Showing posts with label Santoka Taneda. Show all posts
Showing posts with label Santoka Taneda. Show all posts

Wednesday, November 20, 2019

Carpe Diem #1784 soaking wet (Crossroads)



Dear Haijin, visitors and travelers,

This month our theme is "Never Change A Winning Team" and it's all about haiku, my first love. In the seven years of CDHK I have always tried to stay with my first love, haiku, but that changed during the years.

From the haiku I invented a few new poetry forms, like the Troiku and the "fusion-ku". Today I love to bring both forms together. I have chosen two haiku by one of the renown classical masters and your task is to create a "fusion-ku" and to create a Troiku with that "fusion-ku".


Pampas Grass

Here are the two haiku to work with:

soaking wet
I can’t read the letters
on the signpost

walking through
the bush clover, the pampas grass,
walking on through them

© Santoka Taneda

Two nice haiku by Santoka Taneda I would say, maybe you can remember them, because I used them earlier here at our wonderful Kai.

This episode is NOW OPEN for your submissions and will remain open until November 27th at noon (CET). I will try to publish our new episode later on. For now ... enjoy the challenge.


Monday, June 3, 2019

Carpe Diem #1673 Troiku Month (2) my native town


Dear Haijin, visitors and travelers,

Welcome at the 2nd episode of this new CDHK month in which we experimenting with Troiku, that gorgeous creative way of haiku-ing I invented several years ago. Today I have a nice haiku by a haiku poet we all know, because we have had haiku written by him very often here at CDHK.

Today I have a haiku for you to create your Troiku with written by Santoka Taneda:

my native town
far, far away--
burgeoning trees.

© Santoka Taneda

A nice haiku to work with and as you all know Santoka Taneda was a haiku poet who didn't used the classical rules of haiku, he was a free-styler and that's what we all are as we are composing Troiku.

So have fun ... free-styling ... go for it!

This episode is NOW OPEN for your submissions and will remain open until June 10th at noon (CEST). I will try to publish our new episode later on.


Thursday, August 23, 2018

Carpe Diem Tan Renga Challenge #111 Autumn Heat


Dear Haijin, visitors and travelers,

Last week I re-started our weekly Tan Renga Challenge (TRC) on Wednesdays, but this week's TRC I couldn't make on time through lack of time, but here it is a new TRC for you:

This week I have a nice haiku written by Taneda Santoka (1882-1940) to work with. Santoka Taneda was a haiku poet who choose to free-style with haiku. What does that mean? He didn't follow the classical onji (5-7-5) or for example didn't use kigo (seasonwords). A style of haiku-ing I love too.

Begging Bowl
The goal of this TRC is to create the second stanza (of two-lines with approximately 14 words) through association on images and scenes in the given haiku. Here is the "hokku" to work with:

autumn heat --
my begging bowl
is full of rice


(C) Santoka Taneda (Tr. John Stevens)

This episode of our TRC is NOW OPEN for your submissions and will remain open until August 30th 10:00 PM (CEST). Have fun!

Sunday, June 24, 2018

Carpe Diem #1460 heat at zenith (hizakari)


Dear Haijin, visitors and travelers,

I hope you all have had a wonderful weekend full of inspiration. My weekend was okay ... I enjoyed being free and it gave me some time to meditate and contemplate about the future of Carpe Diem Haiku Kai. What will bring us the future here at CDHK? I hope to create posts for several years, but I hope that you all will stay to participate. Making CDHK takes a lot of time, but I love making it. So I tried to look at CDHK in a new way ... what can I change to bring more haijin, visitors and travelers to our wonderful Kai? First I will create a new kukai next month; second I think I will bring back some features from the past; third I will try to create the possibility for you all to be part of CDHK in another way ... as co-editors. Maybe you can remember our Ghostwriter feature, in that feature I gave participants the possibility to create a post for CDHK and I remember that several of you did a Ghostwriter post here. Carpe Diem Haiku Kai, a warmhearted family of haiku poets, can grow further and can become better ... but I cannot do that without your participation. Well ... maybe you have some ideas to change Carpe Diem Haiku Kai and make it bigger and better than ever. Share your ideas with us all through the comment-field.

Heat at Zenith (hizakari)

Today's classical kigo is taken from the sub-division "The Heavens" and is a kigo for late-summer. Today's kigo is: heat at zenith (hizakari). This kigo points to the heat of the day as the sun is at its highest point. (Say around 12:00 PM). That moment of the day is really the hottest part of the day and, as I look at myself, it's that moment of day in summer that I will avoid as much as I can.
As you can see on the image above, the trees have the shortest shadow and that points towards the moment of the day that is called "zenith".

I found two haiku by Santoka Taneda (1882 - 1940) in which this classical kigo, heat at zenith (hizakari), is used:

Hizakari no O-Jizō-sama no kao ga nikoniko.

In the sunlight
Jizō's face *
Smiles brightly

* Stone statues of Jizō Bosatsu are often placed at crossroads or other places frequented by travelers. Jizō (Ksitigarbha) is the patron of children and travelers and is usually shown standing, holding a pilgrim's staff in his right hand and a pearl in his left. His head is shaven, and he has a compassionate smile.

Hizakari naite mo warōte mo hitori.

In the heat of the day
Crying or laughing--
Only one.

© Santoka Taneda

Jizo, patron of children and travelers

These haiku by Santoka Taneda are exceptional, because Santoka Taneda wasn't a great fan of the required kigo in haiku, but in these two haiku he uses our classical kigo for today, heat at zenith (hizakari).

the heat of the day
walking beneath the leaves of willows
ah! that coolness


© Chèvrefeuille

I hope I have inspired you. This episode is NOW OPEN for your submissions and will remain open until July 1st at noon (CEST). I will try to publish our next episode later on.


Friday, March 30, 2018

Carpe Diem Weekend Meditation #26 Revise That Haiku


!!! Open for your submissions next Sunday April 1st 2018 at 7:00 PM (CEST) !!!

Dear Haijin, visitors and travelers,

What a joy to make an all new CDHK Weekend-meditation for you all, our warmhearted family of haiku poets. Last weekend I asked you to use a quote for your inspiration and this weekend I hope to challenge you again with a new "Revise That Haiku" feature. In this feature the goal is to "revise" the haiku of renown haiku poets, both classical or non-classical. This time I have chosen for two haiku by classical haiku poets, that brought haiku into the 20th century, Santoka Taneda and Masaoka Shiki. First I will give you the haiku by Santoka Taneda which you have to revise. I also will give you a small description that belongs to this haiku.

Statue of Santoka Taneda (Hofu Prefecture Japan)

nonchalantly pissing
off the side of the road
soaking the young weeds

© Santoka Taneda (1882-1940)

In Zen Buddhism shying away from bodily functions means shying away from life and death. Shying away from the real truth. The above haiku falls under this category.This poem is important because to some extent the weeds are Santoka himself. One can still live even without pure water. Notice also the fate of these weeds--they are not on the path, the road to salvation, but are destined to be on the path's edge. Could this be how Santoka saw himself? I think so.


Masaoka Shiki
And here is the haiku by Shiki to "revise":

the summer moon
there are a lot of paper lanterns
on the street


© Masaoka Shiki (1867-1902)

In this haiku one can easily see the scene of a warm summer evening. After a warm day it's great to sit outside in the coolness of the summer night watching the paper lanterns. It feels serene and romantic. On the veranda of his home Shiki watches the summer moon and compares her with paper lanterns. Maybe he sat there with friends or with his loved ones ... it's a wonderful summer scene.

Nightview of Saruwako-cho (Japanese Woodblock-print)

Two wonderful haiku poets, both brought haiku into the 20th century. Shiki gave haiku its name by the way, before his time haiku was called "haikai or hokku". Both haiku are in my opinion beautiful masterpieces so it may feel like a sin to "revise" them, but don't worry it is not a sin, it's a way of improving your own haiku writing skills.

Enjoy your weekend.

This weekend-meditation is open for your submissions next Sunday April 1st at 7:00 PM (CEST) and will remain open until April 8th at noon (CEST). I will try to publish our new episode, the first regular of April, later on. For now ... have fun!


Monday, July 31, 2017

Carpe Diem #1229 Yin & Yang


Dear Haijin, visitors and travelers,

Welcome at the first episode of a new month full of challenging prompts to inspire you to create Japanese poetry like haiku and tanka. As I do every month I have chosen a new theme for the prompts. This month we will explore modern art.

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.

Isn't that we are doing with haiku? As I discovered haiku back in the eighties I wrote longer poems and stories, I used a lot of words to tell the stories and had the feeling that I said nothing. Than there was haiku ... a very short poem originating from Japan. As I started reading haiku, and for sure that wasn't easy, I immediately was caught. These short poems told a lot about a short moment in the life of the poet with maybe 10 to 15 words and those scenes were really awesome. If I had to describe that scene I would need for sure more than 15 words ... In other words ... haiku experiments with
words to tell a lot ... that is ... in my opinion modern art.

logo August 2017
The above logo is my choice for August and you can find this same modern art painting on the background of our Kai this month. It's an abstract oil painting on canvas produced by everfun.com visit their website and see what they have more (click on the caption under the above logo).

This month it's not only about haiku or tanka, but it is about modern art in all its different appearances.

Our first prompt for this month fits our haiku in a great way because of its spiritual meaning. Today I love to challenge you to create haiku inspired on a sculpture by Joel Shapses. He introduces himself to you:

Joel Shapses
As an Award winning sculptor my works are prominently displayed in private collections and public venues throughout North and South America. The more, avant garde statements that are made in the mixture of neon, led lights, metal, fused glass and stone media to elicit an excitement that occurs when the artist takes a quantum leap toward ingenuity. Whether realistic or abstract, the viewer's tactile senses are aroused with almost a sense of urgency to explore each form in greater depth than just visually. Born in New Jersey, Have spent most of my life on the Eastern coast of the U.S. Having an inherent artistic gift, I began sculpting in a primitive way at the age of five. Early on in my sculpting career, I worked under the same roof as famed sculptor Enzo Gallo. From a period of over the fifty years I have exhibited in many shows and has won over seventy awards and recognitions and have completed over six hundred works of art.

A wonderful artist I would say and it is one of his sculptures that is featured on our first day of August 2017. The sculpture is titled "Yin Yang" and that's our prompt for today. What does Yin Yang mean? Let me tell you that, but I think that the most of you know what it means.

Yin and Yang
Yin and Yang

Yin and yang is a complex, relational concept in Chinese culture that has developed over thousands of years. Briefly put, yin and yang represent the two opposite principles observed in nature.

Generally speaking, yin is characterized as feminine, still, dark, negative, and an inward energy. On the other hand, yang is characterized as masculine, energetic, hot, bright, positive, and an outward energy.

Yin and yang elements come in pairs, such as the moon and the sun, female and male, dark and bright, cold and hot, passive and active, and so on.

But it is important to note that yin and yang are not static or mutually exclusive terms. The nature of yin yang lies in the interchange and interplay of the two components. The alternation of day and night is such an example. While the world is composed of many different, sometimes opposing, forces, these forces still coexist and even complement each other. Sometimes, forces opposite in nature even rely on each other to exist. For example, there cannot be a shadow without light.

The balance of yin and yang is important. If yin is stronger, yang will be weaker, and vice versa. Yin and yang can interchange under certain conditions so they are usually not yin and yang alone. In other words, yin elements can contain certain parts of yang, and yang can have some components of yin.

It is believed that this balance of yin and yang exists in everything.

Yin and Yang ... a hidden part of haiku maybe, because we can see this balance, the existence of this balance, in all and everything ... and therefore also in haiku. Isn't that what haiku is? Haiku is about nature and humans as part of nature that brings the balance between humans and nature ...

Yin Yang by Joel Shapses
Well ... a lot to think about I would say ... so I will give you more time to respond instead of five (5) days you can now respond within seven (7) days. I am looking forward to this month because I love to bring modern art more to the attention of the world and maybe through CDHK's month August 2017 that will happen.

balance
black and white together
as one

© Chèvrefeuille

Not as strong as I had hoped, but it is a haiku in the modern way, because that's the other challenge this month try to create your haiku, tanka or other Japanese poetry form in a modern way as did for example Santoka Taneda. (See our promptlist for August 2017 above in the menu)

This episode is open for your submissions tonight at 7:00 PM (CET) and will remain open until August 7th at noon (CET). Have fun.


Thursday, July 6, 2017

Carpe Diem's Writing and Enjoying Haiku #2 no rules


!!! Open for your submissions next Sunday July 9th at 7:00 PM (CET) !!!

Dear Haijin, visitors and travelers,

Welcome at the 2nd episode of this new feature for our "weekend-meditation". Two weeks ago I started this feature and I think it was great to create it and I read several wonderful responses. Today I love to tell you a little bit more about "no rules" in haiku.

Maybe you remember what Basho once said "Now you know the rules, forget them immediately and write from the heart". Haiku has a history of rules new, gone away, returned and newly created, but this quote by Basho is still alive and kicking. Therefore I love to challenge you this time to create haiku (or tanka or other Japanese poetry form) without thinking of the rules. Think for example free as Santoka Taneda did, who didn't use the 5-7-5 onji rule, or the kigo rule. Imagine what you can do without using the rules known and unknown.

You are free to choose whatever theme you want ... just enjoy writing haiku right from your heart.


Here is an example of my own:

drip, drip
the sound of water
kitchen sink

© Chèvrefeuille

Well have fun!

This episode is open for your submissions next Sunday July 9th at 7:00 PM (CET) and will remain open until July 14th at noon (CET).


Wednesday, July 5, 2017

Carpe Diem #1215 cold sake (hiyazake)


Dear Haijin, visitors and travelers,

Welcome at a new episode of Carpe Diem. This month we are exploring the kigo for summer. Kigo are seasonwords that are used in haiku to point towards the season in which the haiku took place. Today we have a classical kigo as used in ancient Japan. The most kigo were chosen with Edo as the tracking point, because of the long stretched country. Today the classical kigo is hiyazake or cold sake.

Sake is a rice wine and mostly it is served warm, but in the summer, when it is hot, it is served cold.

Hiyazake (cold sake)
Here are a few examples of haiku with this kigo:

Santoka Taneda (1882 - 1940) had an unhappy life which was, since his eleventh year, marked by the suicide of his mother, which she apparently committed because of her cheating husband. Santoka was raised by his grandmother, and whole of his life was marked by constant drinking which left him outside of community, irrespectively of his great poetic talent. He couldn't keep a job and all he was able to do was wandering and writing sad haiku poetry marked by his addiction to sake. The addiction probably killed him in the end.
As you (maybe) know Santoka's haiku have a free form and don't follow the 5-7-5 syllable rule. Santoka thus departs from the traditional haiku, but his poetry can be still classified as haiku, although it does not fit there with regards to form. It does fit in there, however, with regards to the spirit, because it remains faithful to revealing the whole world in a moment, in a single experience - in this, Santoka was a sad master.
Santoka wrote several haiku about or themed sake:
If I sell my rags
And buy some sake
Will there still be loneliness?


So drunk
I slept
with the crickets!
Beneath The River of Heaven
The drunkard dances all night.
sound of waves
far off close by
how much longer to live
© Santoka, (tr. Burton Watson)
Hiyazake
Or this one by Shiki, more for autumn and winter:

samukeredo sake mo ari  yu mo aru tokoro
it is cold, but
we have sake
and the hot spring
© Shiki (1867-1902)
And here is one by myself:
in the light of the full moon
drinking sake with my haiku friends
under cherry blossoms
© Chèvrefeuille (April 2017)

a strange sight
sailors loaded with sake
dance like fools
© Chèvrefeuille (October 2015)
Well ... it is up to you now ...

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until July 10th at noon (CET). I will (try to) post our new episode, a new "weekend-meditation" later on. For now .... have fun!

Wednesday, May 17, 2017

Carpe Diem Tan Renga Challenge Month 2017 #12 dandelion, dandelion (Ogiwara Seisensui)


Dear Haijin, visitors and travelers,

Today I have another not so well known classical haiku poet who was a contemporary of Shiki and Santoka Taneda, Ogiwara Seisensui (1884-1976), maybe you can remember him, because I have written about him earlier here at CDHK.

Let me tell you a little bit more about him.

Ogiwara Seisensui (1884 - 1976) was the pen-name of Ogiwara Tōkichi, a Japanese haiku poet active during the Taishō and Showa periods of Japan. Seisensui was born in what is now the Hamamatsuchō neighborhood of Minato, Tokyo, as the younger son of a general goods retailer. Both of his siblings died in infancy. Although he attended Seisoku Junior High School, Ogiwara was expelled after publishing a student newspaper criticizing the school's educational methods and administration. After entering Azabu Junior High School, he quit drinking and smoking, seriously engaged in studying, and gained admission to Tokyo Imperial University. While a student majoring in linguistics, he became interested in writing haiku.

Ogiwara Seisensui (1884-1976)

Seisensui co-founded the avant-garde literary magazine Sōun ("Layered Clouds") in 1911, together with fellow haiku poet Kawahigashi Hekigoto. Ogiwawa was a strong proponent of abandoning haiku traditions, especially the "season words" so favored by Takahama Kyoshi, and even the 5-7-5 syllable norms. In his Haiku teisho (1917), he broke with Hekigoto and shocked the haiku world by advocating further that haiku be transformed into free verse. His students included Ozaki Hōsai and Taneda Santōka. His role in promoting the format of free-style haiku has been compared with that of Masaoka Shiki for traditional verse, with the contrast that Seisensui was blessed with both vigorous health, and considerable wealth. He also was able to use new media to promote his style, including lectures and literary criticism on national radio.

Seisensui's wife and daughter perished in the Great Kantō earthquake of 1923, and his mother died the same year. He moved to Kyoto briefly, and lived for a while at a chapel within the Buddhist temple of Tofuku-ji. He also began a period of travel around the country. He remarried in 1929, and relocated to Kamakura, Kanagawa. He moved to Azabu in Tokyo until his house was destroyed during World War II. He then moved back to Kamakura in 1944, where he lived until his death.

Dandelion (image found on Pinterest)

Here is the "hokku" to work with today:

dandelion dandelion
on the sandy beach
spring opens its eyes

© Ogiwara Seisensui

As I look at this haiku and re-read it several times I sense fragility in the scene, but also strength. Dandelions are very strong flowers and they survive almost everywhere.

Here is my completed Tan Renga:

dandelion dandelion
on the sandy beach
spring opens its eyes                           © Ogiwara Seisensui

youngsters full of life
taking their first naked dive
              © Chèvrefeuille

In my second stanza I tried to catch the feeling of fragility and strength by "super-impose" them on youngsters. They are full of life and full of adventure and in the second stanza they are bringing that together through their naked dive. In early spring the sea here in The Netherlands is very cold, so I applaud these youngsters that they dare to take that naked dive.

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until May 22nd at noon (CET). I will try to publish our new "weekend-meditation", a new episode of Universal Jane, later on. Have fun!


Tuesday, May 3, 2016

Carpe Diem Tokubetsudesu #78 Soliloquy no Renga "autumn night" by Santoka Taneda


Dear Haijin, visitors and travelers,

Here is our first Tokubetsudesu episode of May. I couldn't find a nice theme for this Tokubetsudesu so I decided to challenge you to write a Soliloquy no Renga in this Tan Renga month. Maybe you can remember that I invented this solo renga a few years ago, but I will tell you again what a Soliloquy no Renga is.

As the name already says ... Soliloquy no Renga is a renga written by one poet. It challenges you to associate on your own stanzas to create a "solo-renga". A renga has two kinds of stanzas, three lined stanza and two lined stanza (as renga and Tan Renga). You may decide yourself how long you will make your Soliloquy no Renga, but at least 6 stanzas.

Logo of CD-Soliloquy no Renga

For this Tokubetsudesu Soliloquy no Renga challenge I have a nice haiku by Santoka Taneda (1882-1940). Santoka Taneda is known for his 'free-styled' haiku, no syllables-count, no kigo. He was really a free thinker in haiku-land.

Here is the starting verse of this week's Soliloquy no Renga challenge:

Aki noyo ya inu kara morattari neko ni ataetari

Autumn night--
I received it from the dog
And gave it to the cat.

© Santoka Taneda

Santoka Taneda (1882-1940)
It has become a short episode, because of lack of time. I hope to come up with a Soliloquy no Renga based on this haiku by Santoka Taneda myself later on.

This Tokubetsudesu episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until May 8th at noon (CET). I will publish our next Tan Renga Challenge based on a haiku by Chiyo-Ni (as you can find on our twitter account) later on.


Saturday, April 11, 2015

Carpe Diem Little Creatures #20, "Wren"


Dear Haijin, visitors and travelers,

It's a while ago that I published a Carpe Diem Little Creatures episode, but this Saturday I have a new CD Little Creatures episode for you with an all new logo. This week I have chosen to bring a little bird under your attention. In Dutch we call this little bird "Winterkoninkje", in English this little fellow is called "Wren" and the scientific name is Troglodytes troglodytes.
Not so long ago I spotted a Wren in my frontyard. It was searching for food and it came very close to me, but (it's a shame) I hadn't my photo-camera at hand, so the photo which I will share here isn't made by me.

Credits: Wren (Troglodytes troglodytes)
The Wren is very common in The Netherlands, but its only seen in winter, that's why we call this little fellow "Winterkoninkje" in my country.

The Eurasian wren (Troglodytes troglodytes), is a very small bird, and the only member of the wren family Troglodytidae found in Eurasia and Africa (Maghreb). In Anglophone Europe, it is commonly known simply as the wren. It was once lumped with Troglodytes hiemalis of eastern North America and Troglodytes pacificus of western North America as the winter wren. The Eurasian wren occurs in Europe, a belt of Asia from northern Iran and Afghanistan across to Japan. It is migratory in the only northern parts of its range. (Source: Wikipedia)

As it occurs Wren is a classical kigo for winter and so there had to be haiku about Wren. So I 'dived into' the WWW to search for haiku on Wren (or misosazai) and I found a gorgeous "free-style" haiku written by Santoka Taneda, our featured haiku poet of March.

hissori kuraseba misosazai

I live
withdrawn and
a wren


© Santoka Taneda (1882-1940)

And I found a wonderful haiku on Wren at THE Issa website Haikuguy:
misosazai kugatsu misoka mo gatten ka

hey wren!
do you realize it's Ninth Month
30th day?


This undated haiku seems to be a revision of this one that Issa wrote in 1813:

misosazai kono tsugomori wo gatten ka

hey wren!
do you realize
it's the 30th?


In the old Japanese calendar, the 30th day of Ninth Month was the last day of autumn. Since the wren is a winter bird, Issa is either saying: "You're a day early!" or: "Get ready; your season starts tomorrow!" Issa implies here that the Wren doesn't need a calendar.

Credits: Wren © John Bridges

I have also sought for haiku on Wren written by Basho, but I couldn't find any. What I found was a haiku written on Wren by Izen, one of the disciples/students of Basho. Izen wrote this haiku in Basho's last days.

light of foot indeed
in its flight through bamboo groves,
a wren passing by
.   

©  Izen (1646-1711)

It's really a wonderful little bird and it even has a deeper spiritual meaning especially the Celtic meaning, because the Celts are much alike haiku poets, they are one with nature.

Celtic meanings of this little bird begin with observations in raising their young. Both male and female wrens take part in caring for their young. This is symbolic of sharing tasks within the home. It's also a reminder to not getting stuck in gender roles, and approach the "traditional" from a fresh, innovative angle.
The wren is an active little bird, and so its symbolic Celtic meanings include activity, vibrancy, alertness and efficiency. The wren is rarely seen resting on her laurels. The Celts honored that fastidiousness, and took the lesson of making progress each day to heart in their own lives.
Further, the wren is quite sociable. She reminds us to keep a happy heart and be kind to others.

Symbolic Celtic Meanings for the Wren

Friendliness; Sharing; Determined; Quick-Witted; Active; Agile; Creativity; Light-Hearted; Free-Spirited.

This light, bright cheer carries over into the delightful song of the wren. Bards were particularly inspired by this songbird's lyrics, and the wren wins high status as a symbol of musical poetry, art and song. (listen to the wonderful fragile song of the Wren)



Like many songbirds, the wren is a champion at migration and movement. She's content to flit from place to place with shallow roots. This is symbolic of the old adage "home is where the heart is."
In this respect, the wren reminds us it is not the material items we gain, but the quality of relationships made along the way that enrich our lives.
We can also interpret the wren's flighty ways as a message to branch out, expand our circle of contacts, and step out of our habitual rounds in life.
The wren may be tiny, but she packs a powerful symbolic message, encouraging us to go beyond the realm of the "known" and to access the adventure that waits for us!

Well ... we have learned a lot about this wonderful little bird and I think it will inspire you to write an all new haiku. Of course I had to compose my own 'Wren"-haiku and so I wrote the following haiku:

without anxiety
Wren looks for food in the garden
a sacred moment


© Chèvrefeuille

What a joyful episode of Little Creatures this was and now it's up to you to write a haiku on Wren.

This episode is NOW OPEN for your submissions and will remain open until next Saturday April 18th at noon (CET).


Friday, March 27, 2015

Carpe Diem Special #139, Santoka Taneda's "the dragon flies"


Dear haijin, visitors and travelers,

It's a bit sad and today with a little pain in my heart I present to you our last CD-Special by Santoka Taneda (1882-1940), our featured haiku poet of March. Next month we will have another featured haiku-poet. Maybe you already have read which one that will be. Next month we will have Kala Ramesh, an Indian haiku-poetess, as our featured haiku-poet.
Recently I discovered that Kala Ramesh and I were published in the same worldwide anthology "Spasms of Light" (2011). I am excited and I am looking forward to next month especially the haiku by Kala Ramesh, who already has granted me permission to use her haiku.

Ok ... back to Santoka Taneda, this month's featured haiku-poet. As you maybe remember ... Santoka was a for-stander of the so called "free-style" haiku. However the haiku for today's episode of CD-Special is very classic and (in my opinion) a real beauty.
The goal of this CD-Special is to write/compose a haiku in the same sense, tone and spirit as the one given by the featured haiku-poet.
 

the dragon flies
perch on my kasa
as I walk along


© Santoka Taneda

I didn't say to much I think ... a beauty, but how to catch that beauty in a new haiku inspired on the haiku by Santoka? Maybe it's an idea to look at another "dragonfly" haiku which I found on "Hello Poetry".


Dragonfly

Dragonfly with wings of Blue, what makes me wonder just like you
You hover over a yellow flower, mesmerized by her power
I see myself attracted to, the colors of life, just like you
Something bright will pull me in, to take my light deep deep within
Oh dragonfly Oh dragonfly lets savor life, just you and I


© Johnny Dod (2010)

A wonderful poem by Johnny Dod in which we even can see something of Santoka's way of writing haiku and using repetition (the last two lines).

And here is my attempt to write an all new haiku inspired on the haiku by Santoka Taneda:

what a surprise!
as I kneel next to the old pond
dragonflies mating


© Chèvrefeuille

This is real beauty. Look at those dragonflies while they are mating they look like a heart ... amazing.
I have tried to make a haiga of this haiku and here is the result.


This episode of Carpe Diem Special will be open for your submissions tonight at 7.00 PM (CET) and will remain open until March 31st at noon (CET). I will try to post our next episode, fashionista, later on. For now ... have fun!

Sunday, March 15, 2015

Carpe Diem Special #137, Santoka Taneda's 3rd "walking through "


Dear Haijin, visitors and travelers,

What a joy to create another wonderful CD Special with a haiku composed by our featured haiku poet Santoka Taneda (1882-1940) ... he has written a lot of haiku which are worth to share here at CDHK. This new episode is titled "walking through" and in this haiku composed by him we see one of the haiku writing techniques which I have introduced to you all "repetition". A short reminder: Repetition in haiku means "using the same words" more than once to make the scene stronger and more intense.

This month is Haiga Festival and so I have chosen to create a haiga with the to be used haiku by Santoka Taneda. It's more in tune than with our theme this month.

Fumi-wakeru hagi yo susuki yo

walking through
the bush clover, the pampas grass,
walking on through them


© Santoka Taneda (Tr. R.H. Blyth)


It's a gorgeous haiku I think and I even think I have turned it into a wonderful haiga. The photo however isn't mine (credits photo: here)  but it fits the haiku very well I think.

The goal of this CD Special is to write/compose an all new haiku inspired on the given one and in the same sense, tone and spirit as the given one. Maybe you can use the repetition writing technique in your haiku too, but that's not an obligation. Feel free .... and as you all know (maybe) Santoka Taneda was a 'fore stander' of the so called "free style haiku", so feel free to use that style ....

Here is my attempt to write/compose an all new haiku in the spirit of Santoka Taneda:

again and again
the wind chime points me the way
to peace .... again


© Chèvrefeuille

Hm ... not as strong as I had hoped, but I like the intensity of this haiku ... I have turned this one into a haiga too.

Credits: Weird Cabin with Wind Chime

It has become a nice haiga (how immodest) and I hope you like it too. This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until March 18th at noon (CET). I will (try to) publish our new episode, windmill, later on. For now .... just enjoy and have fun!

Monday, March 9, 2015

Carpe Diem Special #136, Santoka Taneda's "there is Buddha"


Dear Haijin, visitors and travelers,

As you all know this month we have Santoka Taneda (1882-1940) as our featured haiku poet and I think you remember our last Haiku Writing Techniques episode "free style" and that's what we are going to do again with this CD-Special.

Santoka Taneda (or Taneda Santoka, both ways are used) wrote a lot of haiku, not only as we know them, but he also wrote several haiku with the "sound of Zen" in it and our CD-Special of today is such a haiku with the "sound of Zen":

in the ceaseless sound
of the water
there is Buddha


© Santoka Taneda

Credits: brook
I think this haiku is a true Zen haiku and it's full of the "sound of Zen" in my opinion and not only based on the name of Buddha in it ... the sound of the water ... always there ... without taking a pause. Even in winter you can hear the sound of water when it's frozen ...
Haiku poets are one with nature and as you all know Buddha was one with nature too ... so that makes us all Buddha ...

The goal of this CD-Special is to write/compose an all new haiku in the same sense, tone and spirit as the one given ... and because Santoka Taneda was a fore stander of the 'free-style' haiku you don't need to count syllables or use kigo or one of the other "classical rules" of haiku. Maybe that makes it easier, but I am not sure of that.

Here is my attempt:

drip, drip
the sound of water
kitchen sink


© Chèvrefeuille

This episode is open for your submissions tonight at 7.00 PM (CET) and it will remain open until March 12th at noon (CET). I will (try to) publish our next episode, a new Haiku Writing Techniques, later on. For now .... have fun!
!! PS. I am hopelessly behind with commenting. I hope to catch up a.s.a.p. !!!