Showing posts with label Hafiz. Show all posts
Showing posts with label Hafiz. Show all posts

Thursday, November 16, 2017

Carpe Diem #1307 The Vessel


Dear Haijin, visitors and travelers,

It's a little bit sad day today. I failed an exam I had today, but well it's not something to worry about. I will make it again on another day. Now I only have my thoughts at this episode. What can I tell you about this quatrain? It's the sequel of the verse of yesterday. These two verses are connected and I will try to explain that with a little help of bob forrest, who wrote a verse to verse explanation of "The Rubaiyat". It's that explanation I used this month already in all the episodes. Before I had heard about "The Rubaiyat", I really hadn't a clue what a quatrain was or who Omar Khayyam was so I just needed a suitable source of information. It took me some time to find the verse to verse explanation, but I am glad that I found it. "The Rubaiyat" is a wonderful compilation of quatrains with a whole lot of hidden layers, without the verse to verse explanation I couldn't make this month.

Omar Khayyam
Let me give you the quatrain for your inspiration:

I think the Vessel, that with fugitive
Articulation answered, once did live,
And merry-make; and the cold Lip I kiss'd
How many Kisses might it take - and give !

© Omar Khayyam (Tr. FitzGerald)

Background:

“The Vessel” here is the earthen bowl of the previous verse. The lip of the bowl becomes the lip of someone once living, and thus once capable of giving kisses.

The idea that, on death, we return to earth or clay from which can be made a Vessel/ Cup/Bowl is but one idea. Another idea is that our clay may become that of simple building bricks. Thus, for example, Hafiz wrote that “this ruined world is resolved, when we are dead, to make only bricks of our clay!” (from Ode VI in the translation by Cowell).

It's a joy to read again a "note" to an other Persian poet, Hafiz, in this explanation. Hafiz is one of my favorite Persian poets and I even think he is also the most loved Persian poet all around the globe. In the poems by Hafiz we found also several hidden layers.

Hafiz quote
In Christian tradition the phrase “ashes to ashes, dust to dust”, is common use in the tradition of a funeral, but it isn’t a phrase in the Holy Scripture it is based on Genesis 3:19, Genesis 18:27, Job 30:19, and Ecclesiastes 3:20. Those passages say that we begin and end as dust.

So is there also a reference to Christian belief in this quatrain by Omar Khayyam? Maybe it is, maybe it is not. I don’t know. However I like the idea that we can find references to Christian belief in a Persian compilation of verses.

smoke rises
from the pyre
to Heaven

© Chèvrefeuille (experimental haiku)

This episode is NOW OPEN for your submissions and will remain open until November 23rd at noon (CET). I will publish our new "weekend-meditation" later on. For now ... have fun!


Wednesday, November 1, 2017

Carpe Diem #1296 Dawn's Left Hand


Dear Haijin, visitors and travelers,

Welcome at the second episode of November 2017 in which we are exploring "The Rubaiyat" by Omar Khayyam. "The Rubaiyat" is a collection of 101 quatrains, a four lined verse with rhyme in the 1st, 2nd and 4th line.

Omar Khayyam was a Persian poet and scholar and his poems were only discovered far after his death in 1131. "The Rubaiyat" is a renown collection, but Khayyam didn't write only these 101 quatrains. It is said that he wrote a lot of them.

Today's episode I have titled "dawn's left hand" and it's extracted from the 2nd quatrain of "The Rubaiyat". Let me first give you the 'original' quatrain in the first translation by Edward FitzGerald:

Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

© Omar Khayyam (Tr. FitzGerald)

"Dawn's Left Hand"
Background:

The False Dawn is certainly a reference to the zodiacal light. It is now known to result from the reflection of sunlight from interplanetary debris in the plane of the Earth’s orbit around the Sun (the ecliptic), and so is more especially visible (in the northern hemisphere) after sunset in spring and before dawn in autumn, at lower latitudes, where and when the plane of the ecliptic is more steeply inclined to the horizon. Being relatively faint, it is also more easily seen in places where the air is clear and free from the light pollution of modern cities. Hence in Omar Khayyam’s time and place, it would have been a much more visible phenomenon than it is for most of us today. As indicated above, in the northern hemisphere, it is visible both before sunrise (especially in September/October) and after sunset (especially in March/April), but only its morning appearance has ever been of any significance to Islam, as it can give a false message to the faithful about the onset of the true dawn, when the morning prayers begin, and especially during Ramadan, when both prayer and fasting begin. The phenomenon is referred to, somewhat obscurely, in Surah 2.187 of the Qur’an: “Eat and drink until the white thread of dawn appears to you distinct from its black thread, then complete your fast till the night appears.” (translation Abdullah Yusuf Ali) 

false dawn

In this verse is the first of many references to the Tavern and drinking wine, the recurring theme of the poem being “eat, drink and be merry, for tomorrow we die, and there is NOTHING after death.” The last two lines use Cup in a dual sense – “fill the Cup” in the third line means “pour a cup of wine to drink”, whilst the Cup in the last line is the first of many symbolic references to human beings, Cups being made from Clay as Adam was made from Clay by God.The life disappearing from the body of a human being at death is likened to the wine drying out in a cup.

Maybe you remember our CDHK month about Persian poetry. In that month we read poems by the Persian poet Hafiz. Hafiz wrote a lot of poems and there are even poems in which he describes the use of "morning wine".

[...] The dawn advances veiled with roses.
Bring the morning draught, my friends, the morning draught! [...] (Hafiz)

Whilst the morning draught might seem quite civilised to many of us, the injunction, made later in the same ode, to “drink…incessantly the pure wine” seems considerably more worrying! But then Hafiz did live in the days before a glass of wine counted as two units of a suggested weekly intake, and, in any case, his injunction may be a Sufic one, a striving for increasingly Divine Intoxication! 

In the time of Khayyam it was a common use to drink wine in the early morning especially around the Ramadan.

Persian Wine Ewer

In a later translation of "The Rubaiyat" this verse was translated in another way, more accesible for the reader:

Before the phantom of False morning died, 
Methought a Voice within the Tavern cried, 
"When all the Temple is prepared within, 
"Why nods the drowsy Worshiper outside?"

Well ... a nice verse I would say, but drinking wine in the early morning isn't my "cup of tea", but in a way it attracted me to use it in my haiku for this episode:

at dawn
wine sparkles in the sun
night's left over

© Chèvrefeuille

Hm ... I like this one, how immodest, but it is true. This episode is open for your submissions tonight at 7:00 PM (CET) and will remain open until November 8th at noon (CET). I will publish our new episode later on. For now ... have fun!

(Sources: wikipedia; bob forrest web)


Wednesday, March 22, 2017

Carpe Diem #1178 Theme Week Hafiz (4) knowledge



Dear Haijin, visitors and travelers,

This is the last post for the Theme Week about Hafiz, the most beloved poet from the Persian (Iranian) people. Almost every one, young and old, can recite the poems of Hafiz. His poems are really beautiful and full of wisdom. The Persian people know that, they are using his poetry to get answers on their questions and today's poem is one of the most wonderful in my opinion with a great message.

The poem is titled: "The School of Truth" and is extracted from "Drunk On the Wind of the Beloved" in a translation by Thomas Rain Crowe.

School of Truth

O fool, do something, so you won't just stand there looking dumb.
If you are not traveling and on the road, how can you call yourself a guide?
In the School of Truth, one sits at the feet of the Master of Love.
So listen, son, so that one day you may be an old father, too!
All this eating and sleeping has made you ignorant and fat;
By denying yourself food and sleep, you may still have a chance.
Know this: If God should shine His lovelight on your heart,
I promise you'll shine brighter than a dozen suns.
And I say: wash the tarnished copper of your life from your hands;
To be Love's alchemist, you should be working with gold.
Don't sit there thinking; go out and immerse yourself in God's sea.
Having only one hair wet with water will not put knowledge in that head.
For those who see only God, their vision
Is pure, and not a doubt remains.
Even if our world is turned upside down and blown over by the wind,
If you are doubtless, you won't lose a thing.
O Hafiz, if it is union with the Beloved that you seek,
Be the dust at the Wise One's door, and speak!

© Hafiz 

In this poem I read something interesting which brought me the idea to dive into the ancient secretive knowledge of the Alchemists.

Alchemist's Laboratory
Maybe you know Paulo Coelho's novel "The Alchemist", it was his first novel and one of the best he wrote in my opinion. In this novel Paulo describes the story of a young man on a quest to find a treasure on which he had a dream. His quest brings him finally to Egypt and its pyramids. During his quest he encounters an Alchemist who is on a quest to find the fountain of life or the elixer of life. The young man is caught immediately by that idea, but he also is caught by the search for the stone of wisdom to turn everything into gold (like the story of that Greek king Midas).

As I was reading "The Alchemist" I was caught by the secretive knowledge of the Alchemists. So let me tell you a little bit more about that. By the way ... while diving into this matter I ran into a muslim Alchemist, so maybe that fits our theme too.

Alchemy is a philosophical and proto-scientific tradition practiced throughout Europe, Egypt and Asia. It aimed to purify, mature, and perfect certain objects. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble" ones (particularly gold); the creation of an elixir of immortality; the creation of panaceas able to cure any disease; and the development of an alkahest, a universal solvent. The perfection of the human body and soul was thought to permit or result from the alchemical magnum opus and, in the Hellenistic and western tradition, the achievement of gnosis. In Europe, the creation of a philosopher's stone was variously connected with all of these projects.
Jabir ibn Hayyan, the father of Chemistry
As I mentioned above I ran into an alchemist from Persia. Let me tell you a little about him. His name was Jabir ibn Hayyan and he lived from 712 until 815, so he lived for over 100 years. He is nowadays known as "the father of chemistry".
Jabir was a natural philosopher who lived mostly in the 8th century; he was born in Tus, Khorasan, in Persia, well known as Iran then ruled by the Umayyad Caliphate. Jabir in the classical sources has been entitled differently as al-Azdi al-Barigi or al-Kufi or al-Tusi or al-Sufi.
In total, nearly 3,000 treatises and articles are credited to him. The scope of the corpus is vast: cosmology, music, medicine, magic, biology, chemical technology, geometry, grammar, metaphysics, logic, artificial generation of living beings, along with astrological predictions, and symbolic Imâmî myths.
The 112 Books dedicated to the Barmakids, viziers of Caliph Harun al-Rashid. This group includes the Arabic version of the Emerald Tablet, an ancient work that proved a recurring foundation of and source for alchemical operations. In the Middle Ages it was translated into Latin (Tabula Smaragdina) and widely diffused among European alchemists.
The Seventy Books, most of which were translated into Latin during the Middle Ages. This group includes the Kitab al-Zuhra ("Book of Venus") and the Kitab Al-Ahjar ("Book of Stones").
The Ten Books on Rectification, containing descriptions of alchemists such as Pythagoras, Socrates, Plato and Aristotle.
The Books on Balance; this group includes his most famous 'Theory of the balance in Nature'.
Jabir states in his Book of Stones (4:12) that "The purpose is to baffle and lead into error everyone except those whom God loves and provides for". His works seem to have been deliberately written in highly esoteric code, so that only those who had been initiated into his alchemical school could understand them. It is therefore difficult at best for the modern reader to discern which aspects of Jabir's work are to be read as ambiguous symbols, and what is to be taken literally. Because his works rarely made overt sense, the term gibberish is believed to have originally referred to his writings .

It is said that Jabir ibn Hayyah has influenced the Weestern world is a great way. And that makes this little "circle" complete, because with this sentence I am back at the poem by Hafiz. Hafiz's works are renown around the globe and I think his poems have influenced the Western world as much as did Jabir ibn Hayyan.

Alchemy (phot found on Pinterest)

I think the poem by Hafiz describes the alchemy between God, Allah, Higher Self, Great Spirit or what ever name you will give it. Without an open mind and a heart full of love you cannot have a relation with that Higher Power. I think that we, haiku poets, are also a kind of alchemists, because we can tell a lot in just a few words, with those few words we describe the beauty of the Creation and through that we are the alchemists ... through that we know that our love for nature can be a "trigger" to find the Philosopher's Stone to help the world to appreciate nature and its beauty to the max.

alchemy
strong medicine for love
nature smiles

© Chèvrefeuille

I hope you did like this episode, it wasn't an easy task to create it, because I love this Alchemy and all that has to do with it, so ... if this episode was to long than my excuses for that.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 27th at noon (CET). I will try to publish our new episode, a new weekend-meditation with Universal Jane, later on. For now .... have fun!

Tuesday, March 21, 2017

Carpe Diem #1177 Theme Week Hafiz (3) morning breeze

 

Dear Haijin, visitors and travelers,

I like to create these posts here at CDHK. It is always a joy to make them and to see how everyone is responding. I am truly proud to be your host here at CDHK and I am glad to see how you all are responding this month and especially this week.
In this Theme Week I introduce beautiful poems by Hafiz to you and today I have another beauty to share, but first I love to share a few "morning breeze" haiku and tanka here:

A haiku by Yosa Buson:

see the morning breeze
ruffling his so silky hair -
cool Caterpillar


© Buson
And a tanka by Chenou Liu:

the morning breeze
turns maple leaves to song...
alone at my desk
I hear how Mother's words
'come home' have aged
  


© Chenou Liu (source: poemhunter)
And here are two haiku I once wrote in which I used "breeze":

young cherry trees -
morning breeze caresses
fragile blossoms


cherry blossoms bloom
such a fragile beauty -
morning breeze
© Chèvrefeuille

Cherry blossoms
Well ... let us take a look at the poem by Hafiz for today's inspiration. Another beauty I would say. This poem is titled "Like The Morning Breeze" and is taken from "Drunk on the Wind of the Beloved" in a translation by Thomas Rain Crowe.


Like The Morning Breeze

Like the morning breeze, if you bring to the morning good deeds,
The rose of our desire will open and bloom.
Go forward, and make advances down this road of love;
In forward motion, the pain is great.
To beg at the door of the Winehouse is a wonderful alchemy.
If you practice this, soon you will be converting dust into gold.
O heart, if only once you experience the light of purity,
Like a laughing candle, you can abandon the life you live in your head.
But if you are still yearning for cheap wine and a beautiful face,
Don't go out looking for an enlightened job.
Hafiz, if you are listening to this good advice,
The road of Love and its enrichment are right around the curve.

© Hafiz
A wonderful poem and I hope it will inspire you to create haiku, tanka or another Japanese poetry form. Have fun!
This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 26th at noon (CET). I will try to post our next episode, knowledge, later on.

 

Monday, March 20, 2017

Carpe Diem #1176 Theme Week Hafiz (2) lover

 

Dear Haijin, visitors and travelers,

Today is the second day of the Theme Week for this month in which we are exploring the beauty of Persian (Iranian) poetry especially through the poems by Rumi, Hafiz and Saadi. In this Theme Week Hafiz plays the "leading role" because of the fact that he is one of the most loved Persian poets nowadays. His poetry is used by a lot of Persian (Iranian) people to get answers on "burning" questions.
As we saw yesterday in our first Theme Week episode ... the poems by Hafiz can give certain answers on deeper questions ... and today I think that's also true.

The title of this episode "lover" is extracted from a wonderful poem title "Let Thought Become Your Beautiful Lover" (part of "The Gift"). In this poem Hafiz describes the meaning of prayer through the idea of a beautiful woman. And if you read this poem again (and again) than it's almost a prayer. A prayer in praise of the Creator. Hafiz describes praying as a kind of love.

Persian Lovers (painting)

Let Thought Become Your Beautiful Lover

Let thought become the beautiful Woman.
Cultivate your mind and heart to that depth

That it can give you everything
A warm body can.
Why just keep making love with God's child--
Form


When the Friend Himself is standing
Before us
So open-armed?
My dear,
Let prayer become your beautiful Lover


And become free,
Become free of this whole world
Like Hafiz.

© Hafiz taken from “The Gift” translated by Daniel Ladinsky
A wonderful poem don't you think so too? In this poem I read Hafiz's strong love for all and everything and through his love for God ... he has become free ... Is this what he means in this poem? Praying can set you free ... I think that is possible, but I think not everyone will "learn" that from this poem ... it's maybe not the answer on your question ...

Praying
I dived in to my archives and found a few haiku and a tanka in which the "answer" from the poem by Hafiz can be found. I realised while I was searching through my archives that I had written a lot of haiku (and tanka) about praying and prayer.

praying hands
stronger than weapons
I believe
praying to a Higher Power
gives me strength


© Chèvrefeuille

in deep prayer
eyes closed in devotion -
Lotus starts to bloom
deep silence
only whispered prayers -
the scent of incense


Praying Eagle

praying hands
seeking the wisdom of the Lord -
cry of an eagle
scent of Jasmine
the sound of a gurgling brook
my mind in peace


praying to the gods
offering them the gifts of nature
peace of mind

© Chèvrefeuille
Another beautiful poem by Hafiz we have explored in this episode. Hafiz is really one of the greatest Persian poets I think. I hope you did like this episode and that I have inspired you.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 25th at noon (CET). I will (try to) publish our next episode, morning breeze, later on. For now have fun!