; it is not only a form of expression but a mode of living more immediately, more closely to life.


Kikusha's parents

Today our first Special haiku written by Kikusha-Ni, (this means 'Hut of the Chrysanthemums'), a nun of the Shen sect of Pure Land Buddhism, ther same sect to which the haiku poetess Chiyo-Ni belonged. 'Ni' in her name means that she is a nun.


tenmoku ni koharu no kumo no ugoki kana

in the teabowl
this motion of the clouds
of 'Little Spring'


'Little Spring' in the last line is another name for Ko-haru (Indian Summer) on which we have written haiku in last December when we had all classical kigo for Winter. 'Little Spring' are those beauteous weeks in November and December, when the burden and heat of the year are over, when the sky is constantly blue and the atmosphere golden, and the maple-trees put on their damask robes.

The goal of these Specials is to try to write a whole new haiku in the same sense, tone and Spirit as the one given. So here I go ...

Let me take a closer look to this haiku by Kikusha-Ni: She holds her tea-bowl filled with tea in her hands. In the tea she sees the reflection of the moving clouds through the blue sky of "Little Spring" or the Indian Summer. This places the haiku in early Winter (or late Autumn).
Kikusha was a Buddhistic nun of the Shen sect of the Pure Land Buddhism. So she lives with her environment without any exceptions. She is one with nature in body, heart and soul, as I am. So I can relate to this verse, this haiku and now I can compose a new haiku in the same tone, sense and Spirit as Kikusha-Ni.

At first I wrote a cascading haiku:

in my mind
I see birds taking a bath
in the fountain

in the fountain
looking at themselves
clouds contemplate

clouds contemplate
thoughts hidden deep in my heart
rise up to my mind



But I wasn't satisfied with these, and asked myself if they were in the same Spirit as the one by Kikusha-Ni. I couldn't give an answer for 100% on that question so I wrote another one.

in the rain puddle
the beauty of moving clouds
beneath my feet

Well ... I hope you all did like this episode, this Special by Kikusha-Ni, and I hope it inspires you to write a whole new haiku in the same sense, tone and Spirit.

This prompt will stay on 'til June 5th 11.59 AM (CET) and I will post our next episode, Tango (the Boy's Festival or Boy's Day), later on today around 10.00 PM (CET)

Namaste








Sunday, June 2, 2013

Carpe Diem #212, Shincha (New Tea)



Dear Haijin, visitors and travelers,

I have been invited to a Cha no Yu or Saijiki (a tea ceremony) by Rikyu, a famous tea master. My heart is pounding wild, my mind is in awe. At last I am going to experience a Saijiki, a classical tea ceremony.
Full of excitement I walk towards Rikyu's house. His house, a wonderful classical Japanese one with a gorgeous garden around it, is just around the corner.
As I walk into the garden and towards his frontdoor I look around me. Everywere I look I see wonderful flowers, plants and trees in full bloom. I hear the leaves rustle and the crystal clear sound of falling water. I see a little bamboo fountain and I am enjoying the sight of it for a moment. Then I walk on. Rikyu's garden looks really gorgeous and in a way it resonates with the Universe, with the Cosmos, with the deep silence of the garden. I feel like walking IN a haiku.
My silken kimono feels great on my naked skin, the straw sandals caressing my feet. I was so overwhelmed with the garden that I hadn't noticed the heat. The heat of this Summerday. With my fan I try to stay cool, but it seems that it doesn't work, I still feel the heat.
As I step upon the verandah of Rikyu's house I smell the sweet scent of Honeysuckle, Jasmin and Lillies. Mm ... that nice sweet perfume of Mother Nature ...
I knock on the door.


knocking on the door
the host awaits his guest -
a hot Summer day





Smiling and bowing Rikyu invites me into his home. I slip out of my straw sandals and place them beneath the Honeysuckle.
Rikyu's home breaths peace and silence. I hear the relaxing sound of a Shakuhachi (a bamboo-flute) and I see a young woman playing it in the orangery. She nods at me and invites me to come an sit with her. She handing me a Koto (a 13-string cither). She smiles at me and nods as if she says "come on play the Koto". As in a trance I start playing the Koto. Heavenly sounds of Koto and Shakuhachi are melting together to a symphony of deep devotional and silent music. A perfect harmony ... I didn't know that I could play the Koto, but ... I am playing it. The music fills the orangery and it feels like a warm cloak covering me up.
Through the open window I see the changing color of the sun and I realize that the evening is closing in on us. After the music has faded away ... deep silence. Only the breeze and the fragile song of cicadas.

deep silence
the colorful sky at sunset -
cicadas singing

Rikyu takes me by the hand and leads me into the garden. Along a path of stepping stones, on both sides of the path are on a regular distance firepits giving a little bit of warmth to reduce the coolness of this Summerevening, we reach Rikyu's Chashitsu (tea house) in the backyard of his wonderful garden. The Chashitsu is build of bamboo and the entrance is low. To go inside I have to bend my head and bow my knees. This is deep respect, this is equality ... here is everyone without exception the same.


Credits: japanese tea house

on my knees
as every one has to do
no differences

On the wall, hidden in the Tokonama (a kind of alcove), I see a calligraphed Zen Buddhistic Wisdom line:

'Emptiness isn't really empty, the Spirit of the Emptiness is always present'.

And then Rikyu starts with the preparartions for my first tea-ceremony ever. All his movements are aesthetic and in complete harmony like a wave in the ocean. Finally this is were I was longing for ... a classical Cha no Yu, a tea ceremony and what a joy and a honor to be the guest of the best and most known tea master Rikyu and to see him perform the tea ceremony.

It was awesome that tea ceremony and what a sad idea that it was only a dream (smiles). Rikyu (1522-1591) was one of the best and most known tea masters of his time. He has also composed haiku, but I couldn't find a haiku written by him ... so we will (maybe) never know how he was writing his haiku.

This was the introduction to our new episode of Carpe Diem. Today we share haiku on Shincha (new tea). Shincha is new, or young, tea and mostly harvested in early Summer. Those light green leaves are used to make, as we call it here in The Netherlands, white tea. A very light tea which has a sweet soft taste.

pouring me a cup
she smiles at me and makes me blush
sweet new tea

On hot Summerdays ice tea is my favorite drink and of course I make that myself, not as a tea-master, but it feels like I am the tea-master.

Well ... I hope you all enjoyed this episode and I hope to see wonderful haiku inspired on Shincha. Have fun! This prompt will stay on 'till May 4th 11.59 AM (CET) and I will post our first Carpe Diem Special, a haiku written by our haiku poetess of this month, Kikusha-Ni (Tagama Kikusha Zennshu (1753-1826), later on today around 10.00 PM (CET). To give you all an idea for this first Special I will give that haiku here already.


tenmoku ni koharu no kumo no ugoki kana

in the teabowl

this motion of the clouds
of 'little spring'









Saturday, June 1, 2013

Carpe Diem #211, koromogae (changing or switching clothes)



Dear Haijin, visitors and travelers,

Well ... yesterday was the 'kick-off' of our new Carpe Diem month, June, and I hope that this will be a wonderful month full of beautiful haiku on Summer. It will be a joy to host this daily haiku meme again for a whole new month.

As I was preparing the first episode of June, Mijikayo, I had a deja vu. I thought that I had written a post about the 'short night' in one of our other months of Carpe Diem. The haiku which I used for that first episode of this month, looked very familiar to me, but as I sought for it I couldn't find it immediately. I finally found a post on one of my other blogs, Basho Revisited ,which was about the 'short night'. I will reproduce that haiku hereafter.

at dawn
I wash my feet with dew
the longest day

Not completely the same, but it is about the 'short night' . I think you all have such thoughts too, a deja vu. Another example of a deja vu. Several years ago I wrote a new haiku myself. After a while, when I had read all Basho's haiku, I had another deja vu. There was a haiku written by Basho which brought that haiku which I wrote, as I stated a few lines earlier, back in my mind. It looked so familiar and it turned out to be a haiku by Basho. I had written a haiku completely the same as the one by Basho and I didn't know all of his work at that time. Another deja vu ...

I have to share that haiku here. Remember I wrote it as a new haiku, but it turned out to be a haiku by Basho (my role-model).

polished again
on the clear mirror
flowers of snow


Credits: Koromogae (Yasuyuki Suzuki)


OK ... enough about deja vu and back to our prompt for today. Today we share haiku on koromogae (switching or changing clothes), maybe you know this. It was a common use to change clothes from wadded to linen in ancient Japan and we see that also in our time. As I look to myself. At the end of Autumn I put away my summer clothes and change them for the Winter clothes. And of course when Spring has gone I change my clothes again from Winter to Summer. I think this is very familiar to you all.

cleaning out the closet
finally Summer is here
no more wadded stuff

I hope you enjoyed the read and that it inspires you all to compose and share new haiku. have fun. This prompt will stay on 'til June 3rd 11.59 AM (CET) and I will post our next episode, shincha (new tea), later on today around 10.00 PM (CET).