Wednesday, June 13, 2018

Carpe Diem's Renga Challenge #1 a cherry tree blooming in old age


Dear Haijin, visitors and travelers,

As I was writing our new episode of Wandering Spirit a nice idea came in my mind. So I created a new feature to challenge you with. I have titled this feature "Carpe Diem's Renga Challenge", and I think the goal is clear for this new feature. Yes ... that's right ... creating renga (a chained verse), but not the easy way I think. Let me give you an explanation for this new feature ... a real challenging feature I think.

In the new episode of Wandering Spirit you read a renga created by Basho and Yozakura. A nice renga I think, but maybe it's not as you had expected, but that's no problem. Yozakura and Basho created it straight from the heart and don't forget ... it was Yozakura's first try to create renga.

In this new feature "Renga Challenge" I love to challenge you all to create a renga of at least six (6) verses and with a maximum of 12 verses. Sounds easy ... well that's not true I think, because there is a rule. You have to create a renga by using haiku I will give you. It's your task to write the two lined verses (7-7 syllables approximately). With those two-lined verses you complete the renga. You may use the haiku in the order you like, so there is no need to use the order in which I will share them with you.

For this first "Renga Challenge" I have chosen six (6) haiku written by Basho and gtranslated by Jane Reichhold. So in a way you create a renga together with Basho.

For this first episode of this new feature I have chosen six (6) haiku written by the young Basho, so these are his first attempts to create haiku. All the haiku are taken from Jane Reichhold's "Basho, The Complete Haiku".

the old woman
a cherry tree blooming in old age
is something to remember


in summer rain
would you be happy with
the moon's face


the voice of reeds
sounds like the autumn wind
from another mouth


The Voice Of Reeds

inside the temple
visitors cannot know
cherries are blooming

what a sprout
a dewdrop seeps down the nodes

of generations of bamboo

separated by clouds
the wild goose lives apart for a while
from his friend


© Basho (Tr. Jane Reichhold, "Basho, The Complete Haiku")

Six beautiful haiku by the master to use. Now it is up to you to choose the order, to choose at least three of the haiku and connect them trhough your two-lined verses. Remember that your last two lines of the renga are the ageku and have to close the chain as started in the first verse you have chosen.

I know this will not be an easy task, that's why I give you two weeks to create your renga together with Basho. Have fun!

This first episode of this new feature "Carpe Diem's Renga Challenge" is NOW OPEN for your submissions and will remain open until June 27th at noon (CEST). Good luck and awaken your muse to create a renga. (!! More about renga you can find above in the menu in CD Lecture 2 !!)

Wandering Spirit: faasuto iyaa wizu Basho (first year with Basho)


the story continues


After my first meeting with the master, with Basho, I was excited and proud to have a haiku written by him personally. I cherished that haiku and decided to calligraph it on white silk. As I had done that I bought a small wooden box and put the haiku on silk into it carefully.

Like a treasure
Hidden in the depth of the mountains
His haiku

© Yozakura

Several days later Basho invited me to his home. I was honored that he invited me.
“Yozakura”, he said. “I have a proposal for you”.
I nodded and my heart beat rose to unknown height.
“Your haiku are wonderful Yozakura, but they can become more sophisticated. I can teach you how. Do you want to be one of my students?”
“I would be honored master Basho. Yes, I love to become one of your students”, I answered.
Basho hugged me and gave me a kiss on my forehead.
“That that is settled. Welcome Yozakura. Please stay with me. Let us write a chained verse together. Do you want to write the first verse?”
I looked at him and stammered: “I would be honored, but I am just a beginning haiku poet. I don’t know if my haiku are worth to start a chained verse with”.
“Lesson One, dear Yozakura, every haiku is a real beauty. It has nothing to do with being a beginner or a professional. It has to do with the love of nature. Look at the pine-tree and see the pine-tree as Buddha. Your haiku are extraordinary wonderful Yozakura … don’t forget that!”
I bowed my head. “I will write the first verse master Basho”, I whispered.

dewdrops shimmer (image found on Pinterest)
At dawn
Birds sing their song
Dewdrops shimmer

© Yozakura

“Brilliant”, Basho said. “This is a nice haiku to start with. Now I have to write the second verse, but I need your help with it. In which season your haiku is written?”
I felt a little bit embarrassed as he asked me which season it was written in.
“I don’t really know. ‘Dawn’ can be used in every season as can ‘birds sing their song’, but I don’t know if ‘dewdrops’ can be used in every season. I think ‘dew’ is a kigo for spring or summer. So this haiku is a spring haiku, because all scenes noticed give me a spring feeling’, I answered. Basho smiled.
“Than it is a spring haiku Yozakura. Now to write the second verse. What do you want that this second verse tells us?”
“I would love to see, the beauty of flowers and young life”. Basho applauded.

Cherry blossoms bloom again
Shelter for young sparrows

© Basho

“That’s what I thought too master”, I laughed. “The beauty of cherry blossoms and the offspring of sparrows. Fragile beauty and the seemingly roughness of sparrows without colors as bright as the cherry blossoms”.
I became excited. I never had done a chained verse in the manner of Basho. “He is really a renga master”, I thought.
“Well … let us go on to the third verse. Read that verse again Yozakura, say it aloud, try to feel what it is painting. Become a part of the scene. Be a spectator that sees this scene”.
I, of course, did what he asked from me. How could I not do that. I was his apprentice so I just did what he asked. I said the second verse aloud … became a part of it. It felt like I was one with the scene. I was the young sparrow in the shelter of the cherry blossom.
“Now … I will make it a little bit more difficult for you my dear Yozakura. It’s your turn to write the next verse, but I love to see a moon theme in it. Do you think you can do that?”
“I think I can, but are you willing to give me some time? This way of writing chained is somewhat new to me”.
“Yes of course you can. Are you still staying at the home of your brother?”
“Yes”.
“Than go home and take your time. A chained verse doesn’t see the light in one day”.

Later that day Kichirou and I had dinner and I told him about my first lesson. “Basho asked me to write the first verse of a chained verse. That was a honor and than he asked me for help with creating the second verse. It was really awesome to work with him. He is a very nice and attractive man, but he is also very wise”.
“Sounds like you have had a good time Yozakura”, Kichirou said.
“Yes it was a real nice day. How was your day?”
“My day was good too. I met a wonderful painter. He told me about haiga. That’s a kind of painting in which haiku are used. He gave me this”.

Willow Tree (woodblock print, by Kawase Hasui, inspired on Saigyo's renown waka)

Kichirou reached for a roll of rice paper and showed it to me. It was an awesome painting inspired on a waka by Saigyo about a willow tree. The willow tree was really beautifully painted and in the pond its reflection was magnificent. The waka calligraphed in a great way. I felt tears rolling from my cheeks.
“Who has painted this … it is … it is wonderful”, I stammered.
“His name is Takayuki and he is a young man, very talented as you can see. I have asked him to make a haiga inspired on that haiku you got from Basho. He will be visiting us tomorrow. As a former Wakashu I think you will appreciate him”.
I smiled. “Hoshina was the first man I fell in love with. There is no place in my heart for a new love my dear brother”.
After dinner we sat on the verandah enjoying each other’s company. Kichirou was reading a book and I was busy to create a new verse for the chained verse Basho and I started.
“Kichirou?” I asked.
“Yes my brother?”
“This is the chained verse we started today, but I have no idea how to bring the moon into the third verse. Maybe you can help me”.
“Please … read what you have already”, Kichirou answered.
“At dawn
Birds sing their songs
Dewdrops shimmer;
That’s the first verse and this is the verse Basho created inspired on the first.
Cherry blossoms bloom again
Shelter for young sparrows;
And now I have to write the third verse, but in that verse I have to use “moon” as Basho asked me”.
“How do I do that?” Kichirou asked.
“By looking at that second verse and let your heart speak to you through the images you see”.
Kichirou nodded. “Let me hear that second verse again”.
I read it aloud a few times again and than I saw how Kichirou smiled.
“Do you have an idea my brother?”
“What do you think of this idea: fragile beauty makes the night mysterious in the moonlight”.
“Awesome Kichirou, but that last line. I don’t know. In your second line you use mysterious and than you use moonlight. I think that there is no need to use moonlight. What do you think of this line? The moon is female so I thought of this ‘she … is beautiful’. Than it makes the mystery bigger, more intense and I think that’s a nice contrast with fragile in the first line”.
I saw that Kichirou understood what I meant, but he wasn’t quite satisfied.
“Your third line is nice, but than you have used two times ‘beauty’, maybe you can change that third line into ‘she … the one I love’, because you love the moon.
I looked at him. "What do you mean?"
"Well ..."
I saw that he weighed his words. "Don't be afraid to say what you think my brother".
"You had a loving relation with Hoshina".
I nodded. "Yes you are right. I loved him very much. I am still missing him. I know they call male to male love "moonlove" ... so I think that third line you proposed is very nice and keeps the mystery.

Moon (woodblock by Gesso Yoshimoto) (found on Pinterest)

We were awake early after a good night's sleep. The sun was already above the horizon and the village was already alive. We sat on the porch and ate our breakfast in profound silence. My thoughts were at Basho's lesson of yesterday.
"I am looking forward to my next lesson of master Basho", I said.
Kichirou looked at me. "He must be special".
"Yes he is, my brother. In a way I feel like him. We even have a connection, a click, with each other. It feels like I know him for a long time instead of just a few weeks. I am excited how our renga will evolve ..."

After a warm cup of tea I took off and went to Basho. He embraced me and gave me a kiss on my forehead. "Good to see you again Yozakura. I am looking forward to create our renga together. I think we will do a half kasen-renga. That means only eighteen verses instead of thirty-six. Is that okay?"
"Yes i think so too. I love to create a complete kasen-renga, but it's not easy to create that as a starting poet. So ... yes let us create a half kasen-renga".
I had a wonderful day with master Basho. The sun was already downing as we finally had created our half kasen-renga.
"You did a great job Yozakura", Basho said.
I blushed and bowed my head. "Thank you master Basho", I whispered.
He looked at me and shook his smiling head.
"You really did great Yozakura. You are looking at a very proud master". He embraced me.
"It's time. The day runs towards its end. Go home Yozakura enjoy the renga we created".
He gave me small booklet we had created from our renga. He even had painted a wonderful scene on the cover. "It's my gift to you Yozakura. Do I see you again tomorrow?" I nodded.

Dew drops shimmer (image found on Pinterest)
After dinner I took the small booklet of our renga and I read it. It made me proud and I love to share the renga Basho and I created with the world. So here it is:

Dewdrops shimmer 

At dawn
Birds sing their song
Dewdrops shimmer

Cherry blossom blooms again
Shelter for young sparrows

The pale moon hangs
Still fresh against the sky
Trailing morning glories      (© Dolores)

A new day rises on my naked body
The sheet that covered me slipped away

Birds sing their song
Dewdrops shimmer like diamonds
Just an illusion

Her feet caress the fresh grass
The moist of the wet earth

Reflection
In puddles of rain
Clouds are dancing

Cherry blossom petals sway on the wind
Their temporarily beauty gone

On this grave
Beneath the blooming wisteria
Her name

After the rain, clouds break open
The blue sky in all her beauty

Dragonkite
Climbs towards heaven
Reaches for the sun

In front of the fireplace
Two souls become one in a glass of wine

Sparkling wine
Flames dance in her hand
He is granted a smile

After the heat this summer night
Honeysuckle perfume and coolness

Warm embrace
Skin to skin we lay down
On the beach

Seagulls cry against the wind
Waves splash in the light of dawn

Reaching for the sun
Swaying on the warm air
Swallows dance together

Dewdrops vaporise as a new day rises
Morning glories bloom for just a moment

"That's a very nice renga Yozakura", Kichirou laughed. "Can I read it again?" I saw how he enjyed the renga and his smile made me proud.

- to be continued -


Tuesday, June 12, 2018

Carpe Diem #1452 cool (suzushi)


Dear Haijin, visitors and travelers,

I hope you all enjoy this month full of classical kigo for summer (and winter). I enjoy it very much to create these posts every day for you. It gives me the opportunity to dive into the beautiful history of haiku, tanka and other forms of Japanese poetry and it gives me the opportunity to try my hand on classical kigo myself.

Today I have taken a kigo from the sub-division of summer, the season. Our classical kigo for today is cool (suzushi) and it is normally used as a kigo for the summer evening in Japan. I think you all can relate to that, because after a hot summer day it is wonderful to sit down in the garden, on the porch, on the beach on a cool summer evening to cool down.

I found a nice haiku created by my master, Basho, that paints this coolness in a nice way, but without the kigo that we have to use today:

Basho wrote the following haiku in the Summer of 1688.

taneshisa ya   aota ni suzuma   mizu no ato

delightfulness
cooling oneself in a rice paddy
the sound of water
© Basho (Tr. Jane Reichhold)
(In this haiku the word "suzuma" is "cooling oneself")
Cool (suzushi)
Here is a haiku written by myself in which I have used this classical kigo:

chasui ha futtou suru nai fan ni mo suzushi sa wo mitsukeru tame no houhou
tea water boils
no way to find coolness
not even a fan
© Chèvrefeuille
And I ran through my archives and found a nice tanka with the same theme:
seeking for coolness
in the depths of the heart -
Summer romance
laying in the shadows of the pines
cooling down


© Chèvrefeuille


Of course I have also a nice classical kigo of winter for our friends on the Southern Hemisphere. Today that will be: Indian summer (koharu)

This episode is open for your submissions tonight at 7:00 PM (CEST) and will remain open until June 19th at noon (CEST). I will try to publish our new episode, dripping spring-water (shitatari), later on.

 

Monday, June 11, 2018

Carpe Diem #1451 young maple-leaves (waka kaede)


Dear Haijin, visitors and travelers,

Welcome at a new episode of our wonderful Kai. This month we are exploring the beauty of classical kigo (seasonwords) for summer and today I have another nice summer kigo for you. But first this: Maybe you know that at the start of CDHK I wasn't aware that it would become such a success and I am grateful for that. Back in the beginning of our Kai I created a whole month about the Tarot. The episodes of that month I have brought together in an exclusive CDHK E-book back in 2016, and now, two years later, I have revised that CDHK E-book about the Tarot and I am proud to announce that "The Divine Tarot" is now available for download at the right of our Kai.

Okay ... back to our episode of today. Today I have chosen another kigo from the sub-division "plants" of summer;  young maple-leaves (waka kaeda).

Young Maple Leaves (waka kaede)
And I found a nice haiku by Basho on "young leaves", but not of "young maple leaves". To be honest I couldn't find any haiku on this classical kigo.

ara to¯ to aoba wakaba no hi no hikari

so holy:
green leaves, young leaves,
in sun’s light
 

© Basho (Tr. Landiss)

And here is my try to create a classical haiku with this kigo for summer:

young maple leaves
shimmer in the early sunlight
like crystalline waves


© Chèvrefeuille
Not as wonderful as I had hoped, but I like this one anyway. Of course I also have a nice kigo for winter for our friends on the Southern Hemisphere: withered pampas grass (kareobana).

This episode is open for your submissions tonight at 7:00 PM (CEST) and will remain open until June 18th at noon (CEST). Have fun!

Sunday, June 10, 2018

Carpe Diem #1450 Moonflower (yuugao)


Dear Haijin, visitors and travelers,

I hope you all have had a wonderful weekend. My weekend was very busy, because I was on the nightshift. Our weekend meditation is now open for your submissions and I am looking forward to all of your wonderful responses.

For today's prompt I have another beautiful classical summer kigo for you, this time it's taken from the sub-division "plants". I remember that I have done this prompt earlier here at CDHK, so maybe you can find your inspiration back in our history. Today's classical summer kigo is "moonflower (yuugao)".

Here are a few haiku written by Basho, the first one he wrote at the age of 21:

yuugao ni mitoruru ya mi mo ukari hyon

by moonflowers
a fascinating body
floats absent-mindedly

© Matsuo Basho age 21 penname then 'Sobo'.

Maybe you are familiar with the idea of "moon love" it was very common several decades ago, that homosexual man could only show their affection and love at night "when the moon was shining". If you are familiar with that idea, than maybe this haiku by Basho (than writing under the penname "Sobo") says more about the hidden layer.

Moonflower (yuugao)

And this one he wrote in 1681 at the age of 37:

yuugao no shiroku yoru no kooka ni shisoku torite

the moonflowers are white
in the night by the outhouse

candle in my hand

© Basho (age 37)

In this haiku you can also find a hidden layer about Basho's preference for man. Is he looking for his male lover in the outhouse? Or is he admiring the beauty of the moonflowers? Well ... we will never know. The only thing we know is that this scene appeared in summer as we can see in the use of the classical kigo "yuugao".

And here is a tanka from my archives:

fragile beauty
climbing against the fence
moonflower straightens
with her snow white blossom
to the Summer moon

© Chèvrefeuille

Enough inspiration I think. For our friends on the Southern Hemisphere I have also a classical kigo to work with, only this time it's chosen from the winter division's sub-division "plants": winter grove (fuyu kodachi).

This episode is open for your submissions tonight at 7:00 PM (CEST) and will remain open until June 17th at noon (CEST). I will try to publish our new episode, young maple-leaves (waka kaeda), later on. For now .... have fun!


Carpe Diem Extra June 10th pre-announcement Summer Retreat 2018


Dear Haijin, visitors and travelers,

In our last weekend-meditation as published last Friday June 8th I already told you that I will initiate another Carpe Diem Summer Retreat next month. I told you also that I hadn't chosen a theme, but today I can share the theme for our new Carpe Diem Summer Retreat 2018.

For this new Summer Retreat I have chosen the theme "Finding Your Way". I realize that this theme is rather strange, but I think you can share wonderful haiku and tanka (no other Japanese poetry forms allowed) on this theme. I will give you an example from my archives:

searching my inner self
following the way of Honeysuckle
path of wisdom*

* Honeysuckle, in her spiritual meaning is the path of wisdom to find your inner self.

I have created our logo also you will find that hereafter.


Well ... this was the pre-announcement of our Summer Retreat 2018 that will start on July 15th at 10:00 PM (CEST) and will run until August 14th at 10:00 PM (CEST).

See you ...

Chèvrefeuille, your host

Friday, June 8, 2018

Carpe Diem Weekend Meditation #36 "like Basho"


!! open for your submissions next Sunday June 10th at 7:00 PM (CEST) !!

Dear Haijin, visitors and travelers,

It's time again for our weekend meditation that special feature for the weekend to give myself and you a little bit more time to meditate and contemplate before you have to respond. This time I have chosen for an all new feature that I have given the name "Deep Within Self". In that feature the goal is to create haiku, tanka or other Japanese poetry form from the heart. Try to create Japanese poetry in which you catch your Inner Most Feeling inspired on a given theme.

Carpe Diem's Deep Within Self The Third Opened
Maybe you know the idea of The Third Eye (the pineal gland) on the midst of your forehead. It is said that you can see right from the heart, soul and mind through the Third Eye. I know what that means. As you open your Third Eye you can really see. In my case I saw the past and relived the life of Basho ... and that was an eye-opener.

just one leaf
struggles with the wind
like Basho

© Chèvrefeuille

So ... here is your theme for this weekend-meditation "like Basho". Seek deep within self to create a haiku, tanka or other Japanese poetry form and try to write "like Basho". Have a great weekend and I am looking forward to all of your wonderful "like Basho" responses next Sunday June 10th.

This weekend meditation is open for your submissions next Sunday June 10th at 7:00 PM (CEST) and will remain open until June 17th at noon (CEST). Have a great weekend!

PS. Next month, July 15th, our new Summer Retreat 2018 will start. Thirty days creating haiku or tanka on a given theme. I haven't yet decided which theme it will be ... but for sure it will be a nice challenging theme again.
PPS. I have published the prompt-list for June you can find it above in the menu.