Thursday, March 5, 2015

Carpe Diem #681, Puddles


Dear Haijin, visitors and travelers,

Sometimes I don't have a clue to write about for our prompts. Our prompt for today, puddles, is such a prompt ... I really don't know what to write about puddles to introduce the episode to you all.

So I just stay at this point ... our prompt is puddles and it is up to you to write/compose a haiku (or tanka) and share it with us in a haiga.

Puddles ... they remind me at my childhood ... how many times I jumped in puddles after a rain shower? Often very often. I remember that my brother and I jumped in puddles often and certainly after a hot summer day ... than we danced in the rain (almost naked) to become free of the heat ... yes those are nice memories. I have made a haiga from an archived haiku ... so here is my haiga for this episode:


feeling a kid again
jumping in the puddles of spring -
soaked 'til the bone

© Chèvrefeuille

I hope you all do enjoy this Haiga Festival month and I hope that you all liked this episode.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 9th at noon (CET). I will (try to) publish our next episode, a nice new episode of our Time Machine feature - kites, later on. For now ... have fun!

Wednesday, March 4, 2015

Carpe Diem #680, Meadow


Dear Haijin, visitors and travelers,

As time is flowing by I am already busy with the preparing of our prompt-lists for our next months. In April we will discover the Bhagavad Gita, the story of Arjuna, part of the Mahābhārata; in May we will go on trail with Matsuo Basho and in June we will have another month with modern kigo for summer as distilled from Jane Reichhold's "A Dictionary of Haiku", but that's all for later on.

Ok back to our Haiga Festival. Today our prompt is meadow and I recall that I have written more than one haiku, troiku or tanka about meadow and I found a really nice one which I wrote in June 2014. I composed this haiku in respons on one of our episodes on inspirational music. I have re-modelled it to a haiga.

warriors of the king
fighting for glory - in the meadows
the lowing of cows

© Chèvrefeuille

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 8th at noon (CET). I will (try to) publish our new episode, puddles, later on. For now .... have fun, be inspired and share your haiga with us all.A wonderful haiga (how immodest), but I really like this haiga. Gives me a feeling of expansiveness as I see these meadows with that stone-circle in front of it. This photo shows the region around Drumbeg (UK) ...


Tuesday, March 3, 2015

Carpe Diem Special #135, Santoka Taneda's "reflection" & CD's "Haiku Writing Techniques #9 "freestyle haiku"


Dear Haijin, visitors and travelers,

What a joy and what a honor it is to have the possibility to introduce a haiku-poet who lived in almost the same time-period as Masaoka Shiki. Shiki was the "name-giver" of our beloved haiku, but this featured haiku poet this month was the "builder" of the "free-style haiku". "Free-style haiku"? And this is also a new episode of our "Haiku Writing Techniques" about the "freestyle" haiku.

Free-style haiku in this case is based on the teachings of another great haiku poet, Ogiwara Seisensui (1884-1976), who was a strong proponent of abandoning haiku traditions, especially the "season words" so favored by Takahama Kyoshi (1874-1959), and even the 5-7-5 syllable norms. In his Haiku teisho (1917) (a kind of Zen Sermon on Haiku), he broke with Hekigoto (1873-1937) and shocked the haiku world by advocating further that haiku be transformed into free verse. His students included Ozaki Hōsai (1885-1926) and Santōka Taneda (1882-1940), our featured haiku poet this month. His (Seisensui) role in promoting the format of free-style haiku has been compared with that of Masaoka Shiki (1867-1902) for traditional verse, with the contrast that Seisensui was blessed with both vigorous health, and considerable wealth. He also was able to use new media to promote his style, including lectures and literary criticism on national radio.



Ok ... that's the introduction to this new Carpe Diem Special. Now let me tell you a little bit more about Santoka Taneda, our featured haiku-poet this month. (Of course you can find information about him at the page of our March prompt-list too).

Santoka once said: "Days I don't enjoy: any day I don't walk, drink sake, and compose haiku."
And here is another quote of a saying by Santoka:
"Westerners try to conquer the mountains. People of the East contemplate the mountains. For us, mountains are not an object of scientific study but a work of art. Patiently I taste the mountains."

 

Santoka is considered a unique proponent of "free-style" haiku poetry, a mode that abandoned much of the customary form and subject matter of traditional haiku in favor of a direct and unadorned depiction of human experience. He was also, as e.g. Matsuo Basho, a wandering poet and ascetic Zen priest for the last fifteen years of his life, Santoka emphasized many of the essential qualities of Zen Buddhism in his verse, including mujo (impermanence), the necessity of sabi (solitude), the importance of simplicity in life, and the pervasive sadness that accompanies all human affairs. Many of his poems point toward the Zen goal of overcoming this ubiquitous melancholy by achieving spiritual enlightenment and serenity. To this view Santoka added his concern with what was called "the vital necessity of movement and the partial release it brings to the anguish of the soul."

So as you can read we are on a journey through the poetry, the freestyle haiku, of Santoka Taneda this month. I think he will bring us some insight in how haiku has evolved from the 19th to the 21st century ... without the strong rules as known for our classical haiku ... this month will be "freestyling with haiku".
Santoka  Taneda (1882-1940)
Here is the first "freestyle haiku" by Santoka Taneda. (SMT refers to his work Somokuto - Grass Tree Stupa).I found two (very) different translation for this first haiku, reflection:

mizu ni kage aru tabibito de aru (SMT)

reflection
in the water
a traveler
my shadow
on the water,
traveler I am
.

Both are great, but personally I prefer the first version the most, it even could have been written shorter than this one:

My "freestyle-haiku" translation, would be like something as this:

shadow
in water
travels


© Chèvrefeuille

Santoka Taneda was, as Basho was, a traveling haiku-poet. He traveled clothed like a Zen-Buddhist monk and he also wrote his "adventures" in a haibun. On his first journey in 1926 he started a three years walk in which he visited a great part of the 88 temples on Shikoku-Island (which we also visited virtualy in February and March 2014) and visited the gravesite of a deceased friend and follower of Seisensui, Ozaki Hōsai (1885–1926).


yakisutete nikki no hai no kore dake ka

now they’re burned
these are all the ashes
from my diaries (*)?


(*)Santoka burned the diaries from his first trip because he was ashamed of what he had written.


It's quit a story and I think we will have a lot of fun with this haiku poet ... I love to tell you (again) the goal of these CD-Specials, especially for our new family-members, ... The goal is to write/ compose an all new haiku inspired on this haiku by Taneda Santoka and try to catch the same sense, tone and spirit as the one shared here. You may write a classical or non-classical haiku or as Taneda Santoka was in favour of ... a "freestyle haiku".

Here is my attempt, (again) a tanka:

after the rainstorm
reflections of blue sky and clouds
in muddy waters
raindrops - rhythmic art of nature
in the pond circles fade


© Chèvrefeuille

Is it possible that I am attracted by tanka? Am I becoming a tanka-addict? No ... don't worry ... I am just trying to master this nice Japanese poetry form ... I will be a haiku-poet always, but I have to try something else sometimes and now that's tanka.

I hope you did like this post about our featured haiku-poet and the "freestyle-haiku" and I hope you will like the challenge to write/compose an all new haiku inspired on this haiku by Santoka Taneda ... with using the "freestyle-haiku" have fun!

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 6th at noon (CET). I will (try to) publish our new episode, meadow, later on. For now ... have fun!

Monday, March 2, 2015

Carpe Diem #679, Light


Dear Haijin, visitors and travelers,

What a nice month this will be ... I already have seen wonderful and beautiful haiga and I am proud on all of you. I asked myself "Can poets be painters too?" and I can only say that's correct they can also paint and make great photos. We (haiku-poets) aren't only painters with words, but also with images ... great.

Today I have a nice prompt for you all and I think this prompt will inspire you ... today our prompt is light and that can mean different things ... it can be "light according to weight", "light according to day", "light according to Creation" or "light according to awakening of the Inner Self, the Inner Wisdom". So I think this episode could become a nice spiritual episode ...
Maybe you can remember this haiku which I wrote in March 2013:

on the verandah
in the light of a Spring lantern

writing haiku

writing haiku

inspired on the wonderful sunset
a Spring evening

Or this one which I wrote in that same year as the above around the Vernal Equinox:

celebrating the sun
with narcissus flowers in my hair -
Spring Equinox


Spring Equinox
day and night the same lenght
departing Winter


In these haiku you can sense the underlying (deeper) spiritual meaning of light ... I have taken the spiritual path for this prompt light. Spirituality has a very significant relation with light. As light signifies the supreme power/energy which is moving this whole earth, planet and universe. Though significance of light is the Light which is inside of us. This light is there till the person is alive and it is this light which goes when the person is considered lifeless.
In spirituality this light is seen as the essence of God in every human being and he/she can actually see it within if they have received the technique to go within which is self-knowledge.


And here is my haiga for this episode:


the night deepens
darker and darker the sky
without the streetlights
the night sky looks like a light show
the full moon and thousands of stars

© Chèvrefeuille


Again a tanka, but this one you already knew I think because I published it recently in September 2014. I had taken a photo of the full moon, but it wasn't a great photo, so for this one I have borrowed an image somewhere from the internet. I couldn't retrieve the credits.

Well ... it was not a long post this time, but I liked making it. So I hope this episode will inspire you all to compose, create a haiga ... have fun! This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 6th at noon (CET). I will (try to) post our next episode, our first haiku written by our featured haiku poet, Santoka Taneda, later on.

Carpe Diem Extra 2015-11 An announcement by Dolores



Dear Haijin, visitors and travelers,

Dolores of Ada’s Poetry Alcove has asked me to publish the following on our Haiku Kai:

I am having a poetry challenge and there is one week left. I was wondering if you would announce it to the Carpe Diem poets.
Namaste,

Chèvrefeuille

Sunday, March 1, 2015

Carpe Diem Time Glass #23, Bamboo


Dear Haijin, visitors and travelers,

It's Sunday again and that means ... time for another time challenging Tima Glass episode in which I challenge you all to write a haiku (or tanka) inspired on a given prompt and image within 24 hours.
This week, because of our Haiga Festival, I have chosen to challenge you with the following prompt "BAMBOO" and with a haiga which I have made a while ago (December 2013). By the way the haiku used in this haiga is far older than the haiga ... the haiku is a translation of a (Dutch) haiku which I wrote somewhere in the nineties..


So .... this Time Glass episode has the prompt BAMBOO and you have to/may use the haiga for your inspiration.

Share your inspired haiku (or tanka, or haiga) within 24 hours with us all here at our Haiku Kai. This Time Glass episode starts tonight at 7.00 PM (CET) and will end on Monday March 2nd at 7.00 PM (CET). So you have just 24 hours to respond. Not an easy task, but it can train you in catching the moment, the impression, as long as a heartbeat.


Carpe Diem #678, Happiness


Dear Haijin, visitors and travelers,

What a joy it was to see your first haiga submissions ... it makes me really happy that we also can explore this wonderful part of the Japanese poetry ... really awesome. Today our prompt is happiness and there is a lot to say about "happiness", but I have focused on the spiritual meaning of happiness ... I found a really awesome article about happiness at Wikipedia. I love to share a part of that here:

The Chinese Confucian thinker Mencius, who 2300 years ago sought to give advice to the ruthless political leaders of the warring states period, was convinced that the mind played a mediating role between the "lesser self" (the physiological self) and the "greater self" (the moral self) and that getting the priorities right between these two would lead to sage-hood. He argued that if we did not feel satisfaction or pleasure in nourishing one's "vital force" with "righteous deeds", that force would shrivel up (Mencius,6A:15 2A:2). More specifically, he mentions the experience of intoxicating joy if one celebrates the practice of the great virtues, especially through music.
Credits: Happiness
In the Nicomachean Ethics, written in 350 BCE, Aristotle stated that happiness (also being well and doing well) is the only thing that humans desire for its own sake, unlike riches, honor, health or friendship. He observed that men sought riches, or honor, or health not only for their own sake but also in order to be happy. Note that eudaimonia, the term we translate as "happiness", is for Aristotle an activity rather than an emotion or a state. Thus understood, the happy life is the good life, that is, a life in which a person fulfills human nature in an excellent way. Specifically, Aristotle argues that the good life is the life of excellent rational activity. He arrives at this claim with the Function Argument. Basically, if it's right, every living thing has a function, that which it uniquely does. For humans, Aristotle contends, our function is to reason, since it is that alone that we uniquely do. And performing one's function well, or excellently, is one's good. Thus, the life of excellent rational activity is the happy life. Aristotle does not leave it that, however. For he argues that there is a second best life for those incapable of excellent rational activity. This second best life is the life of moral virtue.

According to St. Augustine and Thomas Aquinas, man's last end is happiness: "all men agree in desiring the last end, which is happiness." Aquinas agreed with Aristotle that happiness cannot be reached solely through reasoning about consequences of acts, but also requires a pursuit of good causes for acts, such as habits according to virtue. In turn, which habits and acts that normally lead to happiness is according to Aquinas caused by laws: natural law and divine law. These laws, in turn, were according to Aquinas caused by a first cause, or God.

Credits: Happiness (2) Oil-painting Leonid Afremov
And, because of the Buddhist background of haiku I also love to share the ideas about happiness as stated from Buddhism:

Happiness forms a central theme of Buddhist teachings. For ultimate freedom from suffering, the Noble Eightfold Path leads its practitioner to Nirvana, a state of everlasting peace. Ultimate happiness is only achieved by overcoming craving in all forms. More mundane forms of happiness, such as acquiring wealth and maintaining good friendships, are also recognized as worthy goals for lay people. Buddhism also encourages the generation of loving kindness and compassion, the desire for the happiness and welfare of all beings.

simple happiness
cherry blossoms bloom again -
spring is near


© Chèvrefeuille

No haiga by me this episode, but I hope that this post on "happiness" will inspire you all to create a beautiful haiga and share it with us all.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 5th at noon (CET). I will (try to) publish our new episode, light, later on.