Dear Haijin, visitors and travelers,
In our Carpe Diem Theme Week we are exploring the Tibetan Book of Living and Dying and I thought maybe it's a nice idea to create a Tokubetsudesu episode in which I share a kind of poetry form from Tibet.
Tibet has not a very broad range of poetry forms, but one of the most known poetry forms is in my opinion the mgur (or song with a spiritual meaning). Here is some background on this mgur and an example of a mgur.
|Mi la ras pa (1040-1123) (a.k.a. Milarepa)|
(1) the early diffusion traditions of songs of "positive personal experience," primarily secular in orientation and distinctly Tibetan in style, and
(2) the tradition—brought to Tibet by Mi la's guru Mar pa—of tantric songs, those often spontaneous, always richly symbolic dohās, caryāgīti or vajragīti sung by Indian mahāsiddhas to express their spiritual realizations.
The themes, moods and styles of Mi la's mgur range widely: though the Dharma almost always is the real subject, it is expressed in verses at various times simple or complex, devout or wrathful, puritanical or ribald, humorous or stern, intensely autobiographical or impersonally didactic. An example of one of this mgur (songs) composed by Mi la ras pa
Faith is the firm foundation of my house,
Diligence forms the high walls,
Meditation makes the huge bricks,
And Wisdom is the great corner-stone.
With these four things I build my castle,
And it will last as long as the Truth eternal!
Your worldly houses are delusions,
Mere prisons for the demons,
And so I would abandon and desert them.
The success of Mi la ras pa's songs in helping to popularize Buddhism, combined with the innate Tibetan love of poetry and song, helped assure that in the centuries after Mi la, mgur composition came to be a widely practiced art.